The (editing) work was like peeling an onion. The outer skin came off with difficulty... but in no time youd be down to its innards, tears streaming from your eyes as more and more beautiful reductions became possible.
As an actor you have to bring to the table your creative input. But when a director like Ridley Scott says I want you to do this this way, you know when he gets to the editing room he has a reason for it. Its like watching a masterpiece.
Comparing filmmaking to a plastic model, shooting is the process where you mold and color each piece, and editing is where you build a finished whole from the pieces you molded and colored. Obviously, the latter is the most enjoyable part in the making of plastic models, so editing is the process in filmmaking I enjoy the most. But at the same time, editing can be a painstaking task, too.
Whenever I'm doing any film, there's always three different things. There's the script, which is really just a blueprint. And then, you shoot the movie and it's an entirely different experience than you would expect from reading the script. And then, there's the whole post process and the editing, and it becomes something else entirely.
So if we're going to build new applications that require a large time investment, like say movie editing - today that doesn't matter for the enterprise desktop, but eventually it will when we get closer to consumers - you really need to have a cross-platform story.
When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things.
I don't do any research. It's all about gut. Editing - it's always about gut.
The greatest thing that prepared me for editing Vanity Fair was having four kids because you just learn to subjugate your ego with the greater interest in mind.
Unfortunately, I am very aware of editing and I look at the monitor too much. Sometimes the monitor can become your worst enemy because you can, consciously or unconsciously, start editing yourself.
Music is where I have the most creative freedom, but I love producing. To me, that's kind of where all the action is. You get a chance to have your hands in every aspect of a film. From picking a director, sometimes picking a writer, to the actors, the wardrobe, set design, editing, music, and marketing.
I like and I love everything that has to do with cinema, writing, directing, editing, creating music, and even acting.
Children used to get bullied at school. Now they go home and that's where the problem starts - because they sit on their phones all night, thinking about who's 'liked' a photo of them, who hates them, who loves them. They don't know what's real and what's not, editing their lives constantly to fit other people's views.
There is anxiety, but it comes after you've finished filming because it's out of your hands; people are editing it, they're cutting it, marketing it. And it's... part your career sort of rides on that. But when you're actually filming it's a team thing and it really feels good there for me.
I think I did pretty well, considering I started out with nothing but a bunch of blank paper.
Writing is probably one-fifth coming up with the stuff, and four-fifths self-editing again and again and again.
I go through periods, usually when I'm editing and shooting, of seeing only old films.
I was saying as a joke the other day that I love film editing, I know how to cut a picture, I think I know how to shoot it, but I don't know how to light it. And I realize it's because I didn't grow up with light. I grew up in tenements.
I love producing. I am loving doing that. I think that is my most natural space in the business. I just love producing or editing and that's where I thrive.
Good things, when short, are twice as good.
If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio.
No passion in the world is equal to the passion to alter someone else's draft.
There is a difference between a book of two hundred pages from the very beginning, and a book of two hundred pages which is the result of an original eight hundred pages. The six hundred are there. Only you don't see them.
If a word in the dictionary were misspelled, how would we know?
You know, I do music. If you look under the hood of the industry I'm in, it's all based on technology. From radio to phonographs to CDs, it's all technology. Microphones, reel-to-reels, cameras, editing, chips, it's all technology.
It's good to get away from the editing suite. It's very unhealthy to be sitting in front of the screen for too long.
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