The reviewer is a singularly detested enemy because he is, unlike the hapless artist, invulnerable.
I just love expanding my horizons and growing as an artist. The only way you get to do that is by doing something that scares you or takes you out of your comfort zone.
When an artist leaves his work to amuse people, he loses his time and their respect. If people are to be amused by artists, it must be by employing them in their legitimate occupation.
I know now that most people are so closely concerned with themselves that they are not aware of their own individuality, I can see myself, and it has helped me to say what I want to say in paint.
I realised the bohemian life was not for me. I would look around at my friends, living like starving artists, and wonder, 'Where's the art?' They weren't doing anything. And there was so much interesting stuff to do, so much fun to be had... maybe I could even quit renting.
Artists are taught to be humble about their impact, especially in folk music. It's so ingrained that I have a hard time even thinking I had any impact other than what a normal hit song would have.
The one thing I've learned in the last ten years is that successful artists don't get paid to write and sing songs, they get paid for the psychological roller coaster they're going to have to ride. That's the hard work.
The world is crawling with authors touring now. They're like performance artists.
Sometimes you have to be a diva. All the artists I admire from Madonna to Whitney to Mariah have all been called divas. If you are strong, if you have vision, if you are an artist, you have to do what you believe in. And if you get called a diva for it, then so what.
I always wanted to be an artist; being a songwriter for myself was always a must but being a songwriter for others has been a bonus.
I was listening to Jimi Hendrix; I just admire his artistry and creativity as an artist.
I feel like my peers now are artists like Madonna and the Stones, Michael Jackson and Prince. These are people who were able to take their careers beyond the normal here-today-gone-tomorrow life span.
When I put out my first mixtape, '50 Cent is the Future,' it was the first tape where an artist did the entire tape in song format.
I have a lot of tattoos. My first tattoo I had when I was a teenager was just a little heart. I am very friendly with a great artist, Scott Campbell, and I started going to him to get tattoos. I'm very spontaneous about what I get.
Marc Jacobs is full of creative people and Louis Vuitton is again a name on the door, a name that has existed for many years but I'm a collaborator there and I bring in other people, other artists and I work with a great creative design team.
I don't really count myself as a very sophisticated businessperson. I'm a creative artist. All I know from business I've picked up along the way.
People have libraries at home, they have bookshelves, they have CDs. And they sort of try, people try to bring great artists into their lives, into their physical houses and sort of live with portions of them. But they're not really deeply engaging with them.
The worst thing you can do as an artist is to repeat yourself.
Amazingly, I've been sort of an anomaly in the music industry. I feel like I've been able to exist as kind of a throwback artist.
The higher the artist, the fewer the gestures. The fewer the tools, the greater the imagination. The greater the will, the greater the secret failure.
How does an artist know when the line that he just painted is good or not good? That's the catch. De Kooning was the greatest of my contemporaries in art, and he knew when he'd done a good line. When he didn't, he threw it away. I wish I'd thrown away some of mine.
True artists are prophets. I don't want to be that prophetic in that sense because it's so lonely.
I'm a big fan of certain new acts. I love any genre of music, and I think it's really great to see that there are new artists coming through. It's kinda funny to think that I'm like the old man on campus now. But I'm really happy for groups like One Direction. I think they're really good guys.
I just go with the flow, so any style can be in my music - that makes it exciting.
I have inherited two of the most important brands in hip-hop, Def Jam and Roc-A-Fella. Reid and Universal Music Group have given me the opportunity to manage the companies I have contributed to my whole career. I feel this is a giant step for me and the entire artist community.
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