I've been a documentary photographer for much longer than I have been a filmmaker.
Some documentaries are made by people who are driven more by one particular story, or have different backgrounds or ambitions, but I'm always looking for projects that let me be the best filmmaker I can be, and to be stretched and grow further.
I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary. It was Mick Jagger's idea.The other one was Simple Plan, based on a novel by Scott Smith. It's a great book - really stark, not a comedy - about a guy who finds $4 million in a plane crash and decides to keep it.
I recently watched that Lucie Arnaz-produced documentary [Lucy and Desi: A Home Movie, 1992] about her parents [Lucille Ball and Desi Arnaz], and I saw so much of my own childhood there.
As historians, our training and discipline is based on documentary evidence,.
I'm Ready to Die without a Reasonable Doubt Smoke Chronic and hit it Doggystyle before I go out. Until they sign my Death Certificate, All Eyez on Me I'm still at it, Illmatic, and that's The Documentary.
You see reality TV and it's not reality TV. It's contrived and everything is plotted and scripted nearly. Documentaries are the same and just as bad.
I have made more documentaries in my time than I think I care to remember, though I am immensely proud of all my work.
I love to see the rarest movies, the most talked-about movies and documentaries. I read all the reviews and compare them to see if its worth going! I have a secret movie critic blog I have shown no one or promoted, and I intend to keep it that way.
I wanted to describe the world at the same time, through image, express what I felt. It was the time of the great documentary filmmakers: Richard Leacock, Joris Ivens. Today, television has put an end to this type of filmmaking.
Sure, 'An Inconvenient Truth' was my first documentary. What a wonderful experience. I saw Al Gore doing his slideshow presentation, and had this nutty idea that we had to make a movie out of it.
You can write when you're dyslexic, you just can't read it. But I started writing short stories as a child and I found the short story format a real nice one. I love short stories and I love short documentaries or short films of any kind.
With any rock documentary or band documentary you always recognize things that you've experienced some version of.
I like the rock documentaries that make it seem real. Some rock documentaries are meant to make the bands look larger than life.
I never uttered a word about things, but with my age now, I've completely lost all reservations. In more ways than one. I was never in front of the camera, for example, but now I've been in films and documentaries.
In the documentary the basic material has been created by God, whereas in the fiction film the director is a God; he must create life.
I personally can watch an eight-hour documentary on Woody Allen because I'm fascinated by him. But, an audience can't really sit through more than two and a half hours on any movie. It doesn't matter if Marlon Brando came back from the dead. It's just impossible.
My interest in painting is recording things. I think of myself as almost a documentary filmmaker... I've gotten into some curious situations.
I've been wanting to do a documentary on the true heart of the groupie ever since I was one. The groupie is just a girl who loves music and loves to be around the people who make it. She is the fan that takes it to the next level to experience the whole shebang.
Documentary photography is becoming more illustrative as people become more familiar with photography’s limitations and vulnerabilities. Reality has always been interpreted through layers of manipulation, abstraction, and intervention. But now, it is very much on the surface. I like this honesty about its dishonesty. Every photograph has many truths and none. Photographs are ambiguous, no matter how seemingly scientific they appear to be. They are always subject to an uncontrollable context. This is a tired statement, but worth repeating.
Rome is a very loony city in every respect. One needs but spend an hour or two there to realize that Fellini makes documentaries.
A good documentary or educational film is not raw experience. The material has passed the mill of reason, it has been sifted and interpreted.
A fully developed bureaucratic mechanism stands in the same relationship to other forms as does the machine to the non-mechanical production of goods. Precision, speed, clarity, documentary ability, continuity, discretion, unity, rigid subordination, reduction of friction and material and personal expenses are unique to bureaucratic organization.
People say to me, "You make fantastic films" and I say, "No, I make documentaries.
Short of climbing aboard a time capsule and peeling back eight and one-half decades, James Cameron's magnificent Titanic is the closest any of us will get to walking the decks of the doomed ocean liner. Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic , you experience it from the launch to the sinking, then on a journey two and one-half miles below the surface, into the cold, watery grave where Cameron has shot never-before seen documentary footage specifically for this movie.
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