There is nothing in the world I hold in greater horror than to see a body moving against its head: and I shall be very careful notto ally myself with such a monster.
I understand the horrors of having no insurance, but, believe me, eight hours of sleep and good meals are NOT going to prevent you from getting sick. Don't gamble with your life; it's a stupid bet.
At the end of the day, a "jump scare" scares the audience for the moment. Slow burn horror ideas scare people forever.
I'm a fan of horror movies that have really good stories.
American Horror Story re-energized me; it re-energized my career. There’s no shame in recognizing that. It’s exposed me to a whole new generation, which is a little strange. I’m not used to young people thinking I’m cool.
The terrorism of the suicide bomber and the terrorism of aerial bombardment are indeed morally equivalent. To say otherwise (as either side might) is to give one moral superiority over the other, and thus serve to perpetuate the horrors of our time.
Horrible experiences lead us to wonder whether the person who experiences them might not be something horrible.
Monarchs not only fashion their age, but are fashioned by it, so that they can become a sort of personification of the age. If Elizabeth I, independent, strong, represents the age of Shakespeare's heroines, a woman's heyday, Victoria represents another image of womanhood, predominant in the nineteenth century: a woman who, although queen in her own right, leaned on her husband, looked up to him, and went into perpetual mourning after his death. The feminist movement filled her with shocked horror and outrage.
When horror is associated with what is harmful, evil results, when disgust does, badness.
I well recall my horror when I heard for the first time, of a journalist who had laid in a pair of what were then called bicycle pants and taken to golf; it was as if I had encountered a studhorse with his hair done up in frizzes, and pink bowknots peeking out of them. It seemed, in some vague way, ignominious, and even a bit indelicate.
My sole defense against the natural horror which death inspires is to love beyond it.
The practice of hinting by single letters those expletives with which profane and violent persons are wont to garnish their discourse, strikes me as a proceeding which, however, well meant, is weak and futile. I cannot tell what good it does - what feeling it spares - what horror it conceals.
To know one's self, one must go all the way to horror.
During the present interval between the feudal age and the coming time, when life and its occupations will be freely thrown open to women as to men, the condition of the female working classes is such that if its sufferings were but made known, emotions of horror and shame would tremble through the whole of society.
Don't you see, if when we die there's nothing, all your sun and fields and what not are all, ah, horror? It's just an ocean of horror.
But is an enemy so execrable that tho in captivity his wishes and comforts are to be disregarded and even crossed? I think not. It is for the benefit of mankind to mitigate the horrors of war as much as possible.
For the first time I understood the dogma of eternal pain... For the first time my imagination grasped the height and depth of the Christian horror. Then I said: "It is a lie, and I hate your religion. If it is true, I hate your God." From that day I have had no fear, no doubt. For me, on that day, the flames of hell were quenched. From that day I have passionately hated every orthodox creed. That Sermon did some good.
If you throw the baby away, that's garbage. But no, the heart's precious. You could get something, you could save a life. Well, you just threw away a baby but the heart's valuable. That's the horror and the terror and the hypocrisy that nobody can understand. We base communities on the idea of protecting children based on the sacrifice of adults. Adults work and die so that their next generation would grow and prosper.
The action movie, the thriller and the drama all have safety nets under them. But not the horror film. The horror film can sink to an abyss far darker than the imagination can ever reach.
I actually prefer to work in as many different genres as possible as often as possible because I actually think the best way to be inspired and avoid any writers block or things like that is actually to be able to go from a comedy to an action to a horror to a adventure, that actually makes it easy for me to start over and get new ideas, and it keeps things interesting.
I love horror movies, I wish I would get more roles to do more horror movies. I got to make a living so I take what they give me, but if I could be the next Vincent Price I would be the happiest guy in the world.
When you have people that are cutting Christians' heads off, when you have a world that the border and at so many places, that it is medieval times, we've never - it almost has to be as bad as it ever was in terms of the violence and the horror, we don't have time for tone. We have to go out and get the job done.
One of my favorite things to do within horror is explore this feeling that a lot of people seem to have from time to time, of there being currents of another reality running beneath, or alongside, what we see and interact with every day.
I grew up really loving horror movies and genre movies. I was a big fan of Universal Monsters movies, read Famous Monsters magazine. I built monster models and creature effects...
I was voted Most Humorous in my senior class in high school, and I was a fan of comedy, my whole life. I never got into the horror genre, and action was fine, but I just loved comedy. Any comedy I could get my hands on, I would. I watched Saturday Night Live religiously. I've just been a fan of comedy, my whole life.
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