I've been lucky enough to get a taste of the feature film world, the TV world and Broadway, as well, and see what everything is like. For me, it's very much about the character and how different it is from something I've done earlier.
When I was in architecture school, rather than giving us drafting boards and t-squares and lead pencils and stuff they gave us all the same tools that places like Digital Domain and ILM used to make features films or special effects. They gave us all these digital tools like Alias and Mya and Soft Image and all these kind of high-end computers, so I came out of architecture school knowing how to use all that stuff. And I started making short films at night.
One thing that is true in TV is that you do hire the directors. As the writer, it's very different than in features, where you feel like, "If I want this to be this way, I better direct it."
The biggest challenge is self-financing 100% of everything. Recording costs, studio time, engineer fees, travel costs are all a part of the creation process. Then after the creation, there are producer fees, mixing, mastering, photo shoots, artwork, packaging, artist feature fees, legal fees, clearances, and so on that must be covered before any music can officially be released to the public.
From the moment the tourist enters the site, everyone has to be photographed in front of every feature of note.... The photographic record of the visit has almost destroyed the very notion of actually looking.
Guys don't do that when they go out. Guys don't wear outfits that feature the dong.
I was living under a desk in West Hollywood. It was a closet that I shared with another comic. I was shocked when they called me to come in to try out for the show. The chances of me getting on a TV show and winning it is like one-in-a-million. I had only been doing comedy for six years at that point, so I was basically considered an open mic-er or maybe a feature act once in awhile.
The most striking feature of the new is the sheer mass. Photography was previously a mass phenomenon, but now, quantity is doubtless the outstanding quality. For a long time photos have been taken frequently and everywhere, but now photos are taken permanently and everywhere,... What is new is that we can watch them practically in real time.
The essence of capitalism is expressed in two of its basic features: a) profit maximization and b) market competition. In their abstract formulations none of them was supposed to have anything conspiratorial against the poor. But in real life they turn out to be the "killers" of the poor - by making rich the richer and poor the poorer.
However far back we may be able to trace the - so to speak - internal history of the Universe, there can be no question of arguing that this or that external origin is either probable or improbable. We do not have, and we necessarily could not have, experience of other Universes to tell us that Universes, or Universes with these particular features, are the work of Gods, or of Gods of this or that particular sort.
I absolutely love doing games in Baton Rouge. Night games in Tiger Stadium are a spectacle and the food choices all around are fantastic! One thing is certain: if I ever choose to feature a tailgating spread for Taste of the Town, LSU will be at the top of the list.
I do like working on independent films where it is a smaller budget and less pressure. The pace is also quicker than that of a big budget film. You are shooting at a fairly fast pace. Sitting around for three or four days can be quite draining. So I guess in terms of film or television, I would say filming an independent feature.
I haven't had a big-ass feature, somebody put me on a label, cash money didn't come scoop me up. I've literally put myself into millionaire position. All the stuff I've done and I'm doing has nothing to do with nobody. I don't owe anybody anything. No wife, no kids - I don't owe nobody nothin'.
Meritocracy is our social ideal, particularly among good liberals. Equality of opportunity, but not of outcome. Not evaluating people by their [outside] features, but by their innate talent and drive.
One of the most salient features of our culture is that there is so much bullshit. Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted. Most people are rather confident of their ability to recognize bullshit and to avoid being taken in by it. So the phenomenon has not aroused much deliberate concern, or attracted much sustained inquiry. In consequence, we have no clear understanding of what bullshit is, why there is so much of it, or what functions it serves.
The most striking features of the correctly bred German Shepherds are firmness of nerves, attentiveness, unshockability, tractability, watchfulness, reliability and incorruptibility together with courage, fighting tenacity and hardness.
Im married to a white man, and then my daughter came out looking like the whitest white child with blonde hair and blue eyes. And Im like, Omigosh, now what am I going to do? She has my moms features and is lighter than my husband. And my boy is browner than I am. Brown eyes and really tan.
I would love to get into feature films; Im willing to do an action flick, Im willing to do a romantic comedy.
The Love Undercover series features two cops, a street rat, and a construction worker as the lead heroes.
I am not and will never again be a young writer, a young homeowner, a young teacher. I was never a young wife. The only thing I could do now for which my youth would be a truly notable feature would be to die. If I died now, I'd die young. Everything else, I'm doing middle-aged.
the Press has no band of critics who go the round of the churches and chapels, and are on the watch for a slip or defect in the preacher, to make a 'feature' in their article: the clergy are, practically, the most irresponsible of all talkers.
Whence proceeds this weight we lay On what detracting people say? Their utmost malice cannot make Your head, or tooth, or finger ache; Nor spoil your shapes, distort your face, Or put one feature out of place.
Men have their intellectual ancestry, and the likeness of some one of them is forever unexpectedly flashing out in the features of a descendant, it may be after a gap of several centuries. In the parliament of the present every man represents a constituency of the past.
Every passion gives a particular cast to the countenance, and is apt to discover itself in some feature or other. I have seen an eye curse for half an hour together, and an eyebrow call a man a scoundrel.
We wander through this life together in a semi-darkness in which none of us can distinguish exactly the features of his neighbour. Only from time to time, through some experience that we have of our companion, or through some remark that he passes, he stands for a moment close to us, as though illuminated by a flash of lightning. Then we see him as he really is.
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