My playing started to develop through the Miles Davis stuff I was listening to.
What is normally called religion is what I would tend to call music - participating in music, listening to music, making records and singing.
I think a lot of making art is listening to yourself.
I think nowadays it doesn't really matter where we are physically located. We create our own culture around us to a large extent, whether it's what we're listening to, what we're watching, what we're reading - it can have very little to do with one's immediate cultural environment. We are in a global culture in that respect.
I've been getting into different gospel artists; Aretha Franklin is someone I've been listening to a lot of.
I never listened to the Grateful Dead as a teen; the only exposure I got was what came through the walls when my sister was listening to them.
I remember listening to Cube's music when I was like 14 years old, my friends listening to it up in Toronto.
I started listening to the Cure around the time I discovered Joy Division and, like Joy Division, they have shaped my taste in all sorts of dark and dreary ways.
I grew up in an eclectic house where people were listening to all types of different music. I also think being educated, eloquent and knowing how to talk for yourself in the industry makes you go a long way.
Everyone meditates in their own way. Some people sit and practice formal mediation techniques for many hours a day while others spontaneously meditate while watching a sunset, listening to music, or participating in athletics.
The idea for each of the stories in this book came in a moment of belief and was written in a burst of faith, happiness, and optimism. Those positive feelings have their dark analogues, however, and the fear of failure is a long way from the worst of them. The worst - for me, at least - is the gnawing speculation that I may have already said everything that I have to say, and am now only listening to the steady quacking of my own voice because the silence when it stops is just too spooky.
I started singing when I was five. I grew up the youngest of four kids who all studied classical piano, so you could say I've been listening to music ever since the moment of conception.
I like being on the floor, listening in on the huddles. It makes me feel like a player again.
The biggest problem is always getting hits. That's the one thing that has never changed. The way of delivering music has changed, the way of listening to it has changed, the way of distributing it has changed, but it's always the music.
Musically, I actually grew up listening to country music as a kid like George Strait, Alan Jackson... all those guys. So it was kind of weird crossing over from that to pop and R&B, but you know, I love Michael Jackson, Ne-Yo, Usher, R. Kelly, Drake, Boyz II Men.
I miss CDs. I miss listening to a whole album, even the lame songs that sometimes grow on you.
I kept listening, kept going to see people, kept sitting in with people, kept listening to records. If I wanted to learn somebody's stuff, like with Clapton, when I wanted to learn how he was getting some of his sounds - which were real neat - I learned how to make the sounds with my mouth and then copied that with my guitar.
I'm on my boat, training, rehearsing; I spend all my energy on the job that's coming up, and I found that's the way that works for me. The more energy you have on set, the better you'll be; it's all about being alive in that moment and listening.
I find it quite difficult to think that there's, you know, about 20 million people listening to my album that I wrote very selfishly to get over a breakup. I didn't write it being that it's going to be a hit.
When I was seventeen I drank some very good beer I drank some very good beer I purchased With a fake ID My name was Brian McGee I stayed up listening to Queen When I was seventeen
I hollowed out, stopped listening to music, never picked up a pencil, started slipping into old habits. All of the vibrancy I used to see became de-saturated. Lost Slowly, once I had done enough damage to myself, I began to climb out of the hole. Clean. When I made it out, the only thing left inside was the voice, and for the second time in my life, I no longer ignored it - because it was my own.
Many years spent listening to the tribulations of man have persuaded me that the satisfaction of all desires is completely counterproductive to happiness. Instant and unrestrained gratification is the shortest and most direct route to unhappiness.
If you feel irritated by the absurd remarks of two people whose conversation you happen to overhear, you should imagine that you are listening to a dialogue of two fools in a comedy.
So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.
If we truly want to learn, we never learn when we are talking. We only learn when we are listening.
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