The first duty of an editor is to gauge the sentiment of his reader, and then to tell them what they like to believe.
There were a lot of unique challenges in producing the film, such as the logistical issues inherent in producing a long-term verite film in Pakistan, dealing with Urdu and Punjabi dialogue with an English-speaking editor and all the difficulties in recording, editing and clearing so many music tracks.
I think there's a lot of benefit in letting people vent. When I was on the Manchester Evening News, we got 500 letters a day, and part of my job as editor was to edit them. And I thought that was one of the best things in the newspaper, and it was instituted by an editor known as Big Tom, who said 'this is the voice of the people.' And he was quite right.
Let's start with some of the reasons that the press holds its tongue and some of the things that you don't know because of this. We'll begin with squeamishness, prudishness, timidity and an overdeveloped fear of offending someone... So much for squeamishness and prudishness. There are many other reasons that we editors fail you in this pact you and we have. Let me name a few more: Orthodoxy, conventional thinking, a misplaced pleasure at being on the inside, incompetence and laziness.
It is extremely unfortunate that an editor's own life and practice should be notoriously at variance with his written principles.
I depend on good editors and a good director. It's up to the way they shoot it, the lighting and all that. I like how small you can be on TV.
While I had been, I guess, quite brilliant, academically, in my college years, I also had been editor of the paper, and I loved that. And, that was a much more active thing. And I missed it when I was doing graduate work.
Whatever I wrote was heretical. It offended the editors of the women's magazines.
Fiona McCrae is a really amazing editor. Really smart and very astute about what a story needs.
In my second year of Harvard Divinity School, where I was studying to be a minister like my father, I met a guy named Robert Cox, who had been the editor of the Buenos Aires Herald during the Dirty War in Argentina. Bob used to print the names of those who had been disappeared the day before, above the fold in his newspaper. It was a kind of an awakening to me to see what great journalism can and should do.
When an editor first explained to me the difference between direct and indirect writing, I just thought it was a stylistic choice.
I think you have to remember that writing is hard; my first editor used to say that to me.
Anyone who edits their own copy has a fool for an editor.
It seems from my unique vantage point as both scientist and editor of JSE that substantial evidence exists of "something going on".
I do ask every publisher, every editor, and every newsman in the nation to reexamine his own standards, and to recognize the nature of our country's peril. In time of war, the government and the press have customarily joined in an effort based largely on self-discipline, to prevent unauthorized disclosures to the enemy. In time of "clear and present danger," the courts have held that even the privileged rights of the First Amendment must yield to the public's need for national security.
I wasn't a fashion editor. I was the one and only fashion editor.
Get an agent. Seriously, submitting stuff unagented means it will end up on the slush pile. An agent is the first quality filter, and a good agent is worth his or her weight in gold, as they'll often know the editors on a personal level and will be able to talk to them directly about the project.
making final judgements about poets, cities or regions on the basis of an anthology is always dangerous: anthologies are mirages created, finally, by their editors.
Los Angeles people are incapable of passively mainlining TV and movies. Here you have to read who produced or directed every episode, who wrote it, who had guests shots and whether you know them personally and if they like you. You have to figure out who everybody's agent is and whether yours is better. You not only know but deeply care about the difference between such job titles as Producer, Supervising Producer, and Executive Story Editor. ... So while the rest of the country is lying stupid in a media-induced coma, people in L.A. are in constant withdrawal.
I dare say you will try to make me believe that Editors are human. Now I deny that, for I myself have, in past days, had evidence to the contrary.
The 'creator' and the 'editor' - two halves of the writer whole - should sleep in separate rooms.
the unconscious forces that govern accessible memory are the most arbitrary of editors and the absolute masters of our lives.
On the other side, you have the conservative intelligentsia - magazines like National Review, which has a big anti-Trump issue; Weekly Standard editor, conservative talk show hosts - they're mounting a big anti-Trump effort, pro-Cruz effort because they think [Donald] Trump is dangerous and he's not qualified to be commander in chief.
I've learned over time that every editor has told me when you're getting that much hate, you don't talk about it. You just kind of don't give it oxygen and let it go away. It's almost - not always, but almost - always the best policy.
I think I'm equally as abusive as the editors normally are for the "Letters and Tomatoes" column, which is the fan mail part of MAD Magazine and an ongoing feature.
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