The thing I love most about being famous is people listening to me when I have something important to say.
I never listened to the Grateful Dead as a teen; the only exposure I got was what came through the walls when my sister was listening to them.
I think most good music has got some kind of crossover-potential. It feels nice to know that there are more people than those into dance-music that are listening to what I've made.
I listen a lot to my own music when I'm in the process of making it. In the car, in the kitchen while making food, on my iPod when I go shopping, etc. I listen to it as much as possible, and if I get tired of listening to it, it's not good enough, and I leave it unreleased.
It's nice when people say, 'God, I've been listening to you since 1963 or 1985, or whatever.' I appreciate anybody who goes out and buys music these days.
Home in bed listening to the rain getting ready to order a pizza. Sounds like a song til the last part.
I love going to the cinema, listening to music, yoga and long walks along Holkham beach in Norfolk.
I grew in the inner city, listening to Stevie Wonder, Donny Hathaway, James Brown, The Commodores - lots of soul music.
The worst of all listeners is the man who does nothing but listen.
The best way to make a long story short is to stop listening.
The only thing worse than being on the wrong side of an argument is to be on the right side with no one listening.
When asked by a grumpily puzzled professor what "rules" he followed, Debussy is said to have retorted, mon plaisir "whatever I please" and he further claimed that more was to be gained by watching the sun rise than by listening to the Pastoral Symphony. Although such remarks were intended to shock, they contain a core of Debussyan verity.
Being on President Nixon's enemies list was the highest single honor I've ever received. Who knows who's listening to me now and what government list I'm on?
Not everyone is worth listening to.
The talker has found a hearer but not a listener; and though he may talk his very best for his own sake, you will find that his mental movements are erratic: they have no fixed centre and no definite object. His talk is like the water of a canal whose banks have given way, which rolls aimlessly hither and thither, without fulfilling any useful function, though it is the same water which was so helpful and serviceable, when it was confined within clearly marked limits by the restraining force of its earthy boundaries.
For one who is having no personal experience, the passionate disquiet of others is at any rate a titillation of the nerves, like seeing a play or listening to music.
There's this freshness that happens within the first few takes of the actors actually listening to each other and actually really reacting.
Miniaturization of electronics started by NASA's push became an entire consumer products industry. Now we're carrying the complete works of Beethoven on a lapel pin listening to it in headphones.
I probably spent more time listening to albums than writing songs. But I think that gave me all the tricks in terms of wordplay, from how I pronounced my words to the actual delivery.
Just listening carefully to what the musicians are really doing, putting the music in the right time... I became aware of the degree to which time, and therefore duration, was important in music and in art. It had a direct influence on my painting.
I realized I was more convincing to myself and to the people who were listening when I actually said what I thought, versus what I thought people wanted to hear me say.
A relatively primitive village in which there are still real feasts, common artistic shared expressions, and no literacy at all is more advanced culturally and more healthy mentally than our educated, newspaper-reading radio-listening culture.
The ordinary person senses the greatness of the odds against him even without thought or analysis, and he adapts his attitudes unconsciously. A huge passivity has settled on industrial society. For people carried about in mechanical vehicles, earning their living by waiting on machines, listening much of the waking day to canned music, watching packaged movie entertainment and capsulated news, for such people it would require an exceptional degree of awareness and an especial heroism of effort to be anything but supine consumers of processed goods.
Say less than the other fellow and listen more than you talk; for when a man's listening he isn't telling on himself and he's flattering the fellow who is.
Their [the evangelicals'] success also points to a hunger for the product they are selling, a hunger that goes beyond any particular issue or cause... They need an assurance that somebody out there cares about them, is listening to them.
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