I hope I'm able to achieve more on camera through stillness, through focus, through being quite careful to do less on every take, rather than more. So I'm reducing, rather than adding. Which hopefully is a good exercise. That's what I'd like to do.
I love sharing my life with my followers. Hopefully, they are following me because they genuinely want to know me. It's a way to connect with fans that wasn't available just a few years ago.
I like confounding expectations. I can expand what it is I am able to do, and hopefully get to do more weird, interesting projects like this. There's nothing wrong with doing comedies, and I'm not against comedies, either, but I always want to do stuff that keeps me off my guard and gets me out of my comfort zone. And how the audience perceives that... It's out of my hands. And I don't get that frustrated by it, because I'm on to the next thing at that point.
Human beings aren't meant to be solely consumers - eventually, something has to come out. Otherwise, I don't really see what the point of all that consumption is. The idea behind watching things and listening to things is that it stirs something within you, and hopefully that will stimulate you to then create your own thing.
I think everyone can relate to the werewolf myth - because we've all, as a result of alcohol, drugs, exhaustion, rage, gone off the leash and come to regret it later. I appeal to this psychologically - the unleashed id - but with a biological cause; I'm hopefully making possible supernatural circumstances.
I've just decided that I have to continue to live my life and do what I do. Hopefully, people love me because of who I am, not who I pretend to be.
I've always felt that the poems I've written which have historical context are hopefully not just simply plucking something out of history and saying great, let's write about that. In every case what has happened is that I've become fascinated or haunted by something and couldn't shake it.
You make that climb, take it step by step and hopefully the view is great. I try to be a friend for Miley. I know that's not everyone's parenting style. But I try to be a friend, a partner as a singer, actor, songwriter and let her be a teenage girl and do her thing.
We're growing up with a very illiterate bunch of children who have somehow been taught that film is fact when, in fact, it's invention. Hopefully, an historical film will inspire people to go and read about the history but in the end it is a work of fiction and selection. As for the armour itself, no it wasn't particularly comfortable.
It doesn't matter whether you have the happiest upbringing... the young Joe Scot had the most dysfunctional family there could be but it's still a family and it's a really good, strong family. But in spite of that he runs away from home. I relate to all of those things very directly. I hit 40 this year but I still think about being a teenager and hopefully I will for the rest of my life. They are important years.
If you're not ready to be in a relationship, going out with someone much younger than you is probably a great idea, because you both can have a decent experience and hopefully nobody will end up feeling cheated when it ends.
There is a notion that creative people are absent-minded, reckless, heedless of social customs and obligations. It is, hopefully, true for they are in another world altogether.
I believe we recover from loss by facing the loss, grieving, going deep inside ourselves (hopefully with a guide) and re-emerging to live and love again.
I don't like being naïve about the market, and I always try to make things as great as I can. Then I hope that there's an audience that enjoys them, and that hopefully those things get protected.
We've always told stories through music and rhythm and movement, and what we know as western opera has only been around for a few hundred years and in different forms before that. There is great passion regardless of the fact that it's expensive and people who invest in it are giving money because they believe in it. They're not getting anything back other than satisfaction and enjoyment of hopefully many people having a human, deep, reflective and meditative experience that at its core is incredibly emotional.
I'm looking for films that can resonate and hopefully have some level of critical importance but also have commercial viability and can put butts in seats. At the end of the day, that is the name of the game. And if you can find that perfect balance, then that's the sweet spot.
I wasn't a child star, so hopefully I can keep my head on straight.
I want every scene to feel electric and I try to finish the filming period with a clear trajectory: a beginning, a middle, and hopefully an end.I hate "fly on the wall." It infers that I don't relate to the people we're with and that I don't get affected by events. I like it when people talk to me. I never say things like "Don't look at the camera" - how bossy!
Hopefully I'm a role model for positive change for everyone - not just women. It's very important to find balance between men and women.
If I really want to improve my situation, I can work on the one thing over which I have control-myself. I can stop trying to shape up my wife and can work on my own weaknesses. I can focus an being a great marriage partner, a source of unconditional love and support. Hopefully, my wife will feel the power of proactive example and respond in kind. But, whether she does or doesn't, the most positive way I can influence my situation is to work on myself, on my being.
We ran well there in the November 2012, my first race with (Tony) Gibson (as crew chief). Unfortunately, we haven't left there without a torn up race car. We got caught up in accidents in November of 2012 and then again in November 2013. We cut a tire and crashed last spring, so it'd be nice to have a good clean run with the GoDaddy car. I like Phoenix and Gibson has won there a few times. Hopefully our luck will turn around and we can have a good smooth run and get back on track.
The real question is, Why do you feel as though that's emasculating? A man can't have a conflict? When you try to do art, it's how it lands on people, and hopefully some people will see it the way that I saw it, which is all of these awful choices come from the place of a man who's damaged.
Ultimately, the people [who] are going to help you make your film are the people who believe in you and believe in the story. And as long as you stick to your guns, hopefully what you come out with will be what you imagined.
Its going to require a global effort to reduce greenhouse gases and hopefully derail some of the adverse impacts that we are experiencing today and the devastating impacts that we are going to experience in the future as a result of global warming.
There is a definite difference between live shows and the recordings. The recordings are for all time, hopefully, so you do want to bring across layers of subtlety. But the live show is this primal experience that everybody's having at the same time, that the recording can at best try to imitate or duplicate.
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