When you lock a movie's release date and then move it two months, it's just not good. It's good for everything but the cast, crew, and people who are creatively trying to make a film.
I wanted to go to Rome. I got an offer to do an Italian film and I went.
People in independent film have a passion; they're not in it for the money.
It’s a lovely adaptation that honors Lois Lowry’s vision and authority…the film…illuminates and explores the beauty, danger and pain of our free, creative lives. Plenty to talk about in families and other communities. Go see it.
Instead of dumping all my money on an independent film that nobody would watch and most people would make fun of behind my back, I decided, 'I'm just going to buy a house.'
All I can say about Juliette of the Herbs is that it has made me look at how my life is now, still close to the earth, but not close enough...I'm happy to have seen a glimpse into her life. It encourages me to live as radically as I want. Tish's film is a grand one.
I think films are perishable, because they depend too much on technology, which advances too quickly and the films become old-fashioned, antiques. What I hope for is that technology advances to the point that films in the future will depend on a little pill which you take; then you sit in the dark, and from your eyes you project the film you want to see on a blank wall.
And the fact that I see so many films really seems to amaze certain people.
Yes, I got my first Bolex camera a few weeks after being dropped in New York by the United Nations Refugee Organization. That was on October 29th, 1949. With my brother Adolfas, we wanted to make a film about displaced persons, how one feels being uprooted from one's home.
I always work only with friends, but it must be about them and myself. Because I film only very personal moments, nothing preplanned, staged or written, it has to be real and spontaneous. Some of them have become famous, some are not yet famous, some will never be famous. But they are all my friends.
We need less perfect but more free films.
Console game publishing has become more like theatrical release film-making and it is very hard if you are not one of the major publishers, and even for them it is hard unless they are working with major game brands.
I always said when I was younger, I wanted to write film music, and I think that's what my ultimate dream is.
High Concept means a book or a film whose core idea can be stated in a single sentence, such as Arnold Schwarzenegger and Danny DeVito are twins. Or, Arnold is pregnant.
I don't think Hollywood makes many good films anymore. How many directors can you really trust to have an artistic vision, not a corporate vision or a watered-down communal one?
Consider this 're-make' business that is taking away opportunities for new ideas and new films to happen. If the movie was made right the first time, why make it again? The only reason this is happening is it has become a safer way for the Studios.
Treat your career as a business. Invest your earnings into good tools that can enhance your business. Film businesses are the same as non-film businesses. Ploughing part of your earnings back into your filmmaking business would grow career exponentially.
If someone plays a brooding actor in a film, people think they're brooding all the time.
If there is Katrina Kaif in any film, the movie is a hit
You know, the best thing you can say about a horror film is, 'Don't see it.'
If you don’t want to be scared in a horror film, don’t close your eyes. Close your ears.
Don't use your film for ugly purpose.
Animated films are so precisely engineered - right down to forming lines of dialogue with words pulled from several different takes - how do you translate that spontaneity from the live-action to the digital realm?
If one horror film hits, everyone says, 'Let's go make a horror film.' It's the genre that never dies.
I think the camera was always my obsession, the camera movements. Because for me it's the most important thing in the move, the camera, because without the camera, film is just a stage or television - nothing.
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