Editors Quotes - Page 29

• I'm at a stage in my career where I don't expect or get too much editorial input into what I'm doing. I have a proven track record of success, so my editors are willing to cut me some slack even when a particular approach is not to their personal taste.

  Grant Morrison

  Cutting, Careers, Track

  Interview with Leonard Pierce, www.avclub.com. July 22, 2009.

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• I worked as an assistant editor, actually, for a few years. That was right when I was just starting to get out at night and do a lot of stand-up, improv, and sketch work in New York. It really is invaluable. I think it pounded into me an awareness of what an editor wants and needs, in terms of clarity of a moment, where and when to start and stop a line.

  Ed Helms

  New York, Night, Thinking

  Interview with Keith Phipps, www.avclub.com. June 3, 2009.

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• As an editor, you're constantly dealing with the best way to convey an exchange between two people. So when I'm shooting that, I'm just aware in the back of my head what an editor might want. And also, the problems editors run into when trying to edit performances - it helps me head that off at the pass a little.

  Ed Helms

  Running, Two, People

  Interview with Keith Phipps, film.avclub.com. June 3, 2009.

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• I'm sure I cause just as much consternation for editors as any other actor, but it definitely makes me feel more comfortable understanding how and why all the different camera setups exist.

  Ed Helms

  Understanding, Cameras, Different

  Interview with Keith Phipps, www.avclub.com. June 3, 2009.

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• In the publishing world, most editors are probably women. So I don't see the publishing world as a male-dominated one, especially within fiction.

  Emma Donoghue

  World, Males, Fiction

  "Room" Author/Screenwriter Emma Donoghue on Her "Deeply Feminist" Film and Industry Sexism". Interview with Laura Berger, www.indiewire.com. October 16, 2015.

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• If you would be a poet, write living newspapers. Be a reporter from outer space, filing dispatches to some supreme managing editor who believes in full disclosure and has a low tolerance for bullshit.

  Lawrence Ferlinghetti

  Believe, Writing, Space

  Lawrence Ferlinghetti (2007). “Poetry as Insurgent Art”, p.4, New Directions Publishing

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• The credibility of the work depends on copy editors. I would argue with the copy desk, but I would thank them more.

  Bill Kovach

  Arguing, Desks, Credibility

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• Poetry is probably the one field of writing in which it is a mistake to try to psych out editors. In fact, specific marketing advice can sometimes harm the novice poet by enticing him to pursue fashions. The poet's best hope is to sound like nobody else, The finest, most enduring poetry constructs a marketplace of its own.

  X. J. Kennedy

  Fashion, Mistake, Writing

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• A young poet in America should not be advised at the outset to give up all for the Muse-to seclude himself in the country, to live hand from mouth in Greenwich Village or to escape to the Riviera. I should not advise him even to become a magazine editor or work in a publisher's office. The poet would do better to study a profession, to become a banker or a public official or even to go in for the movies.

  Edmund Wilson

  Country, Giving Up, Hands

  Edmund Wilson (1952). “The shores of light: a literary chronicle of the twenties and thirties”

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• I do feel that I'm talking to someone who's in a totally different place from where I was when I started modeling. I was fortunate enough to have the wonderful designers and amazing photographers around me, and editors that I knew, and if I wanted to ask a question, I asked them. So that gap has broadened a bit.

  Naomi Campbell

  Talking, Different, Gaps

  Interview Magazine Interview, www.interviewmagazine.com. August 12, 2013.

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• You have to give an editor something to change, or he gets fretful. After he pees in it, he likes the flavor better, so he buys it.

  Robert A. Heinlein

  Giving, Flavor, Likes

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• When I started out, people were afraid of parish priests. Now they're afraid of newspaper editors.

  Michael D. Higgins

  People, Newspapers, Priests

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• I never wanted to be an editor. I never wanted to be a boss. I just wanted to write, and it didn't make any difference whether it was fiction or nonfiction or short stories or whatever. I just - that's what I was destined to do.

  Frank Deford

  Writing, Differences, Boss

  Source: www.pbs.org

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• There's a way of thinking that comes with being an editor that is incredibly useful on the set. It's not just a vocabulary thing or a right-to-left thing or script supervisor stuff. It's a way of thinking about the film and the shots and the way they fit together, what you need and what you don't need, and what you can get away with if you have to.

  Joe Dante

  Thinking, Vocabulary, Together

  "INTERVIEW: What You Can Get Away With: The Collegial Cutting Room Collaborators of Joe Dante, Part 2". Interview with Peter Tonguette, www.indiewire.com. January 14, 2012.

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• I think even if you're on a screen or you're in a play, it's always a group effort. It's not just the actors, it's the editor.

  Stockard Channing

  Thinking, Play, Effort

  Source: www.pbs.org

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• In the mid-2000s, I kind of accidentally became a music editor.

  Steven Price

  Kind

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• Calling EMACS an editor is like calling the Earth a hunk of dirt.

  Chris DiBona

  Calling, Earth, Dirt

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• I depend on good editors and a good director.

  Indira Varma

  Directors, Good Directors, Depends

  "Indira Varma Interview HUMAN TARGET". Interview with Christina Radish, collider.com. October 25, 2010.

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• I used to sit in the studio with a copy of the (Saturday Evening) Post laid across my knees ... And then I'd conjure up a picture of myself as a famous illustrator and gloat over it, putting myself in various happy situations, surrounded by admiring females, deferred to by office flunkies at the magazines, wined and dined by the editor.

  Norman Rockwell

  Office, Magazines, Knees

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• I had published a co-edited book with Oxford a decade ago, my first book actually. Years later I found myself having lunch with Lori Stone, who was an editor at Oxford at that time. We connected at a conference and over the course of lunch she told me about a wonderful new series she had just developed called Understanding Research.

  Patricia Leavy

  Book, Oxford, Lunch

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• If publishers and editors exert themselves to keep certain topics out of print, it is not because they are frightened of prosecution but because they are frightened of public opinion. In this country intellectual cowardice is the worst enemy a writer or journalist has to face, and that fact does not seem to me to have had the discussion it deserves.

  George Orwell

  Country, Worst Enemy, Intellectual

  George Orwell (2009). “Animal Farm: A Fairy Story”, p.206, Houghton Mifflin Harcourt

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• As a cartoonist I do what I find funny. As an editor I have a broader approach realizing that humor is inherently subjective and I don't want my preferences to rule out what others might like.

  Robert Mankoff

  Want, Might, Realizing

  "Ask the Author Live: Robert Mankoff on the Cartoon Issue". The New Yorker Interview, www.newyorker.com. October 21, 2011.

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• This impressed me when I was the editor of the Sunday Times [of London] - we had the "Bloody Sunday" killings of 13 unarmed civilians by British paratroopers. We interviewed 500 people for our report, and not one of them could give us a total picture of what was happening. It was like the Rashomon effect multiplied a million times. For a website or even a newspaper to be a collector of information flow is not the highest form of journalism.

  Harold Evans

  Sunday, Information Flow, People

  "Harold Evans Sees Bright Future for Print-on-Demand Newspapers". Interview with Mark Glaser, mediashift.org. October 29, 2009.

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• It's a fascinating time, I think. I do believe that with all the qualifications I've said - [such as] the uncertain accuracy of the web - nonetheless the access to speeches, documents is unparalleled with the ease of gathering information. If I had had that access when I was an editor or coming up, it would have made my life so much easier. As it was, everything took so much longer.

  Harold Evans

  Believe, Thinking, Ease

  "Harold Evans Sees Bright Future for Print-on-Demand Newspapers". Interview with Mark Glaser, mediashift.org. October 29, 2009.

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• My first teacher was Steven Spielberg. I worked on Amazing Stories. That was my first job, as a writer and as a story editor. Watching him and his command of the tools of filmmaking, and his admiration for writing and the story itself, was the greatest lesson I ever had.

  Mick Garris

  Teacher, Jobs, Writing

  Source: collider.com

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