Any time you talk about the look of the film, it's not just the director and the director of photography. You have to include the costume designer and the production designer.
I see my face in the mirror and go, 'I'm a Halloween costume? That's what they think of me?'
I'm glad I was born when I was. My time was the golden age of variety. If I were starting out again now, maybe things would happen for me, but it certainly would not be on a variety show with 28 musicians, 12 dancers, two major guest stars, 50 costumes a week by Bob Mackie - the networks just wouldn't spend the money today.
Without my husband's costumes I wouldn't have known how to accomplish what I saw in my own mind's eyes for choreography. And then seeing our choreography and knowing the background of it I am sure helped my husband a great deal with what he designed for us.
I'm not the best audience for that because I'm not a great science-fiction fan. I just never got off on space ships and space costumes, things like that.
I gradually work myself into a frenzy as the shoot approaches, while we're choosing the costumes or working with the make-up artist. I'm not so much interested in my character as the film itself.
I dressed up as a veterinarian for a Halloween costume party. I had the lab coat. I got a couple of stuffed animals for patients and put bandages on them.
They know they're going to look beautiful, and I don't think women should look like costumes. They shouldn't look like fashion victims.
I like that totally mixed up kind of eclectic group of personal props and bits of costume and I think the fun of doing that is where I was very lucky with Doctor Who.
I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra.
I've done a lot of costume drama and theatre - the National Theatre and In fact, most of my work at the theatre, at the National Theatre anyway, was period.
We were a family that made our Halloween costumes. Or, more accurately, my mother made them. She took no suggestions or advice. Halloween costumes were her territory. She was the brain behind my brothers winning girl costume, stuffing her own bra with newspapers for him to wear under a cashmere sweater and smearing red lipstick on his lips.
I hate Halloween. I hate dressing up. I hate - I wear wigs, makeup, costumes every day. Halloween is like, my least favorite holiday.
My book is very wild. But you know during the period of BATMAN, that there were thousands of Batman and Robin costumes sold and these weren't just for kids.
I put the costume on and said 'It's not very comfortable, but it looks amazing,' so it's all good.
The beauty of the internal nature cannot be so far concealed by its accidental vesture, but that the spirit of its form shall communicate itself to the very disguise and indicate the shape it hides from the manner in which it is worn. A majestic form and graceful motions will express themselves through the most barbarous and tasteless costume.
I design all of my costumes. I like to go out there and feel like I have contributed to every part of what I do. I choose the music, the choreographer, I've obviously chosen my coach, my costumes - all if that falls under my realm of power, my realm of influence.
Fashion offers no greater challenge than finding what works for night without looking like you are wearing a costume.
To me, the appeal of opera lies in the fact that a myriad of singers and instruments, each possessed of different qualities of voice and sound, against the backdrop of a grand stage and beautiful costumes, come together in one complete and impressive drama.
Every year, I have to spend another hour working out. Pretty soon I'll be spending eight hours working out just to fit in the costume. I have the feeling that the minute I stop doing the character, boom, Roseanne Barr.
It is a process of finding the right music then planning a costume to fit that style of music.
You can't do a machine without knowing something about how it's going to work. As for the romantics, the costumes bored me and I don't enjoy doing period clothes.
There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course.
For the kind of thing that we were showing, the budget was sufficient. As we were speaking of in Haiti, we had not done that before in exactly this form and we had to have costumes for it.
We talk about theatre museums filled with old costumes and things. What we also need is a theatre museum of the old routines on videotape. We are only the custodians of those techniques, and they should be preserved.
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