Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing
The films dramatic requirements should always take precedence over the mere aesthetics of editing.
We are the products of editing, rather than of authorship.
If you're working on a computer and you're editing bass, it looks like a warm curvy, sort of feminine object.
I'm not going to get into the ring with Tolstoy.
I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
There's editing, and scripts to read and edit, and casting, and all the elements of production that just sort of take up the normal downtime that you would have as an actor. So there's not a lot of that for me.
Reality TV finds talented people. There are no scripts. The editing is what it's all about. Great editing makes those shows.
If any sort of error is inexcusable, it's an incorrect phone number. One of the cardinal rules of copy editing is that every phone number published must be checked.
You have to edit the material. That assumes that some kind of a mind is operating in relation to the material. Not all minds are the same. Every aspect of filmmaking requires choice. The selection of the subject, the shooting, editing and length are all aspects of choice.
There are editing procedures for talks just as there are editing procedures in jazz improvisation.
Editing is a natural extension of collage making. It's actually one of the few areas that women were able to excel in in the film industry from the beginning.
The film is made in the editing room. The shooting of the film is about shopping, almost. It's like going to get all the ingredients together, and you've got to make sure before you leave the store that you got all the ingredients. And then you take those ingredients and you can make a good cake - or not.
I took courses at USC in film editing and art direction and photography when I was still in high school.
This applies to many film jobs, not just editing: half the job is doing the job, and the other half is finding ways to get along with people and tuning yourself in to the delicacy of the situation.
I work eight hours a day, but I'm not writing all that time. I'm thinking, editing, looking something up. Thinking is what I do a lot of.
Any editing, software work, and mail is done in this exported Plan 9
For me, shooting, editing, and scoring rely on rhythm.
In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.
The chief virtue that language can have is clarity.
I have an adult emotional life and an editing system inside me which prevents me from being preposterously stupid.
I got to spend all of my time every day at work reading and editing papers about cutting-edge technical research and getting paid for it. Then I'd go home at night and turn what I learned into science fiction stories.
Every word that is unnecessary only pours over the side of a brimming mind.
Art, it seems to me, should simplify finding what conventions of form and what detail one can do without and yet preserve the spirit of the whole - so that all that one has suppressed and cut away is there to the reader's consciousness as much as if it were in type on the page.
A writer must have all the confidence in the world when writing the first draft and none whatsoever when editing subsequent drafts.
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