I'm not really looking for anything. I don't really have a dream role that I'd like to play. When I read a script - I guess it's quite interesting, especially with theater - I get a sense about it. It's in my body: I sweat when I read a play.
The boxing promotion part is really interesting, because I got the chance to do something with my sons. They carry their own weight, and I get a chance to listen to them and see what they have on their minds. I don't have to hand out things to do, and now they have things for me to do. It's an amazing privilege to get the opportunity to work with your children.
I think the most interesting stuff comes from people who've just got nothing to lose. You know, let's kamikaze this thing - just throw themselves in it, devil may care.
For me, it was always clear that Toni Erdmann is more a film about what globalization, capitalism, does with private relationships much more than making a "political" film. It's more interesting to raise questions, because I don't feel in a position to "make a statement" with the film. Toni Erdmann comes from a completely different generation then his daughter, it's the post-war generation, they were very politically engaged. They raised their children with a lot of human worldviews, sent them out in the world believing in a world without borders.
There is an interesting and new way to be excited about the fashion world today maybe. The traditional path of fashion as simple magazine images has dissolved - we are seeing new and innovative ways to share, create, and enjoy ideas. I am challenged to learn and explore paths of finding new photographers, stylists, and vision-makers online or through direct contact, connecting with ideas and creativity in new ways, and making images with different outlets. Sometimes more unbridled avenues and unconventional ways lead to things I wouldn't have thought of yet.
When we came to the network, it was a very interesting time where Portlandia had just come on the air and had been very, very successful. I think people had Portlandia-sized expectations for Comedy Bang! Bang!, especially after the first episode was sampled by quite a large number of people. I remember getting the ratings after the first episode, and the network was over the moon about it. And then the second episode tanked so hard. Like, no one watched it. It was a resounding, "Hey, a bunch of people tried your show, and they all hate it!"
I always find it kind of more interesting when people ask questions like, "What were you like as a kid?" Or just kind of personal history stuff, like, "What was the lowest point of your life?" Because that would be like, "Huh, well, I'd have to think about that one." And then give an honest answer. I think a lot of people don't want to give honest answers, or they just are in business showbiz mode when they're talking about stuff, so that's probably why a lot of that kind of thing doesn't get asked.
It was interesting watching the Afghanistan war review deliberations, this three-month process where Barack Obama did the most thorough foreign policy review ever by a modern American president. Compare that to Libya. For a month he said we weren't going to do anything, then suddenly changed his mind and did it on the fly. My view is that it's not how long or quick you take to make a decision, it's whether you make the right one.
There's the instability of my attitude as an artist, the instability of our perception of the world, and the idea that with this mix, you never know exactly what's the point of view of the filmmaker. This breaks the stability of the belief that a filmmaker is somebody who has a logical relationship with his own material. These elements create this atmosphere that I find more interesting than a normal atmosphere, based only on the characters.
Developing projects of my own and producing and writing and directing is something that's very interesting to me, but you know, one step at a time and you've got to establish yourself on one side before you really have the power to do something else. That's always the immediate goal.
I feel like all the American artists are aesthetically not very interesting and mired in a complaining relationship to its own culture, whereas the Italian work, from a different era, is so comfortable with its relationship to nature and to culture.
Fairfield Porter who has been my model for art writing all along, said that if the most interesting thing about a work of art is its content, it's probably a failure. I think it's true that if you find yourself thinking about the meaning in an author's message, it's probably not very interesting as art. Obviously, this is a tough concept, because if you withdraw intention.
There's an interesting book by the former Brazilian ambassador Celso Amorim. In 2010, he initiated an effort along with Turkey to settle the whole Iran issue. Nobody outside of the United States takes it to be much of an issue. They made a deal with Iran for Iran to essentially give away its low enriched uranium to Turkey for storage, and in return, the Western powers. It was immediately scratched by Barack Obama and Hillary Clinton. And the main reason was they didn't want anybody else to be involved in it. We were supposed to run things, but we didn't say that.
My grandfather was a man, when he talked about freedom, his attitude was really interesting. His view was that you had obligations or you had responsibilities, and when you fulfilled those obligations or responsibilities, that then gave you the liberty to do other things. So the freedoms that we talk about today, the liberties that we talk about today were the benefits that you got from discharging your responsibilities.
Really interesting novels, they always are so demanding of you on some level that you don't fall asleep.
I think thing that makes Batman so endlessly interesting is that he's one of the most flawed and deeply human characters, even though he seems completely the most inhuman and infallible in costume. Psychologically he's one of the most complicated in both his strengths and his weaknesses. For me, one of his great strengths and weaknesses is that confidence. His emotional self-protection is one of the things that makes him heroic and sacrificing; he doesn't have a personal life. He sacrifices those to be the best hero he can be.
If you want to write about a person who isn't nice, people say, "This is a bad book. It's about somebody I couldn't stand." But that's not the point. You don't have to like a character to like a book. Most of the time, people would misjudge and say, "I didn't like the book." No, you didn't like the character. That doesn't make it any less interesting of a book. In fact, to me, it makes it more interesting.
Playing Mrs.Baskets was an interesting experience for me. It was the most rewarding thing I've done since Life With Louie. So you never know: If somebody asks you to put a wig and a dress on, you shouldn't just say "no" right away.You should at least see if there's money, fame, and satisfaction involved.
I feel the same way when I meet somebody in Los Angeles, because I'm from Winnipeg. I'm just a very ordinary girl that something extraordinary happened to. So, I'll go to an event and, say, stand next to Charlize Theron and be like, "Oh my God! This is incredible!" And then you get to talk to her and you find out she's a real person. She's a mom and very interesting. I'm constantly thunderstruck by people that I admire.
I'm socially awkward. What draws me to playing socially awkward characters? I think they're interesting. I'm fascinated kind of by - I mean, I know I'm sure I've got my own social awkwardness but I'm kind of fascinated by that and I lived, probably, I attribute it - I lived in New York for a long time, road the subways, saw a lot of awkwardness, but they're just interesting. They're not cookie cutter. They're usually very colorful characters. They see things different ways and, I don't know, its just a kind of - just a kind of life that interesting to me.
Feminism is something I think about more when I watch the film, Christine, rather than when I was actually doing it, to be honest with you. But I do think it functions as a sort of interesting feministic critique, because you are seeing a woman who's resolutely incapable of behaving like the kind of woman that's acceptable at the time. She doesn't know how to play the game by everyone else's rules, and it makes you realize that actually there were rules that were functioning for a woman to be a careerist.
One of the fairly interesting things about money is that it makes certain things possible that wouldn't be possible otherwise - it doesn't make them inevitable. Hence the strange blindness of economists to what would actually happen when one does exchange things if there isn't money in such contexts.
In the end, of course, all novelists will be judged by their novels, but let's not forget that we will also need new ways of assessing the latter. There are people who will continue to write nineteenth-century novels in the early twenty-first, and even win major prizes for them, but that's not very interesting, intellectually or emotionally.
My devils and angels, fears and hopes, insights and stupidities, loves and loathings, are what they are. I don't edit them out so much as try to make them interesting - whether I am talking to you, or writing a poem, or joking with my kids, or speaking on television.
I've had pretty much the same crew for all the films that I've made, and I've managed to have really nice, calm, funny people. That is a big part of it, a family feeling of warmth and finding something interesting and making a platform for them to perform. It's a very difficult job, acting, in that it's totally counterintuitive to how we are brought up.
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