In theater, you're in charge of your performance, and at the end of the day you're the one who gets credit because you're in front of the audience doing it, and in film and TV it's the director who gets to decide when to cut to you on a line, which take he uses.
Art is not disposable. If you want it, you have to hold it and smell it and touch it and read the credits and enjoy it and put it on your wall.
You have to strike hard from the beginning and create a depressurizing zone between the viewer's own life and the one onscreen. The creators of James Bond got it right: the attention-grabbing scene of each Bond movie is the very first one, before the opening credits.
I want people to feel something in the pit of their stomach. I want my movies, especially the ending, to stay with people long after the credits have rolled.
If you take the credit, you lose it. If you give away the credit, it comes back multiplied.
If I wanted to see your emails or your wife's phone, all I have to do is use intercepts. I can get your emails, passwords, phone records, credit cards.
I'm basically a very lazy person who likes to get credit for things other people actually do.
It is improper for one person to take credit when it takes so many people to build a successful organization. When you try to be top dong, you don't create loyalty. It you can't give credit (and take blame), you will drown in you inability to inspire.
Working nine to five, what way to earn a living. Barely getting by... It's all taking and no giving. They use just your mind and they never give you credit. It's enough to drive you crazy if you let it!
You learn so much from your parents. We grew up in a home where we were definitely taught to be confident. I definitely give me parents a lot of credit.
The unemployment numbers are down to the lowest in 25 years.... The principle credit goes to Janet Reno, who continued to appoint special prosecutors.
Yes, even amongst wiser militants, how many wounds have been given, and credits slain, for the poor victory of an opinion, or beggarly conquest of a distinction.
Riffing on language will create wonderful effects you never intended. Which leads me to this writing advice: 'Always take credit for good stuff you didn't intend, because you'll be getting plenty of criticism in your career for bad stuff you didn't mean either.'
Wouldn't it be great if we didn't care who got the credit as long as the job got done?
"Thanks," many small businesspeople are saying, "but no thanks. Forget the government credits and loan programs, and just get rid of all the bureaucratic red tape and high taxes which make it hard to build businesses, hire employees and meet our payroll."
This is the crisis! Difficulty getting credit, slow growth, high unemployment, low consumer confidence-these are challenges entrepreneurs can overcome with hard work, smart risk and tenacious teamwork. This is precisely what entrepreneurs do!
By the aristocracy of finance must here be understood not merely the great loan promoters and speculators in public funds, in regard to whom it is immediately obvious that their interests coincide with the interests of the state power. All modern finance, the whole of the banking business, is interwoven in the closest fashion with public credit.
Vitali Klitschko doesn't get enough credit for how intelligent he fights, because he knows when to throw at the target and when to throw through the target.
My priorities are leaning more towards family, and I credit my southern upbringing to that. I was raised in the church as well, and God plays a big role in my upbringing and my life.
I guess what I learned about myself is I'm a bit of a socialist; I want everyone on the set to get equal treatment and credit.
My voice is definitely a big present for me from God, because it's not like I can even take credit for it.
I once wanted to be a stuntman. I was constantly on the front pages when I was a base jumper. But if I were a stuntman, my name would only appear right at the end of the closing credits, even though I'd risked my life for others.
Enormous forces are affecting the world, and we can't possibly overestimate their importance. These include demographic developments, climate change, digitalization and the rise of Asia. And then there's the most important one: the end of a life lived on credit. We must finally free ourselves from debt.
Especially with our first child, we tend to take too much responsibility--both credit and blame--for everything. The more we wantto be good parents, the more we tend to see ourselves as making or breaking our children.
What is needed for a sound expansion of production is additional capital goods, not money or fiduciary media. The credit expansion is built on the sands of banknotes and deposits. It must collapse.
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