You learn something from the classics but your feelings and your imagination operate in the domain of the colloquial. We need to think seriously about reforming the Arabic that we use today.
For as long as I can remember, I've always had a wild imagination and always enjoyed reading and writing.
Most of the people I've been fortunate enough to work with all share the same passion for creativity, for ingenuity, for playing make-believe and really just having fun. It doesn't matter if we're blowing up cars, or shooting an emotional scene in a police station, deep inside we all know our imaginations are at work, and our imaginations are manifesting into reality - at least momentarily for the cameras to capture.
In my perfect imagination, with stern discipline I rise with the first bird, salute the dawn, have a healthy breakfast of fruits, wander over to my faux-oak desk, tap the On button on my Macbook Air, acknowledge the muse, and skip into the world where the story flows over the day and into the night.
That name, SUN BEAR, just sounds like an ideogram to me. Super resonant. By the way, this all might be related to Tomaž Šalamun's famous line, "Every true poet is a monster." Or why Richard Hugo writes that the imagination is a cynic. T
9/11 was just an enormous event in so many senses of the word - I mean, we are still in the "post-9/11 era" and perhaps will be forever? Sometimes it seems like it. It was such a monstrous act of imagination over anything else - the actual fatalities, while awful, were not what distinguished the event from others.
I'm a writer of faith. I was raised Catholic, and I have a deeply Catholic imagination.
It's easier to write about a place sometimes when you've left it, when you can apply your imagination to your memory and let your emotions guide the writing about a place.
We human beings are spiritual beings. We have soul. We have spirit. We have mind. We have consciousness. We want fulfillment, we want happiness, we want satisfaction, we want joy. We want imagination. We want art, culture, music.
Sometimes it bursts from your imagination fully formed, sometimes you absorb from nonfiction, sometimes you're able to imprint your own autobiographical experiences on a world you never yourself were a part of. A decent number of the one-liners in the title story originally came up in conversations with my girlfriend or my neighbor.
But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.
Of course, I had a paradigm of a certain city in my head when I wrote these stories, a city that inspired my imagination, but it was only inspiration.
I don't think I've reached perfection by any stretch of the imagination, but maybe someday I'll become a perfectionist.
Also with that money comes the idea, "Let your imagination run wild." Which I think is a very dangerous thing. I think it's dangerous because you can get into pretty wacky territory. There are things that are too crazy.
My Irish Catholic mother loved romantic movies, provided they ended with a kiss before the screen went dark. If things went any further than that, she'd complain, Why can't they leave something to the imagination? I sort of subscribe to her philosophy when it comes to writing sex.
When there are no lyrics there are many parts of the imagination that can fill in the meanings of the music, so I strongly believe that it can be more powerful at times.
When you're quite young, your imagination's quite free.
Well, there's a great Marlon Brando quote that to do something well you have to spiritually marry your director. You have to be making the same movie they are in that you have to try to help their imagination be better, and more full, and more fully realized, but you can't have a different imagination because then you end up - and you see this a lot in movies - where it feels like they were making five different films.
In order to execute the idea, you need a certain material that is going to allow you to do what you're challenged to do in your imagination. You should use whatever you can and it's amazing how even if you change the medium, your work is still yours.
I guess what attracted me about the philosophy aspect was that it was realistic. It didn't go off into the realm of imagination land, which I find a lot of religious teachings, actually almost every religious teaching does. I keep meaning to write this up as a blog post, but lately, while driving in my car I've been listening to a religious station that comes on out of Cleveland from the Moody Bible Institute.
I love that I live a creative life. It is in the work that I do - acting, writing, and directing. It's also in the mindfulness of every part of my life, from a meal that I prepare for family and friends to putting my imagination to work in a garden.
Some Iraqi writers are more daring today and have excellent imaginations and their material is rich in human experience. But the Arab prizes, once again, are part of the context of life in the Arab world - anarchy, confusion, and corruption.
Sex, creativity, music, art, family, love, beauty, and creative imagination are all part of the spiritual path in the tantric traditions. So I think that for today that has a lot to say to us about not dividing ourselves from ourselves.
Sometimes I fall into the trap of keeping too much to myself, but I think it's important to preserve certain things, it leaves something to the imagination.
I need paper and pen to release my imagination. I can't create on a machine.
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