as the shadows assume shapes I fight the slow retreat now my once-promise dwindling dwindling now lighting new cigarettes pouring more drinks it has been a beautiful fight still is.
Every time you want to reset your set and pull walls out and reset the lighting, you're burning up half an hour to an hour, and when you're trying to keep to a schedule, you're constantly having to reassess what's worth it and what you're going to have to give up in order to keep on schedule.
I depend on good editors and a good director. It's up to the way they shoot it, the lighting and all that. I like how small you can be on TV.
In the beginning of my photography I controlled everything: rearranging the room, lighting it, and telling people what to do and where to put their hands. By the last project, I was basically totally at the mercy of serendipity.
It’s brown.” So maybe I had the teeniest, tiniest, most infinitesimal amount of auburn in my hair. I was still a brunette. “It’s the lighting,” I said. “Yeah, maybe it’s the lightbulbs.” His smile brought up both sides of his mouth, and a dimple surfaced.
The moon was gone, but to the magician's eyes the unicorn was the moon, cold and white and very old, lighting his way to safety, or to madness.
Nature can put on a thrilling show. The stage is vast, the lighting is dramatic, the extras are innumerable, and the budget for special effects is absolutely unlimited.
I raised my three teens with love, perseverance, tenacity, sweat, tears, prayers, lighting candles, and the list could go on.
So much of movie acting is in the lighting. And in loving your characters. I try to know them, and with that intimacy comes love. And now, I love Voldemort.
I love using gas grills because they are easier to heat and it's much easier to control the flames with a gas grill than with a charcoal fire. Grilling is not just about lighting a fire.
TV, it's a director's medium, and they wanna make it look interesting. To be rehearsing mostly for the sake of where you're standing so they can do the lighting, that's what I don't like.
I'm an entertainer. If people are paying good money for tickets they deserve the best show they can see. I don't get into lighting stuff on fire, but I do believe in going the extra mile.
You walk into my bedroom at night, it looks like a nightclub. There's all kinds of lighting effects, there's all kinds of music. I want them to feel like they're in for a show. I believe in romance.
Rochester: "I am no better than the old lightning-struck chestnut-tree in Thornfield orchard…And what right would that ruin have to bid a budding woodbine cover its decay with freshness?" Jane: "You are no ruin sir - no lighting-struck tree: you are green and vigorous. Plants will grow about your roots, whether you ask them or not, because they take delight in your bountiful shadow; and as they grow they will lean towards you, and wind round you, because your strength offers them so safe a prop.
Let it all out. If only I could. Letting it all out would involve me exploding like a firework, a beautiful riot of rainbow sparks bouncing around the car and lighting up the entire lot.
Ringo had this habit of lighting up two cigarettes, one for Maureen at the same time that he lit his own. I remember thinking it was a loving thing to do and wishing John did it for me. But that would have been too obviously demonstrative, maybe, for John.
My understanding of the way sex scenes work is that you're surrounded by crew, and you're cold, and you have to do it eight times 'cause they didn't get the lighting. It doesn't sound pleasant, but you think that actors actually enjoy it?
I want our people to be like a molave tree, strong and resilient, standing on the hillsides, unafraid of the rising tide, lighting and the storm, confident of its strength.
There is no more miserable human being than one in whom nothing is habitual but indecision, and for whom the lighting of every cigar, the drinking of every cup, the time of rising and going to bed every day, and the beginning of every bit of work, are subjects of express volitional deliberation.
The main purpose of my work is to provoke people into using their imagination. Most people spend their lives in dreary, grey-beige conformity, mortally afraid of using colours. By experimenting with lighting, colours, textiles and furniture and utilizing the latest technologies, I try to show new ways to encourage people to use their phantasy and make their surroundings more exciting.
Sometimes I take the watch, or I take the shoes, but usually the souvenir is to take the life you had with those directors, or the crew - the camera person, the lighting person. When you finish a film it's like a little death. You had a family for a bit, and you finish the movie and you probably will never see each other again.
Men of genius are meteors destined to burn themselves out in lighting up their age.
All the things that most people hate about traveling -- the recycled air, the artificial lighting, the digital juice dispensers, the cheap sushi -- are warm reminders that I'm home.
Christmas is God lighting a candle; and you don't light a candle in a room that's already full of sunlight. You light a candle in a room that's so murky that the candle, when lit, reveals just how bad things really are.
Some of us are darkness lovers. We do not dislike the early and late daylight of June, but we cherish the increasing dark of November, which we wrap around ourselves in the prosperous warmth of wood stove, oil and electric blanket. Inside our warmth we fold ourselves, partly tuber, partly bear, in the dark and its cold - around us, outside us, safely away from us. We tuck ourselves up in the comfort of cold's opposite, warming ourslves by thought of the cold, lighting ourselves by darkness's idea.
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