In 1984 nobody knew what cable was going to be. It was there, but you didn't know where it was going.
Great Britain revolutionized parts of their regulatory process by actually bringing the people who were going to be regulated to the table and suddenly found that they could solve the problems at a lot lower cost by, again, going back to the thing that tends to be most uninteresting, particularly in cable news, and looking at the actual process.
Where I grew up, we had the three TV networks, maybe two radio stations, no cable TV. We still had a long-distance party line in our neighborhood, so you could listen to all your neighbors' phone calls. We had a very small public library, and the nearest bookstore was an hour away.
But I really am very active in the choice of the line producer with the producer of record and the distributing company, because I've had some terrible, terrible experiences with some line producers, particularly in cable.
Obviously with the onset of cable and satellite, there are more opportunities for programming and original programming, so it creates more opportunities for actors and producers and directors and everything.
Each day more coalition MPs in seats outside the South East come out against George Osborne's regional pay cut plans, and Vince Cable now claims they are dead.
Cable news is more titillating to talk about who's up and who's down and all that nonsense as opposed to what's actually done.
The cable model is just a better model. Dual revenue stream: advertising-supported and subscription-supported revenues.
I believe that 'advocacy journalism' is not an oxymoron. If that means that I'm going to disrupt the cable, partisan fracas of obsession over what this means from left and right, then so be it. I will be disruptive of it.
My parents were great parents, but for some bizarre reason they allowed me to watch whatever I wanted on TV, we had cable. And I constantly watched horror movies.
I just personally feel like the best writing for actors exists in cable television.
We now assume that when people turn on the evening news, they basically already know what the news is. They've heard it on the radio. They've seen it on the Internet. They've seen it on one of the cable companies. So that makes our job a bit different.
There is always a certain amount of 'transmission loss.' You can have a power generator and if the power is going on 100 miles away, even with very efficient cable there could be a certain amount of loss.
In 2004, I was the new President of Bravo. I had never run a commercial cable network before…we needed a hit.
A lot of people are doing television now. Great, legendary actors are doing movies on cable and stuff now, and you can't blame them, because they're still doing adult dramas and adult comedies on those stations.
I wanted to work on a cable show and with a writer/director because that's a much more fulfilling and freeing experience, as an actor.
All things take time. A lot of my films still run on cable and are in video stores, and there's a whole generation that doesn't know who I am. So, it's a dichotomy. In some people's minds I may never grow up.
The idea of Cable as a man out to protect his daughter by any means necessary gives the character an emotional heft and underlines everything he does. It's richly fulfilling.
The origins and travels of our purchases remain matters of indifference, although to the more imaginative at least a slight dampness at the bottom of a carton, or an obscure code printed along a computer cable, may hint at processes of manufacture and transport nobler and more mysterious, more worthy of wonder and study, than the very goods themselves.
Cable is not a robot. The metal in his body is actually organic tissue. Ed and I have talked about this a lot. We liken it to a cancer that changes your body's cellular structure. Last time we saw him, his arm had been severed. It's back with a kind of force that will play a major role in this storyline. This is a battle inside Cable's body that he has waged since the first time he appeared.
The weakness of cable news is that it chases its audience around. Your audience wants fast-paced, popular news. It needs real news. Cable news changes its stripes based on audience reaction. Viewers are reacting well to breaking news? You probably do more breaking news than you need to. The struggle is building something so that people will come to you, as opposed to constantly changing what you are because you're unsure of where the audience is.
I went door-to-door selling cable television subscriptions when I was in college. Not to date myself, but cable was just coming on. I had terrible territories, and they would give me $25, if I got somebody to let them come and just put the little cord in their house.
The problem with the cable networks is the lack of money, not from personal income but as far as show budget.
Nature was tough, it could be dangerous, but unlike Dr. Cable or shay, or peris-unlike people in general-it made sense. The problems it threw at you could be solved rationally.
So, you got QVC? (Simi) Afraid not, sweetie. (Astrid) You got Soap Net? (Zarek shook his head.) You got any TV? (Simi) Sorry. (Zarek) Are you kidding? You boring people. A demon needs her cable. Akri done tricked me. He didn’t tell me I’d have to go without cable. (Simi)
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