I prefer that animation reach into places where live action doesn't go, and it seems like all of animation nowadays is trying to go where live action is.
It just seems like the whole, overall animation world is trying to go where maybe animation doesn't belong.
Animation is manipulating the difference.
The animation of the canvas is one of the hardest problems of painting.
I did what we call dry for wet effects, some of the miniatures work and two animation sequences.
Where as in animation you have to kind of do a series of drawings in between to complete the movement.
Polar Express is not an attempt to do animation. It is a technology-based film.
Depression is melancholy minus its charms - the animation, the fits.
The success of The Simpsons really opened doors. It showed that if you were working in animation you didn't necessarily have to be working in kids' television.
Every medium has its own projection, and I find animation is much bigger than normal.
In animation, there's this exhilarating moment of discovery when you see the film and you say, Oh THAT'S what I was doing.
What I love most about animation is, it's a team sport, and everything we do is about pure imagination.
I miss animation very passionately. Not continuously, but every once in a while I would die to do another film.
I am an animator. I feel like I'm the manager of a animation cinema factory. I am not an executive. I'm rather like a foreman, like the boss of a team of craftsmen. That is the spirit of how I work.
Animation is the only thing I ever wanted to do in my whole life. I have no desire for live-action or anything else.
So many plays with magic in them that would be a terrific invitation to an imaginative animation team.
Sure, they were simple desk lamps with only a minimal amount of movement, but you could immediately tell that Luxo Jr. was a baby, and that the big one was his mother. In that short little film, computer animation went from a novelty to a serious tool for filmmaking.
Live action writers will give you a structure, but who the hell is talking about structure? Animation is closer to jazz than some kind of classical stage structure.
I usually have 10 different animation projects going at a time.
Because good writing in a TV cartoon is so rare, I think the animation on The Simpsons is often overlooked.
I brought in the stories many times. I don't just do animation.
You've got to be able to make animation for much less... Less is not the studio's way.
I'm having the same problems today that I had when I first started, saying that outrageous adult animation works.
But the animation has become very good, and I think that a movie is not a book, and a book is not a movie.
We always thought the Tom Tom Club could change to anything, but it acquired this image, which was cartoon animation and this real light-hearted dance music.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: