To judge a composer's work, one must consider it as a whole.
I began like all composers, writing for small groups. Chamber groups.
I'm not an intellectual composer.
I tend to listen to the classical composers: Rachmaninov, Satie.
I'm glad I won it because when I grew up the Pulitzer was the award that every composer wanted and I was like that too.
Asking the author of historical novels to teach you about history is like expecting the composer of a melody to provide answers about radio transmission.
I like a composer called Henry Purcell, and I love to listen to Neil Young.
The first year I started in San Francisco, there was an American work on every program and there's been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Nobody can give a good performance unless the authors and composers have written a good part, a fact which is often overlooked.
Composers love to write for symphony orchestras because the symphony is the Rolls Royce of musical instruments.
Living composers writing for big band are very few and far between. There are not a lot of them, and I have a talent for doing it. I am zeroing in on what I do best.
I find respect for a mediocre British composer, as opposed to a really good American, ridiculous because they automatically respect a composer if he's from England.
Well, American composers are the best composers. At this time in the world, we are where the energy is. We are the most diverse, the most iconoclastic, the most maverick, and the most skillful.
I dream of a collaboration that would finally be total, in which the librettist would often think as a composer and the composer as a librettist.
I still the love classic period, but also the baroque period, and even 17th-Century music such as the music of Monteverdi. He's one of the greatest opera composers. He was the one who really started the opera.
The first requirement for a composer is to be dead.
Many, many composers have only found their way to a certain form, through familiarizing themselves with texts.
Perhaps two million years ago the creatures of a planet in some remote galaxy faced a musical crisis similar to that which we earthly composers face today.
I'm trying to interpret the film through the director's head, but it all comes out through me. So, a composer is kind of like a psychic medium.
I would still love to do more Handel. I think Handel was a fantastic composer. I did lots of Vivaldi, but it's also important to do the music of Handel, one of the greatest composers of the 18th century.
The further the music develops, the more complex the apparatus used by the composer to express his thoughts becomes.
Sincere composers believe in God.
It is conceivable that what is unified form to the author or composer may of necessity be formless to his audience.
If a composer has a nice wife and some nice children, how can he let the children starve on his dissonances?
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