Lovers never want to say "I love you" at the same moment. Hence all the love stories.
Philip Galanes makes his debut with a novel that is both heartbreaking and deftly comic, the story of a young man struggling with his most primitive desires--wanting and needing. It is a novel about the complex relationships between parents and children, a story of loss and of our unrelenting need for acknowledgment, to be seen as who we are. And in the end it is simply a love story for our time.
Uncontainable is a love story. Kip and Sharon's love for each other, their precious family, their business journey of joy and, most of all, their pure and uncontainable love for their employees and their families is clear and happy proof that the future of business is building love cultures. Oh, and when you have love on the inside customers shower uncontainable love back at ya from the outside. Love on brother!
Comedy doesn't come easy for me. I've only done 2 movies that are really comedy-style films and I have to work at them. And they're just as scary in a way. I hate labeling all these things; comedy, love stories, dark drama, whatever.
I wanted to make a real love story with a bad ending, because a love story that ends good is the life of everyone - you and I, for example. I always say to people, You know, if Romeo and Juliet got married, nobody would care about them. Imagine Romeo and Juliet, six kids yelling, mama, mama, papa, papa.
You have to believe in love stories and prince charming and that eventually you'll find your own happily ever after.
Poignant, earthy, intensely human, Letters From A Stranger is a love story that is as unusual and courageous as its characters.
The most heartbreakingly poignant modern love story ever written.
Revolution is like a love story. When you are in love, you become a much better person. And when you are in revolution, you become a much better person.
In western countries, there are roles written for older actors. Films are made on them, including love stories.
I loved the idea of doing a love story with people over the age of 60 and a film that will hopefully give so many of the audience a chance to see themselves on the screen.
I wrote, I think, half a dozen films that were completely out of genre. Comedies, love stories, even one serious film about Vietnam, and we couldn't get backing for any of it. And we both sort of drifted from making, at that time, serious money on Last House to going through it all in the course of almost three years and only getting offers to do something scary again.
I hadn't written a love story before and I hadn't written a novel with a happy ending before.
I wanted to write a story that was different than what I've done before - so I decided to write dual love stories that will keep the reader wondering how the stories will come together by the end.
I've made the decision to adhere to three general truths when it comes to my novels: There will be a love-story element to the story, the novel will be set in eastern North Carolina, and the characters will be likeable. Then, I make each novel unique through differences in voice, perspective, age and personalities of the characters, and of course, plot.
I want to have enough data, so I won't write myself into thin air, so that I can extrapolate and give you this secret human infrastructure. The only way I sate my own curiosity is to create this from scratch. There must be commanding love stories. There must be great moral cost.
I know this isn’t a conventional love story. I know there are all sorts of reasons I shouldn’t even be saying what I am. But I love you. I do. I knew it when I left Patrick. And I think you might even love me a little bit.
Addiction is the hallmark of every infatuation-based love story.
The White Mansion isn't boring, lass. Never boring. It's the grand demesne the Unseelie King built for his concubine. It's a living, breathing love story, testament to the brightest passion that ever burned between our races. You can follow the scenes through if you've time enough and are willing to risk getting lost for a few centuries.
Most love stories are nocturnal. That's what makes them so fascinating.
For a certain type of woman who risks losing her identity in a man, there are all those questions . . . until you get to the point and know that you really are living a love story.
Detection is, or ought to be, an exact science, and should be treated in the same cold and unemotional manner. You have attempted to tinge it with romanticism, which produces much the same effect as if you worked a love-story or an elopement into the fifth proposition of Euclid.
I love outsider stories. And I also like a lot of genre fiction, too. So I wanted to write a literary book that flirted with thriller and fantasy and even science fiction. I wanted the coming-of-age story and the love story to be about "outsiderdom" - one of the themes I am most interested in.
I've only read two books in my life: Baseball Sparkplug and Love Story.
I really don't like when things are all polished and perfect - the perfect love story and the hair is perfect.
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