I'm going to make him an offer he can't refuse.
May the Force be with you.
I ate his liver with some fava beans and a nice chianti
You're gonna need a bigger boat.
I'll make him an offer he can't refuse.
Carpe diem. (Seize the day.)
Frankly, my dear, I don't give a damn.
Gentlemen, you can't fight in here! This is the War Room.
A boy's best friend is his mother.
Life moves pretty fast. If you don't stop and look around once in a while, you could miss it.
These Are Not The Droids You Are Looking For.
A census taker once tried to test me. I ate his liver with some fava beans and a nice chianti.
The best films of any kind, narrative or documentary, provoke questions.
I hate tooting my own horn, but after Steven Spielberg saw Yentl, he said: "I wish I could tell you how to fix your picture, but I can't. It's the best film I've seen since Citizen Kane".
A movie is a creative process from its conception, through its writing, to its execution, to the editing. I think with the best films there is some kind of contribution from one person all the way through that. The best films are made by people who write, direct, and edit, so there's continuity.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
All I can do is try to do the best work I can. I need to work, I like to work... although I complain about it, but I do like it - and I just need to make the best film I can.
The best filmmakers, I think, have always had very narrow frameworks for their stories, and then they can go deeply, rather than skimming the surface.
With a few exceptions, Fellini's films have failure and despair running through them: Life continues, but I can't imagine 'Felliniesque' as an exclusively uplifting adjective. Fellini's best films are the ones that distill this essence -- the paradoxical quality of melancholic ecstasy, a surreal, bittersweet vitality -- to perfection.
I've learned from every director I've worked with. Everybody's style is very different, and I always say that being an actor is the best film school that I could ever go to.
France has given us the best filmmakers and food.
You're creating music to pull people into a world, whether it be a visual medium where music is just one element, or a purely musical medium. Either way, you're trying to transport people and to create a connection. I've always felt that the best films and the best albums can be the best company. If people feel a little bit less alone because of something I had a hand in creating than I feel like I'm contributing to the world in a positive way.
A filmmaker should never assume he's superior to his subject. I often find that even the simplest topic remains an enigma. The best film portraits not only evoke that enigma but ingest it in a process that renders what's invisible visible.
I am not a bloody ghoda running a race that you give me a tag. I am competitive, and the reason for that is that I want to do the best films.
You always want to make the best film you can. If anything I feel more relaxed after the Oscar. I feel like I have a chance to just tell the stories I want to tell and it's actually been really nice.
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