My brief exchange with Guccifer 2 is six weeks after the hacking of the and publication of the DNC documents, which I'm accused of colluding with him on. In other words, I would need a time machine in order to collude.
In fact, it was stated early in the first Bush [presidency], Bush I, in one of their documents they pointed out in the future, US wars are going to be against much weaker enemies. And they have to be won quickly and decisively before a popular reaction develops. And Iif you take a look, that's what's done. Look at Panama, for instance, over a couple of days; and Kosovo, no American troops.
When I look at what a writer owes to the reader, it's critical to know that everything you're writing about is not made up in your head. I feel that unless you can document and be certain about what it is that you're writing about, the reader is going to lose faith in your own integrity.
As editor of WikiLeaks, I am very proud of three things. Number one, we have never got it wrong in terms of what we say. A document is what it is. Number two, we have never revealed one of our sources ever. Number three, what are we proud of? We are proud that there is not a single instance of anyone coming into physical harm as a result of our publication.
I feel concerned by what happens in the world.... I don't want to merely document; I want to know why a certain thing disturbs or attracts me and how a situation can affect the person involved.
What's important to me is that [photographs] have the appearance of being documents of what goes on. I like the illusion of veracity, that they look like life rather than movie stills. I don't want them to look fabricated.
Hillary Clinton ripped FBI Director Louis Freeh on Wednesday. She said she can't understand how FBI documents could vanish and then mysteriously reappear. She has to say that or she'd be thrown out of the Magician's Society.
It's important to interrogate history, it's important to document history, because as a society we need constant reminders of the things that we've done in the past in the hope we can stop repeating these horrible lessons.
Thousand years ago, we all descended from Africans who left the continent. Those ancestors, we will never know their name. We can go back 200 or 300 years and actually populate your family tree with real people who had names and documents. They had customs, characteristics that, unbeknownst to you, you have inherited. Almost through osmosis it has been passed down to you.
I think what it was with the war photography was the concerned eye, the desire to document these situations to show the world the horrors of war. It inspired me to document prostitution; inspired me to document homelessness in America. We are the richest country in the world, yet we have people suffering, so it helped me to look at things in that manner.
I wanted to go amongst gangbangers, to understand this war they were fighting amongst each other. I wanted to document it, [also] to show the human side of it.
The images of war inspired me to create, to go to different situations and communities, to document the human side of people, to show a side that we don't see.
There is just something about the common being. My education pretty much came from the streets, just connecting with people, different cultures. I gained the wealth just engaging at that level. I'm still like that. I continue to document everyday people versus the stars.
Utopian fiction is really boring. I had to read a lot of it, and it's not that much fun. But they're fascinating to me as historical documents. Cabet [Icaria's founder and author of the utopian novel, Travels in Icaria], is writing in the 1830s, and his idea of the perfect society reveals a lot about his time. But his book is uniquely bad.
My whole model, from the beginning, was not to personally publish a single document. I provided these documents to journalists because I didn't want my biases to decide what's in the public interest and what is not.
If an organization produces a document, it should be made public as soon as possible.
In America, our jobs are being taken away from us. Companies, as we speak, are signing documents with Mexico and other places to move.
I've been a faithful reader of the great classical documents of economics, or tried to be.
Land surveyors can spend as much time reading legislation, bylaws, and engineering documents as we spend in front of an instrument in the field or calculating coordinates for a subdivision. We are mathematicians, historians, project managers, advocates, engineers, and even chainsaw operators!
Over the years, photography has been to me what a journal is to a writer - a record of things seen and experienced, moments in the flow of time, documents of significance to me, experiments in seeing.
I use the camera as a dumb copying device that only serves to document whatever phenomenon appears before it through the conditions set by a system. No esthetic choices are possible. Other people often make the photographs. It makes no difference.
Under examination by the camera, a human body becomes for its inhabitant a field of betrayal more than a ground of communication, and the camera's further power is manifested as it documents the individual's self-conscious efforts to control the body each time it is conscious of the camera's attention to it.
What counts is putting the intensity that you yourself have experienced into the picture. Otherwise it is just a document.
Photography is a mechanical device; photomontage is a piece of work done with the products of photography. This entire process forms one whole... If I assemble documents and juxtapose them with intelligence and skill, the effect of agitation and propaganda on the masses will be enormous.
I wanted [photography] to be more than a document, to be something that is as close as you could possibly be to the subject.
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