I've never suffered from writer's block. I have plenty of ideas, sometimes too many. I've always had a strong imagination. If it dries up I'll stop and look for another career.
What is distinctive about the U.S. is that higher education is under attack not because it is failing but because it is public. It is now considered dangerous because it has the potential to function as a site where a culture of questioning can operate, the imagination can blossom, and difficult questions can be openly debated and critically engaged.
Progress is a farce because man's head and hand have created wonders that stun the imagination, but his heart does not keep step and his morals undo all that his mind has wrought.
Nature has no outline. Imagination has.
The imaginations excited by the view of an unknown and untravelled wilderness are not such as arise in the artificial solitude of parks and gardens... The phantoms which haunt a desert are want, and misery, and danger; the evils of dereliction rush upon the thoughts; man is made unwillingly acquainted with his own weakness, and meditation shows him only how little he can sustain, and how little he can perform.
In a sense, comic books are frozen movies. If you look at a comic book, you are generally seeing the storyboard for a film. The great advantage of comic books, over the years, has been that, if they are frozen movies, they are not limited by budget. They are only limited by imagination.
In the past we have always assumed that the external world around us has represented reality, however confusing or uncertain, and that the inner world of our minds, its dreams, hopes, ambitions, represented the realm of fantasy, and the imagination. These roles, it seems to me, have been reversed. The most prudent and effective method of dealing with the world around us is to assume that it is a complete fiction - conversely, the one small node of reality left to us is inside of our own heads.
Granny knew all about bad fortune-telling. It was harder than the real thing. You needed a good imagination.
Our reading can affect our imaginations in ways of which we are not consciously aware. It is quite common...to re-read something after a gap of many years and realize that it has been there all along, without any memory of where it was first encountered. But it may have been working away all the time.
Time spent with children is time well spent. Their little minds are not constrained by 'reality' or focused upon goals. Anything and everything is possible. Imagination will often carry us to worlds that never were. But without it we go nowhere.
[T]hese last few days where I've moped around damn near depressed for real, because of people who do not exist. Not really. I can buy them Christmas presents, but there is no way to send them. Sometimes I feel like I should be able to walk into the next room and there they will be, but they won't. These people do not exisit as flesh and blood, but there are different kinds of reality, and there are days when imagination feels very, very real.
There were no weapons of mass destruction in Iraq. But he still says so. There was no link between Saddam Hussein and al Qaida. But he still says so. And thus, gripping firmly these figments of his own imagination, Mr. Cheney lives on, in defiance, and spreads - around him and before him - darkness, like some contagion of fear. They are never wrong, and they never regret - admirable in a French torch singer, cataclysmic in an American leader.
People read a lot of stories about witches, fairies, paranormals, and children possessed by evil spirits. They go to films showing rituals featuring pentagrams, swords, and invocations. That's fine, people need to give free reign to their imagination and to go through certain stages. Anyone who gets through those stages without being deceived will eventually get in touch with the Tradition.
At one time I used to keep notebooks with outlines for stories. But I found doing this somehow deadened the idea in my imagination. If the notion is good enough, if it truly belongs to you, then you can't forget it-it will haunt you till it's written.
My influences change all the time; they have to remain current, because they're the things that capture your imagination and make you want to go into the studio.
This kind of totalization of security consciousness [after tragedy of 9/11] has the effect within classrooms (and beyond) of constraining the imagination and reinforcing attitudes that privilege the forces of law and order as against the crosscurrents of freedom and dissent.
9/11 was just an enormous event in so many senses of the word - I mean, we are still in the "post-9/11 era" and perhaps will be forever? Sometimes it seems like it. It was such a monstrous act of imagination over anything else - the actual fatalities, while awful, were not what distinguished the event from others.
I went to Europe three times, I read dozens and dozens of books, I studied thousands of photos. But I always supplemented that research with imagination; research might give you detail, but imagination supplies the direction in which to apply all that detail.
India is a place where all stories are possible. You forget that the imagination can take hold of anything and contemplate it and love it and describe it.
Nobody else in the world would look at writing as craftsmanship - it's totally this Protestant hardworking ethic. You go into this kind of infinite space of imagination and you fence yourself in with all kinds of laws.
I think fiction is all about the exercise of the empathetic imagination. Part of what I do is let the stuff I read about meld with what I have experienced.
I'll find something in what I read that snags my imagination in emotional terms; it resonates with me for reasons more complicated than just that it seems like it would make a good story.
Economic justice is not just something blacks are crying out for; whites are desperate for it, too. But in the public imagination, the face of poverty is black. In all actuality, the face of poverty is white.
That name, SUN BEAR, just sounds like an ideogram to me. Super resonant. By the way, this all might be related to Tomaž Šalamun's famous line, "Every true poet is a monster." Or why Richard Hugo writes that the imagination is a cynic. T
For as long as I can remember, I've always had a wild imagination and always enjoyed reading and writing.
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