I am certain that most composers today would consider today's music to be rich, not to say confusing, in its enormous diversity of styles, technical procedures, and systems of esthetics.
The real composer thinks about his work the whole time; he is not always conscious of this, but he is aware of it later when he suddenly knows what he will do.
Pianists call me a composer, composers call me a pianist. The classicists think me a futurist, and the futurists call me a reactionary.
The old idea of a composer suddenly having a terrific idea and sitting up all night to write it is nonsense. Nighttime is for sleeping.
I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven.
I'm not interested in having an orchestra sound like itself. I want it to sound like the composer.
To send light into the darkness of men's hearts - such is the duty of the artist.
I probably belong to a type of composer of songs who keeps thinking about melody... I am old fashioned.
I think it's good for the composer to teach because you always have new students and you have to begin at the beginning and make things clear.
Every composer's music reflects in its subject-matter and in its style the source of the money the composer is living on while writing the music.
Truly there would be reason to go mad were it not for music.
That is basically me, and although I have done many things in my life - conducting, playing piano, and so on - what is fundamental is my being a composer.
I'm not an architectural composer.
The thing about influence is that any composer worth anything will give you the same names.
Like any other composer of opera, I choose a subject not for polemical reasons, but because it contains vivid characters in highly charged dramatic situations.
Handel is the greatest composer that ever lived... I would uncover my head and kneel down on his tomb.
I have learned throughout my life as a composer chiefly through my mistakes and pursuits of false assumptions, not by my exposure to founts of wisdom and knowledge.
To judge a composer's work, one must consider it as a whole.
I like a composer called Henry Purcell, and I love to listen to Neil Young.
Asking the author of historical novels to teach you about history is like expecting the composer of a melody to provide answers about radio transmission.
I began my career with infantile dreams of becoming a composer.
I tend to listen to the classical composers: Rachmaninov, Satie.
America can well expect to develop a goodly amount of composers for she has a goodly number of people.
Composers love to write for symphony orchestras because the symphony is the Rolls Royce of musical instruments.
Nobody can give a good performance unless the authors and composers have written a good part, a fact which is often overlooked.
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