Let me touch on [Ruslan] Provodnikov's style. He is a lot better than people think. Every fight he has lost has been a very close fight. He really brought it and he is a great champion. On top of being an exciting fighter the guy is good.
All of my fights have been exciting, even the lopsided ones. I am not concerned about taking a conscious approach to making my style more exciting. I think I go out there and fight in the manner that works best for me getting a win and it just so happens that it's good to watch.
When I hear music which is really exciting, I get really excited, and when I hear music which is really boring, I get really upset. I get angry.
When you go to South Africa, you get a different vibe and a different sound. The music is awesome the people are loving it. When you go to Botswana, it's a different ball game. The people out there love Afro Beat Hip Hop so much. When you go to Sierra Leone it's different, when you go to Nigeria it's different... It's all pretty exciting!
The next phase and this is part of what I'm interested in doing after I get out of the presidency is to make sure that I'm working with that next generation so that they understand you can't just rely on inspiration. There's a little perspiration involved in bringing about change too. That you have to be organized, that you have to vote even when it's not exciting.
I'm striving to make things which are the most exciting things I can make that will fit in people's homes. And in that respect, working on the wheel is economically about the only answer I know, because one can, as Leach said, make 50 pots in a day. You can make 100 pots in a day. A really good potter can make 400 pots in a day.
Here is this ability to explore ideas, but with minute changes, and then look at the results. Often you get so excited about what you're doing that you think, "Oh, wow, this is just great." And you look at it a week later and you realize you'd been excited by the act of creation, but what you've created is not really exciting when you look at it in cold blood. And so that, to me, is a valuable lesson also.
For people who are coming out of an oral tradition, it is very exciting to get into reading and writing and it is quite interesting how frequently people want to write their own story. Sometimes it is straight history - this is how we came about, how our town was created, a lot of that kind of effort, as soon as literacy came. The first thing you wanted to do was to put something down about who you are or how you are related to you neighbors. Then the next stage would be the stories, the cultural part of the story: this is the kind of world our ancestors made or aspired to.
I think that is one of the first things that I got clear in my mind when I began to play around with fiction, that I had to find a language and it was not in existance at the time. You have put it very well - it wasn't to be taken for granted. You had to go on and search until you found a way through the conversation of English and Igbo. The two languages stuck into each other and tried to find a way to express through one, the medium of the thoughts. That's a very exciting thing to do, a very difficult thing to do.
Why would you expect people who don't know any history to be able to report on history? Why would you expect people who are shallow and report only today's exciting story, to be followed by tomorrow's exciting story, to have any sense of depth or any sense of background?
Just as there are many more Californians now to be found in the temples of Kyoto or the villages of Bali or the mountains of the Himalayas than ever before, what is also exciting is that one can just go downtown Santa Barbara and find ayurvedic medicine, Thai restaurants, and Japanese cars in abundance.
I think what distresses me most in my life is that I have so many ideas I consider exciting ideas that I will never live to execute because it takes me so long to execute.
Look at the world and see what's there. It's very beautiful. It's a very exciting but in some ways treacherous world, and all this goes into the writing.
There are so many different ways to make art. And so many good stories. You don't have to have a budget. I feel like it's super possible these days for people to make anything, no matter who you are or where you come from. And that's really exciting. I'm excited to see people around me pushing boundaries in that way, not letting certain structures define them or what art they can make.
When it comes to the discussion of oppression in America, we've been experiencing the worst of it for a long time. What's exciting to me is the prospect of going from worst to first in a forward-moving transformation which is going to take groups of dispossessed black folks here and others and make us controllers of our own destiny.
People feel that building a rocket for Mars is an exciting project, but if you see the refugees around the world and the millions of homeless people, then for me it's insulting that people are fantasizing about leaving planet Earth and going wherever.
Blackness is an ocean, a universe, a possibility that can never be exhausted. And so we have to constantly reaffirm the necessity of excavation, of archiving and curating, but also exploring, and understanding afresh and learning for the first time what it is that we need to know, and what the limits and boundaries are, and what the themes and preoccupations should be, and what the redemptive character of that erudition is. I find myself in the exciting position of doing all that, and at the same time having the obligation to explain to white people what the deal is.
I generally go into a movie with a very strong vision, with how I want to make the film, how I want to shoot the film, how I want to edit the movie, what I want the sound to sound like. So I have a very concrete idea even if I don't storyboard it, I know exactly what I want to do once I get into the sequence. Now having said that, I try not to let that slave me to the process. So if I do storyboard a sequence I don't necessarily stick to it if I discover more exciting things on set.
I can appreciate the idea that with e-books more people would publish, the work would be easier to disseminate, and that it could even be interactive. Being a lover of photography, I especially like the idea that you could include lots of pictures - full-color pictures - with your writing. That to me is exciting! We'll all have to stay tuned to see what develops.
I never thought we would rise to the height where the salaries are today. The rules have changed an awful lot. That benefits the public. Let's put it this way. It makes the game a little more exciting is what I think players were trying to work for because there would be more scoring in the games.
It's a lot easier to make a living as a writer in Hollywood than it was probably 10 years ago, though there's still just as many unemployed people in Hollywood as there ever has been, but there's so many more avenues to sell things, because of digital, and Amazon, and Netflix, and all these different platforms. That's crazy and exciting in a creative way, and we'll see where that all stands five years from now. But on the corporate side, I still see that pendulum swinging back in that other direction, which is a little not comforting.
I vividly remember being in my mid- to late-20s. That part of life is very emotional, and exciting, and dramatic in a way that your late 40s are not. That's different and dramatic in other ways, but I wanted to tap into that angry youth vibe in Kill Or Be Killed that I remember feeling at that time, instead of my angry middle-aged vibe that I've been churning out for a few years.
I think food culture is always evolving, and there will constantly be people looking both forward and back. That's what makes it exciting.
Sustainability has become a religion in architecture - not that there's anything wrong with it - but I think it has to work both ways. Everyone thinks architecture has to be subservient to sustainability, but what if we thought in the other direction, like, what can sustainability do to make architecture more exciting?
There's so much good television now, and there's a lot of things on television that would have been a movie or maybe wouldn't have been made at all if it wasn't for cable and streaming. It's a really exciting part of the future and I really want to be a part of it.
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