Comic book characters are characters who wear costumes. They're not necessarily different than other characters. The trend I think that you're seeing are comic book movies, at least the ones that Marvel makes, don't have comic book stories. They have dramatic human stories.
Marvel has this tradition, and I think that Sony has this tradition too, of hiring directors for Spider-Man who are dramatic directors. That are directors who are interested in human beings, in characters, in drama, and who are really good with actors. That kind of feels like a Spider-Man director to me. And because Spider-Man is always as big as the films that are being made at Marvel, it always is character and story. You can never take that out.
I really loved working on comedy. Most of my roles have been very dramatic and involved lots of emotional work and crying on cue. I do really enjoy those roles because you really feel accomplished at the end of the day but they are very emotionally draining! Working on a comedy show is just fun and at the end everyone is laughing! But I am open to all roles and genres just being on a set and being a part of the magic is what I love most!
I'd like to do more dramatic roles but I would never give up comedy to do it. I've seen a lot of actors that do a complete 180 degrees and say: "I'm done with comedy, I want to be taken seriously." I take my comedy very seriously and I want to be taken seriously because of my comedy. I think it's more fun for me. I enjoy laughing and attempting to make people laugh. So I'd like to do more drama but I'd never do the 180 thing.
That machines will surpass us in intelligence is inevitable. What it means is unknowable. Will they be sentient? What will they care about in the sense that determines our human motivations? All the theorizing by the experts and non-experts makes for interesting conversations and dramatic headlines, but it's more likely we will be surprised by how our technology develops and how it is used, as we so often are.
I was so frustrated with my whole life that I walked up this hilltop and screamed at the heavens. It was very dramatic - but then again, I am an actress - and I said, "Fine! I'll be a character actress! Just tell me what you want me to do!" I was so angry at the universe.
All good dramas are rife with conflicts, and the conflicts have to be resolved. What I think is so great about a show that takes place in a hospital is that you have so many different people with different needs. Sometimes all those can be in conflict. The drama of Heartland also comes from the group of people waiting, and they are sometimes agonizingly waiting for a new organ for their body in order to survive. So the show is so much about survival, which creates a sense of urgency to get the organs. I think that sense of urgency is probably the most prominent dramatic quality to the show.
There have been crazy highs and lows in my life. I've duelled with drug addiction and watched people dying... like everybody. I'm not saying it's an exceptionally dramatic peaks-and-valleys kind of life but there's a lot of it, honestly.
Each language has its own temperament; some languages make a poem more dramatic or sad, and others make it more playful.
The cost reductions for renewable energy continue downward in a very dramatic way. We're in the early stages of a sustainability revolution in the globe that has the scale of the industrial revolution but the speed of the digital revolution. And you see it with renewable energy and you see it with LED lighting, which takes a fraction of the energy for the existing bulbs. All new lights are going to be LED. Electric vehicles. There are a lot of changes underway right now. I'm excited by the prospect, and I look forward to working in the months and years to come to accelerate this transition.
Not all of them, but certainly there's some really, really dramatic differences among apples. And what you learn if you have that number of varieties is you learn which Apple is good for which purpose. So I have a favorite apple for apple pie. It's called Bramley Seedling. It's a old British Apple. I blend a lot of these apples together that make apple cider every year. It's a great hobby, but it's, you know, it takes some time. And it can be frustrating when the Japanese beetles or the gypsy moths come.
Throughout my life, there's just periods when I write and periods when I don't. I don't feel like anything's really blocked. "Writer's block" sounds so dramatic and worrisome, and I don't worry about it. I know deep down that I'm a writer, and it's just a matter of time until it comes back, and when it does, it'll be good like it's always been.
I think revolution is always a little bit possible. I think it won't look or sound anything like what we would expect. But I think revolution is very difficult, and I'm not optimistic for any kind of dramatic change.
The physical basis for sociopathy is approximately 50 percent inheritable, which sounds more dramatic than it probably is, because most personality characteristics that psychologists test for and study the genetics of are about 50 percent inheritable. Introversion, extroversion, it turns out that they're about 50 percent inheritable, which means that somehow sociopathy is physical, it's organic.
I like poetry, but honestly, I like dramatic literature more. If I had to pick between Rumi and Dostoevsky, I would pick Dostoevsky without even thinking about it. Ninety-nine out of 100 Iranians would probably pick Rumi. Kiarostami, too, would probably pick Rumi first. I try to have the meaning be in the action of the story, not in the symbolism. I want it to be in the action, and it's dramatic action that creates the meaning.
African Americans are doing a lot already, but I think we have an opportunity right now to change politics in a way that will result in substantial help for people in need during the economic crisis. And then as the economy recovers, we can see dramatic progress against hunger and poverty.
Most of the jokes that I wrote were funny and there always seems to be an aspect of comedy in my long-form work. I think that's how life is. I think even the more dramatic moments of one's life are often punctuated by very funny comments or situations. I like to say, "Keep your comedy serious and your drama funny, and you'll be pretty true to life."
I am a director and I think actually they're not that different - dramas and docs aren't that different. When I'm doing a drama I'm trying to make things feel as believable and real as possible. The hair, the make-up, the costume, the design, you're trying to make it authentic. And when you've got a documentary it's all authentic, so what story are you going to tell and how do you make it dramatic and exciting? It's the same thing.
Sex work is a completely unregulated industry and to make the affront even worse, the product and the labourers are the same thing! The product is the sexuality of the actual labourers: flesh. I think in that sense, the exploitative nature of unencumbered capitalism is made even more dramatic.
Especially now, the immigrant problem is very dramatic around the world. Because we don't know what to do with them. They're in economic crisis, and there are more and more. There will be more and more. We speak about globalization of economy, but it's also globalization for immigration. Millions of people, they're willing to have a better life. A better life, they cannot have it where they live, so they move.
Improvisation in general is good, and improvising material into themes, turning the material into something codified and repeatable, taught me scenic structure and dramatic gambits that work and things that are appealing both as a performer and an audience member, like you know, what does "want" really mean in a scene, and how do you achieve your want, and how is that expressed, and how do you achieve closure? Those are all things that I learned performing at the cabaret after just doing the same scenes over and over and over again over the years, with my own ability to change.
For a while last summer I was depressed because nothing was happening. It got to the point where people like me were getting films, so I decided to focus on stand-up. It kind of saved my life. I hate to be that dramatic, but I got a girlfriend and refocused my life on being more real and living a regular life rather than pursuing this other false goal of television and movie stardom.
I find myself more affected by music the more I do it. Particularly when you're touring and you're in the bus and you're listening to loads of music. Life becomes far more dramatic, I guess - you're never in the same place, you're constantly meeting new people. You almost become more sensitized to music.
I didn't want to make Young and Beautiful as very dramatic movie . In a certain way, I wanted to do a girly film. I wanted to make something sweet, pink. With a boy it was too dramatic and too heavy. I had a lot of pleasure with the boys in In the House, I said, "This time I will do a film with girls."
I would like to play some character that's somewhat dramatic. I don't see myself ever becoming that serious, or it sounds weird, but I don't see myself doing something that's really dramatic but somewhat dramatic. I would like to do something that's more real and doesn't have to be laugh out loud funny. I always like whatever I'm involved in... whether it be funny or whether it be somewhat like... I'm not gonna try to get people to really cry.
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