I never imagined I'd be a solo artist. And now I couldn't imagine being part of a group.
I began to go to concerts when I was 12 years old. And I would stand there, the small imp that I was, and I would expect the world to be laid before me by these artists, and in some cases it was. So when I climbed onto the stage, I always imagined that I was singing to somebody who was similar to how I had been.
I just love expanding my horizons and growing as an artist. The only way you get to do that is by doing something that scares you or takes you out of your comfort zone.
When I land in a country and they ask for 'occupation,' I always just put 'artist.' I think that covers all of it.
When an artist leaves his work to amuse people, he loses his time and their respect. If people are to be amused by artists, it must be by employing them in their legitimate occupation.
A primitive artist is an amateur whose work sells.
Artists are taught to be humble about their impact, especially in folk music. It's so ingrained that I have a hard time even thinking I had any impact other than what a normal hit song would have.
The one thing I've learned in the last ten years is that successful artists don't get paid to write and sing songs, they get paid for the psychological roller coaster they're going to have to ride. That's the hard work.
The world is crawling with authors touring now. They're like performance artists.
Sometimes you have to be a diva. All the artists I admire from Madonna to Whitney to Mariah have all been called divas. If you are strong, if you have vision, if you are an artist, you have to do what you believe in. And if you get called a diva for it, then so what.
I always wanted to be an artist; being a songwriter for myself was always a must but being a songwriter for others has been a bonus.
I was listening to Jimi Hendrix; I just admire his artistry and creativity as an artist.
I feel like my peers now are artists like Madonna and the Stones, Michael Jackson and Prince. These are people who were able to take their careers beyond the normal here-today-gone-tomorrow life span.
When I put out my first mixtape, '50 Cent is the Future,' it was the first tape where an artist did the entire tape in song format.
I have a lot of tattoos. My first tattoo I had when I was a teenager was just a little heart. I am very friendly with a great artist, Scott Campbell, and I started going to him to get tattoos. I'm very spontaneous about what I get.
Marc Jacobs is full of creative people and Louis Vuitton is again a name on the door, a name that has existed for many years but I'm a collaborator there and I bring in other people, other artists and I work with a great creative design team.
I don't really count myself as a very sophisticated businessperson. I'm a creative artist. All I know from business I've picked up along the way.
I painted the picture, and in the colors the rhythm of the music quivers. I painted the colors I saw.
Amazingly, I've been sort of an anomaly in the music industry. I feel like I've been able to exist as kind of a throwback artist.
Fifty percent of all meaningful education takes place in the home. What do you share with your child? You share your interests. I was a book person. I read with my son. My wife is an artist. She dragged his little butt around to museums. He's an illustrator of children's books.
How does an artist know when the line that he just painted is good or not good? That's the catch. De Kooning was the greatest of my contemporaries in art, and he knew when he'd done a good line. When he didn't, he threw it away. I wish I'd thrown away some of mine.
Man, me and Biggie were the biggest artists in New York. When he passed, I was so messed up. My attitude was messed up about him dying. There was an East-West thing back then, and I was in war mode.
I'm a big fan of certain new acts. I love any genre of music, and I think it's really great to see that there are new artists coming through. It's kinda funny to think that I'm like the old man on campus now. But I'm really happy for groups like One Direction. I think they're really good guys.
I would like to see more airplay for all artists, no matter what age. I think there's a lot of money being spent toward the young guys, but a lot of the older guys are the ones who blazed the trail for those young guys.
I have inherited two of the most important brands in hip-hop, Def Jam and Roc-A-Fella. Reid and Universal Music Group have given me the opportunity to manage the companies I have contributed to my whole career. I feel this is a giant step for me and the entire artist community.
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