My interest in painting is recording things. I think of myself as almost a documentary filmmaker... I've gotten into some curious situations.
Along with the rest of the establishment, the BBC which, to be fair, can make superb documentaries - seems to have swallowed the distortions about domestic violence promoted by extreme, manhating feminism through the vehicle of deeply dodgy 'research'.
Documentaries are a powerful and effective way of bridging the gap between worlds, breaking through to new audiences that wouldn't otherwise be engaged - in essence, not preaching to the choir.
In the US, the 50s and 60s marked the documentary's golden age, especially at CBS, where pioneering televison journalist Edward R Murrow, immortalised in George Clooney's Good Night, and Good Luck, produced such landmark investigations as the CBS Reports programme Hunger in America.
Documentary film without nuanced journalistic sourcing risks being sensational, tendentious or broad-brushed.
I have been portrayed by actors in three television documentaries, two plays, one musical and a film. It's no fun watching yourself being traduced and imitated by an actor.
I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary. It was Mick Jagger's idea.The other one was Simple Plan, based on a novel by Scott Smith. It's a great book - really stark, not a comedy - about a guy who finds $4 million in a plane crash and decides to keep it.
...it is a very risky thing for anyone to go about proclaiming the truth simply because he finds himself in possession of concrete documentary proofs or on the evidence of his own eyes, which is always overestimated.
Monty Python: A documentary series on everyday life in Great Britain.
You can’t be serious,” Eve said. “Guys. People get eaten in places like this. At the very least, we get locked in a room and terrible, evil things get done to us and put on the Internet. I’ve seen the movies.” "Eve,” Michael said. “Horror movies are not documentaries.
I could sit and watch nature documentaries with Jenks and the kids the rest of the night if I wanted. And trust me, watching a dozen pixies scream as a crocodile chomped on a zebra was something not to be missed. They invariably cheered for the crocodile, not the zebra.
Documentary photography is becoming more illustrative as people become more familiar with photography’s limitations and vulnerabilities. Reality has always been interpreted through layers of manipulation, abstraction, and intervention. But now, it is very much on the surface. I like this honesty about its dishonesty. Every photograph has many truths and none. Photographs are ambiguous, no matter how seemingly scientific they appear to be. They are always subject to an uncontrollable context. This is a tired statement, but worth repeating.
I have made more documentaries in my time than I think I care to remember, though I am immensely proud of all my work.
We believed - and I personally still believe - that the so called Voice of God narration, ubiquitous in documentaries destined for PBS, is insulting to the audience. If you believe in the intelligence of your audience, you don't need to tell them what to think and how to process the material they're seeing.
Sure, 'An Inconvenient Truth' was my first documentary. What a wonderful experience. I saw Al Gore doing his slideshow presentation, and had this nutty idea that we had to make a movie out of it.
Joe Berlinger's documentary 'Whitey' is so hard-hitting and compelling, you can't take your eyes off the screen.
A remarkable documentary and the first in-depth record of many black women, slave and free.
I don't know that there were any rules for documentary photography. As a matter of fact, I don't think the term was even very precise. So as far as I'm concerned, the kind of photography I did in the FSA was the kind of photography I still do today, because it is based on passionate concern for the human condition. That is the basis of all the work that I do.
Some documentaries are made by people who are driven more by one particular story, or have different backgrounds or ambitions, but I'm always looking for projects that let me be the best filmmaker I can be, and to be stretched and grow further.
I personally can watch an eight-hour documentary on Woody Allen because I'm fascinated by him. But, an audience can't really sit through more than two and a half hours on any movie. It doesn't matter if Marlon Brando came back from the dead. It's just impossible.
When was the last time you saw a documentary that fundamentally changed the way you think? ...Pandora’s Promise is built around what should be the real liberal agenda: looking at an issue not with orthodoxy, but with open eyes.
Bizarrely funny... Rarely is a documentary as well attuned to its subject as Howard Brookner's BURROUGHS, which captures as much about the life, work and sensibility of its subject as its 86 minute format allows.
The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.
David Irving has consistenly applied an evidential double standard, demanding absolute documentary proof to convict the Germans (as when he sought to show that Hitler was not responsible for the Holocaust), while relying on circumstantial evidence to condemn the British (as in his account of the Allied bombing of Dresden).
I've been a documentary photographer for much longer than I have been a filmmaker.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: