I don't like bands who would play music like Code. I mean I hate most bands with emotional singing parts (I adore metal singing like Iron Maiden though!)
Just because I said lyrics are a sign of the inability to sing doesn't mean....A) I believe that, or B) I don't think they're cool. They are cool. Words are great. I sing along with my favorite songs, but when I am drumming and singing, the words become a note that for me. In the process of playing they have more emotional impact as notes then an actual word.
If you have the opportunity to play these characters that are three-dimensional and very deeply rooted in an emotional level, they stay with you. They lived in you anyway, the density of them. It takes a while to realize how they've influenced you.
It's not like I'm narrating stories with music behind them. It's all kind of one thing. You hope you can provoke a specific emotional reaction, but in ways that aren't quite plain.
As you get older you realize how important your emotional response is to any kind of music.
The goal of dream study is to increase one's contact with and access to the abilities of their subconscious mind. I became interested in dreams as an avenue to increase my knowledge of the subconscious mind, and increase my psychological and emotional effectiveness. I have been recording my dreams since I was seventeen.
It's going to be really emotional to say goodbye. I'm going to find it very difficult. But it must be done, it must be done.
I'm not angry. I can't sing that loud for that long anyway, I'll start coughing - I don't have the instrument for it. I don't feel that emotional. I'm at peace.
Our emotional map is laid down mainly in relationship with our earliest caregiver in the first couple of years of life.
The horrors have made the legend of Mandelstam and are inevitably the lens through which we read his work and life. But if there had been no Stalin and no purge, Mandelstam still would have been a poet of severe emotional and existential extremity.
Fashion is emotional, and the way women look at it is emotional, so it's very important to try to connect with a woman's idea of how she might feel.
My particular interest area is working in issues of emotional literacy. What I see of the way that we educate boys and more than that, the way we socialize boys within their families and then in schools to me is tantamount to just removing any element of emotional intelligence from them.
Combining the lack of emotional literacy they may be imbued with, with the fact that if you're black you're not supposed to be that smart and if you... as a boy you're not even supposed to like school. All of the sudden you've got kids who are afraid, black kids and Latino kids who are afraid to be great, afraid to bask in the enjoyment of education, lest they be labeled less than black, less than Latino, less they be called the oreo.
There's something that intervenes and is very important which has to do with value. Value in the true biological sense, which is that contrary to what many people seem to think, taking it at face value - sorry for the pun - we do not give the same amount of emotional significance to every event.
There are still actors who use emotional memory, affective memory, which was Lee Strasberg's emphasis, not his total emphasis. She taught everything at the Actor's Studio. But nevertheless, she felt that it impeded her.
I love rock ballads, and I'm kind of in emotional turmoil, being ill and high, so I start to sing to the song, I turn it up and start to sing.
Emotional function and cognitive function aren't unrelated to each other. They're completely intertwined.
My favorite episode is where the guy has a relationship with his car. An intimate and sexual and emotional relationship with his car.
One, something emotional has to be at stake. There has to be something important for me that I'm writing about. And then two, I have to have a formal idea. Something has to be being worked out in poetry.
I'd moved to L.A., and everyone's actors here and writers, they were like super emotional and super in touch with their feelings, and it seemed like every two weeks one of my friend just coming to me and, like, you hurt my feelings the other day, dude.
Gaps can be very emotional. I mean, that's in my drumming. When I drum, you know, I don't need to drum all over the track. I play with the singer and I can back off.
I have insanely dorky taste. Basically, if you're a woman, and you're under any kind of emotional duress, and you sing a song, I will listen to it forever. It's odd being a 37-year-old heterosexual male who owns nothing but Sarah McLachlan and Tori Amos. But I'll go against that at first and play something boring like James Taylor.
It's not enough to identify the Superobjective intellectually; you have to justify it, to find the emotional drive behind it. You need your own specific interpretation of the superobjective so that every time you think of it, it makes you emotional and drives you into action.
You can't play an emotional condition; you have an emotional condition, and because you have that condition, you try to overcome it with active doings (intentions).
Every time we allow someone to move us with anger, we teach them to be angry.
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