AIDS is a plague - numerically, statistically and by any definition known to modern public health - though no one in authority has the guts to call it one.
I never studied anything about film technique in school. Eventually, I realized that cinema and theater are not so different: from the gut to the heart to the head of a character is the same journey for both.
I like guts in my leaders.
I wanted to be a doctor when I was little, so I'm okay with blood and guts.
I think in the old days, films really went for the shock, with the blood and guts, but movies are getting better. The writing and directing have improved a lot, because the audience demands it.
It's a writer's or director's role to be cerebral, whereas for an actor it should be a visceral, gut thing. When the action starts, it's best to turn the brain off and let it become an instinctual thing.
I've never made choices based on money - I always trust my gut.
Sometimes we're actually right when we go with our gut and stand on principle in supporting underdog candidates.
Often I used my gut instinct to ask the questions and get the answers I thought the audience wanted to hear. Sometimes the interviewees said things that surprised even them.
One bit of advice someone gave me - which I haven't yet tried - is that if you go to an area where you might pick up a tummy bug, you should seek out the local probiotic yogurt. Eating it will introduce you to the local gut flora, apparently.
To the new 'Apprentice' candidates I would say to follow your gut instincts, be yourself and get ready to work hard for the next few months. Oh, and try to have some fun!
I really like dating stories, like in Betty and Veronica comics; I like David Lynch and H.P. Lovecraft for the dark gut-wrenching stuff, and I'm inspired by Miyazaki's films for the subtle heart-warming moments, as well as the moments that blew up my imagination.
I would say that when I came into this chapter of my filmmaking career, starting with 'The Fighter,' there was this sense that you have to go from your instincts and you have to go from your gut, and you have to not hesitate and you have to not hedge.
You have to trust in something--your gut, destiny, life, karma, whatever.
We fear discovering that we are more than we think we are... That we actually have the guts, the perserverance, the capacity... because, if it's true, then we become estranged from all we know.
My first few weeks in New York were an initiation into the kingdom of guts.
I'd get very nervous and uncomfortable in social situations and the only way I could feel at all normal was, well, to drink my guts out.
Why is wisdom so fair? Why is beauty so wise? Because all else is temporary, while beauty and wisdom are the only real and constant aspects of truth that can be perceived by human means. And I don't mean the kind of surface beauty that fades with age, or the sort of shallow wisdom that gets lost in platitudes. True beauty grips your gut and squeezes your lungs, and makes you see with utmost clarity exactly what is before you. True wisdom then steps in, to interpret, illuminate, and form a life-altering insight.
Ist es an und fu? r sich absurd, das Nichtsein fu? r einUbel zu ? halten; da jedes Ubel wie jedes Gut das Dasein zur Voraussetzung hat, ja sogar das Bewusstsein. It is in and by itself absurd to regard non-existence as an evil; for every evil, like every good, presupposes existence, indeed even consciousness.
Recruiting is hard. It's just finding the needles in the haystack. You can't know enough in a one-hour interview. So, in the end, it's ultimately based on your gut. How do I feel about this person? What are they like when they're challenged? I ask everybody that: 'Why are you here?' The answers themselves are not what you're looking for. It's the meta-data.
I'm English enough to feel something of a gut-reaction to modernism, to continental philosophising and anything that smacks of a refusal to pay attention to the forensics: the empirical facts on the ground.
Art - my slats! Guts! Guts! Life! Life! I can paint with a shoe-string dipped in pitch and lard.
I just hope when my body goes, or when my mind does, I have the guts to end it the way Hemingway did. I don't want anybody wiping drool off my chin.
The gut-feel of the 55-year old trader is more important than the mathematical elegance of the 25-year old genius.
The nature of women's oppression is unique: women are oppressed as women, regardless of class or race; some women have access to significant wealth, but that wealth does not signify power; women are to be found everywhere, but own or control no appreciable territory; women live with those who oppress them, sleep with them, have their children - we are tangled, hopelessly it seems, in the gut of the machinery and way of life which is ruinous to us.
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