A mood disorder is dangerous. You've got to get those dramatic waves of highs and lows stabilized. It's dangerous if you don't.
If we stop thinking of ourselves and only of helping others, you will start to see a dramatic improvement in the suffering we are all going through.
You'll call me Damon. I see no need for dramatic titles. I, on the other hand will call you beautiful, lover, mine. I'll call you mine." (Damon to Serena)
It occurred to me that I was standing face to face with the hero of a love story nearly as dramatic as my own.
They say asteroids hit the moon pretty often, which is how the moon gets its crater, but this one is going to be the biggest asteroid ever to hit it and on a clear night you should be able to see the impact when it happens, maybe even with the naked eye but certainly with binoculars. They made it sound pretty dramatic, but I still don't think it's worth three homework assignments.
God isn't interested in watching you enact some performance of personality in order to comply with some crackpot notion you have about how a spiritual person looks or behaves. We all seem to get this idea that, in order to be sacred, we have to make some massive, dramatic change of character, that we have to renounce our individuality.
Did you really JUST fall, Jeffrey? Why does everybody in my family talk in these dramatic CAPITAL LETTERS all the time? Why am I the only calm one?
Essentially, in photography, I think on two levels: one emotional and the other technical. The emotional impact has to do with looking for something dramatic happening in the photograph, something that reaches out and touches somebody in some way. And the technical is having to do with composition and framing - light and dark, light and shadow.
In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.
Our globe is under new dramatic environmental pressure: our globe is warming, our ice caps melting, our glaciers receding, our coral is dying, our soils are eroding, our water tables falling, our fisheries are being depleted, our remaining rainforests shrinking. Something is very, very wrong with our eco-system.
I'd always wanted to be a dramatic. Comedy comes more naturally to me. I can do it with more facility. So I feel more comfortable with it.
When you're caring with your head, there are the things that we talked about that seems boring in baseball. But when you care about your heart, exactly the boring things - a pitcher looking over to first, a batter stepping out and adjusting his gloves - those are just tiresome to the person who's interested. But to the person who's invested, it just makes everything all the more dramatic.
There are some movies that deserve criticism. They want people to know that it's a great dramatic accomplishment and has some great performances in it. But, c'mon. Yes, you will have some fun if you go see 'Snakes on a Plane.' Snakes are biting people - and they're biting them right on screen. There's nothing to review. It's not 'Snakes on the Waterfront.' You don't have snakes going, 'I coulda been a constrictor.' No. Hell no. It's 'Snakes on a Plane.'
When I was young, I wanted to be a dramatic writer, a writer of tragedy. Nothing would've pleased me more than if I could have written like Eugene O'Neil or Tennessee Williams.
I don't get offered many dramatic roles. As soon as my face pops up in a movie, everyone knows I'm the funny guy.
After 20 years of doing comedy, I find dramatic work more challenging.
Comedy has to be so much cleaner than drama. You can't layer it in the way you can a dramatic performance. Which is why it's more difficult than drama - you don't have so many tricks.
Some of the things I've been in are comedic, but I don't get considered for true comedies because I'm a 'dramatic' actor.
I'm obviously very keen on the theater and I think it's inevitable that some of the orchestral and chamber pieces have got dramatic elements which might even suggest an unspecified dramatic plot of some kind or other, even though it's not in my mind at the time.
A beautiful deleveraging balances the three options. In other words, there is a certain amount of austerity, there is a certain amount of debt restructuring, and there is a certain amount of printing of money. When done in the right mix, it isn't dramatic.
The most interesting character to me is someone who is stuck in the no man's land between Belief and Unbelief, Faith and Faithlessness. I'm capitalizing like a German, but it doesn't matter whether it's faith in a person or in God, or belief in science or whatever, it's the desperate in-between state that makes for interesting dramatic tension.
I think shows that are completely dramatic are a lie. People use humor to cope. That is how we deal with things. In the darkest situations, there's humor. And if you don't show that, you're not being true to real life.
We have committed ourselves to pursue joint policies, but then national governments say, "We aren't bound by that." That is a dramatic situation, because solidarity is a basic principle that cannot be had on an à la carte basis. If we have rules that nobody adheres to, then the community will break apart.
Beware leverage in all its forms. Borrowers - individual, corporate, or government - should always match fund their liabilities against the duration of their assets. Borrowers must always remember that capital markets can be extremely fickle, and that it is never safe to assume a maturing loan can be rolled over. Even if you are unleveraged, the leverage employed by others can drive dramatic price and valuation swings; sudden unavailability of leverage in the economy may trigger an economic downturn.
Making a film means, first of all, to tell a story. That story can be an improbable one, but it should never be banal. It must be dramatic and human. What is drama, after all, but life with the dull bits cut out?
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