Although I get a lot of ideas from things that have happened in my life, I see the final product as a place where my imagination meets my experience. What I love about photography is that nothing is really as it seems.
My argument against the set-up picture is that it leaves the matter of content to the imagination of the photographer, a faculty that, in my experience, is generally deficient compared to the mad swirling possibilities that our dear common world kicks up at us on a regular basis.
Perhaps why so much of today's photography doesn't grab us or mean anything to our personal lives is that it fails to touch upon the hidden life of the imagination and fantasy, which is hungry for stimulation.
Don't let your imagination take you by surprise.
Canned reference is practically always loaded with problems. Photos, for example, contrive to kill imagination and stifle the natural development of creative patterns. While "ready-mades" do show up from time to time, they are rare. Art need not be what is seen-but what is to be seen. "Nature," said James McNeill Whistler, "is usually wrong."
I wondered if there was a way to teach people how to use their imaginations in prayer and worship. So I began reading books on cognitive therapy and neuroscience and started studying the devotional traditions of the church.
Reading's the only thing that allows you to use your imagination.
Imagination is vastly more important than intelligence.
The imagination is unleashed by constraints. You break out of the box by stepping into shackles.
The imagination is an organ of understanding. And the imagination needs all the faculties at hand, all the sensibility, all the conscious and unconscious intelligence it can galvanize to fulfill its luminous mission.
Every parent knows this moment in a child's age when he or she needs your attention in a very specific way because it's the beginning and ending of the early life of imagination. It's such a responsibility.
Freedom, to me, is imagination, the power of imagination to create what we want and be who we want to be.
There is no place I know that compares to pure imagination.
When people insist, as so many of them do, that of course we'll overcome the limits to growth and every other obstacle to our allegedly preordained destiny out there among the stars, all that means is that they have a single story wedged into their imagination so tightly that mere reality can't shake it loose.
Many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can refuse to hear screams or to peer inside cages; they can close their minds and hearts to any suffering that does not touch them personally; they can refuse to know. I might be tempted to envy people who can live that way, except that I do not think they have any fewer nightmares than I do. The wilfully unimaginative see more monsters. They are often more afraid.
In the tradition of Julian of Norwich and St. Teresa of Avila and all the other mystics, we can learn to render ourselves vulnerable to the "favors of God" - those indescribable experiences that mock our dualisms and so saturate our imagination with abundance that they transcend our ability to convey joy and wonder. In the tradition of St. John of the Cross, we can learn to survive and derive benefits from the soul's dark night.
Since I write the lyrics, I don't want to be pigeonholed into a person who's out there preaching these songs. If you read the lyrics, there isn't a story being set up for you. You have to use your imagination to get the best out of the songs - if you choose to do that.
One of the problems with traditional anti-capitalist thought is that it defines capitalism as a totality, which encourages us to imagine another totality, socialism, which we can try to replace it with. This totalizing perspective has colonized the imagination of anti-capitalism and left us waiting for a revolution we can never have.
When a certain show or film or celebrity captures the imagination of the masses that has a good deal to say about us, I think, and what is happening in our collective psyche.
I can't write a lie; the world of imagination is no good. I objectively capture my own experiences and those of my friends. I want to put true feelings into words. If I make a song when I'm sad, it's a dark one, but I think that's good. No matter when I want to be true to myself.
I felt the pressure of imagination against the doors of my mind was so great that they were going to burst.
I've never suffered from writer's block. I have plenty of ideas, sometimes too many. I've always had a strong imagination. If it dries up I'll stop and look for another career.
I don't think it's good to achieve too much at too early an age. What else can the future give you if you've already got all that your imagination has dreamt up for you? A writer is only discovered once in a lifetime, and if it happens very early the impossibility of matching that moment again can have a somewhat corrosive effect on his personality and indeed on the work itself.
The imagination can be happy in places where the whole man is not.
Someone will always want to mobilize Death on a massive scale for economic Domination or revenge. And the task, taken As a task, appeals to the imagination. The military is an engineering profession.
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