That is the godawful thing about television today. Performers don't have any place to hit and miss. You're either in or you're out; you don't have a chance to become good at your craft. If you make three pictures in a row and they don't go over, you're out of the business.
Don’t look at other people and compare yourself. Just do the work. Because when the opportunity is there, you have to be ready. Make sure your craft is refined and you’re constantly working on it. Plow through the weeds. Go to the auditions and go to the meetings and be on time. Stop looking to the left or the right. Keep your head down and keep moving.
An Edward Povey hangs in my living room and every day I am reminded of his originality, his beauty, and the eternal promise of his craft.
If you've been told all your life that you're good-looking, people just flock around you and you never really have to try or have to learn an interesting craft, skill or hobby - or even have depth.
It's not recognized by enough people as a worthy craft.
Racist writing is a craft failure.
Tending 100-year-old vines, I've been fortunate to craft highly rated, small production, estate grown wines since 1998. A labor of love, our wines are sustainably farmed, carry the story of my family in every glass and are simply the most satisfying of all my personal endeavors.
The purpose of every industrial revolution is to make craft and skills obsolete, and thereby make people interchangeable and cheap.
Singing into a microphone and learning to play an instrument and learning to do your craft, that's the most important thing for people to do.
The competition, the naysayers, the owners who talk too much. The people who don't think a 36-year-old can do what I do. I take a lot of pride in my craft, I work really hard at my craft everyday, and I'm a true professional.
The ultimate aim of all artistic activity is building! ... Architects, sculptors, painters, we must all get back to craft! ... The artist is a heightened manifestation of the craftsman. ... Let us form ... a new guild of craftsmen without the class divisions that set out to raise an arrogant barrier between craftsmen and artists! ... Let us together create the new building of the future which will be all in one: architecture and sculpture and painting.
Art without heart is craft.
An art which isn't based on feeling isn't an art at all... feeling is the principle, the beginning and the end; craft, objective, technique - all these are in the middle.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
Lots of my friends and family belong to churches, and some of them are part of the so-called Christian Right. In this preacher, I wanted to show a good man struggling to reconcile his commitment to the community with the political agenda of his church. He does not see that as a dilemma, but I do.
Some can just knock it out and some have to lock themselves in a room and get to a fever pitch of self-loathing before they turn in a first draft. . . . each writer's process is screwed up in its own way.
This is about the daily ins and outs of a marriage. I don't want to give away the ending, but they are trying either to make the marriage work or make the separation work. Our job is to make that interesting.
I went in right up front and said, This can't be about some guy in bandages. I didn't even want to do a horror movie. I took the concept and made a romantic adventure film. I like action heroes who don't take themselves too seriously. I wanted to make everyone take the mummy seriously, but it couldn't just be a guy in bandages. But the main thing was to build in surprises. That's one of the great things you can do with special effects.
People think I write fantasy, but I don't; some things may be exaggerated or distorted in the same way that painters distort and alter things, but they're realistic figures. They're perfectly recognisable.
I write in order to understand the images. Being what my agent . . . somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre.
I'm like a blue-collar writer. I just sit down every day and I write.
Harvey [Weinstein] didn't want to release [MY SON THE FANATIC]; he held it for two years because he wanted a happy ending, although I don't know what that means. Does that mean the taxi driver leaves his wife or doesn't leave his wife? I think it has a happy ending.
Actually, who hasn't been through the ghastly experience of sitting in front of a blank page, with its toothless mouth grinning at you: Go ahead, let's see you lay a finger on me? A blank page is actually a whitewashed wall with no door and no window. Beginning to tell a story is like making a pass at a total stranger in a restaurant.
I would also suggest that any aspiring writer begin with short stories. These days, I meet far too many young writers who try to start off with a novel right off, or a trilogy, or even a nine-book series. That's like starting in at rock climbing by tackling Mt. Everest. Short stories help you learn your craft.
Every flying machine has its own unique characteristics, some good, some not so good. Pilots naturally fly the craft in such a manner as to take advantage of its good characteristics and avoid the areas where it is not so good.
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