I didnt think that personal style had much value in graphic design.
My overall artistic goal is to marry graphic design with comic books and traditional storytelling.
I have to perfect my beard every morning and it takes a long time. I think a lot of musicians are into graphic design and art. I decided to be a little bit of an artist on my face.
Compared with now when almost everyone knows what graphic design is and has some sort of access to the tools to make it, back then, it was really esoteric, you had to quantify it as being 'like commercial art', as one still does in certain circles. It was a strange thing to want to do for a living.
A book has to dig through the wounds, more, it has cause a new one, a book it has to be dangerous.
There can be no knowledge without emotion. We may be aware of a truth, yet until we have felt its force, it is not ours. To the cognition of the brain must be added the experience of the soul.
I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.
Design is a funny word. Some people think design means how it looks. But of course, if you dig deeper, it's really how it works.
Many things difficult to design prove easy to performance.
I h a v e a l l t h a t I r e q u e s t e d and I do not want what I haven`t got. I have learned this from my mother ; see how happy she has made me. I will take this road much further though I know not where it takes me.
Never fall in love with an idea. They're whores: if the one you're with isn't doing the job, there's always, always, always another.
If our field is "to advance", we must - without displacing creativity and aesthetics - make sure our terminology is clear.
I decided to go to school for advertising and graphic design. That was what I was gonna do but acting is that thing, its like a splinter in your mind and you cant get rid of it. So I decided to move to L.A. a few years ago and it just snowballed into this thing called The Hunger Games.
Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic.
Select only things to steal from that speak directly to your soul.
What is said determines who listens and who understands. Graphic design is a language, but graphic designers are so busy worrying about the nuances - accents, punctuation and so on - that they spend little time thinking about what the words add up to. I’m interested in using our communication skills to change the way things are.
The dreamer is the whole dream. For us, dreaming and imagination are coupled with action to treat our lives, our business and our relationships as a constant unfolding.
The difference between a good educator and a great educator is that the former figures out how to work within the constraints of traditional policies and accepted assumptions, whereas the latter figures out how to change whatever gets in the way of doing right by kids. 'But we've always...', 'But the parents will never...', 'But we can't be the only school in the area to...' - all such protestations are unpersuasive to great educators. If research and common sense argue for doing things differently, then the question isn't whether to change course but how to make it happen.
Things that I can do myself, I either do by myself, or teach a willing undergraduate who doesn't know how to do those things by doing it for me. Things that I can't do myself, my graduate students should be doing.
As we become more mature we will learn to master the interplay between the past and the present and not be so self-conscious of our rejection or acceptance of tradition. We will not make the mistake that both rigid modernists and conservatives make, of confusing the quality of form with the specific forms themselves.
The beauty is in finding, not in what you find ; that is just an excuse.
Communication in every which way is everything for the leader.
Practice is a shared history of learning. Practice is conversational. 'Communities of Practice' are groups of people who share a concern (domain) or a passion for something they do and learn how to do it better (practice) as they interact regularly (community).
The difference between the novice and the master is simply that the novice has not learnt, yet, how to do things in such a way that he can afford to make small mistakes. The master knows that the sequence of his actions will always allow him to cover his mistakes a little further down the line. It is this simple but essential knowledge which gives the work of a master carpenter its wonderful, smooth, relaxed, and almost unconcerned simplicity.
You cannot not communicate.
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