A magic effect is never completely finished.
As wonderful as it is, not everyone likes magic. Try to only share your magic with people who enjoy it.
These are the routines that originally 'put me on the map' in the magic world.
I detest literature. I abominate the theatre. I have a horror of culture. I am only interested in magic!
Once outside the magic circle the writers became their lonely selves, pondering on poems, observing their fellow men ruthlessly, putting people they knew into novels; no wonder they were without friends.
I didn’t care…about heroes who could read minds or walk through walls or do magic. The heroes I liked had courage and knew more real stuff than those who opposed them.
If you can truly believe what you are pretending to do is really happening, then your audience will believe it, too.
Many people take exception to me and say that I'm doing black magic and things they can't do at church. But I'm doing magic that started their church.
The generation of atmosphere, the aura of the uncanny, is one of the most important secrets of magic. It contributes to the willing suspension of disbelief, the feeling that, within the circle, or in the presence of the magical shrine, anything may happen.
Magicians have taken something intrinsically profound and made it look trivial.
It is important as a mentalist to notice small things about people... little things such as being able to tell if someone is right or left handed by looking at which way their belt is pointing. Looking at a book of matches will tell you if they are right or left handed by the side the matches are removed.... It's important to notice these things because the more you do, the more you will realize that each person has little psychological nuances that tell you a lot about the individual. Doing so will tremendously sharpen your skills.
Escapology has one thing going for it that probably made Harry Houdini such a superstar in his day and a legend in the present. Everyone wants to escape from something. Taxes, contracts, illness, work, the multitude of burdens that we chafe under are shadows from which we want to escape.
[Magic] can guide people to the very edge of reason - and then push them off. Thoughts collapse for a moment and the mind is free to just experience. Magic is a window to eternity.
In magic we have a variety of "uses" for our art beyond magic itself, which reminds me of the notion of art therapy. The rendering of art inferior to therapy is an interesting one: interesting in the sense that it makes me want to vomit angrily.
The universe is almost like a huge magic trick and scientists are trying to figure out how it does what it does.
Frauds master our minds; magicians, like poets and lovers, engage them in a permanent maze of possibilities.
Wonder is the first of all the passions.
Mimes were invented to give magicians someone to look down on.
If there is a single secret, then it can be simply put. Think big, create, plan, rethink (even bigger) then prepare, practice and perform.
Unlike a mere deception or a simple secret, which gives the impression that something's been taken away, a great magician makes you feel like something's been given to you.
One can only guess the amount of magic mushrooms a sane person would have to consume to believe that a frisbee constituted a genuine threat to roughly 3,000 police officers.
It's hard to read through a book on the principles of magic without glancing at the cover periodically to make sure it isn't a book on software design.
If there was any magic formula, it was getting to pitch every fourth day.
By some strange operation of magic I seem to have become the power of the land.
You have but to know an object by its proper name for it to lose its dangerous magic.
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