The Canadian version of Julius Caesar's memoirs? I came, I saw, I coped.
I keep thinking my father gave me Turgenev, and then I realize at some point, Oh, this is a false memory. I mean, that's one of the things that interests me about memoir. It should be as much about how we remember, and that includes false memories, and the realization that one is having a false memory. That's the kind of an interesting way of layering the whole experience of recollection.
Life Among the Savages is a disrespectful memoir of my children.
Some people think memoirs should be held to a perfect journalistic standard. Some people don't. Obviously I don't. My goal was never to create or to write a perfect journalistic standard of my life. It was always to be as literature.
Memoirs are the backstairs of history.
I think that today's books, in which every quote, every conversation, is taken from a memoir, an autobiography, an interview, or what-have-you, are much more convincing.
For me, a memoir is nonfiction and nonfiction has to be absolutely true.
I did not set out to write another novel. One day I sat down with the thought of trying my hand at a piece of nonfiction, a personal memoir of youth, but over the next several weeks, without intending it, the work began evolving into what has become 'Tomcat in Love.
I get kind of tired of the "But it's your life!" attitude about memoir. I wrote. I engaged in artistic production. I made a piece of art. Why the preciousness or mystical unicorns around "memoir"? I'm curious how you feel about it just now.
But who has time to write memoirs? I’m still living my memoirs.
I could have written a misery memoir and instead I tried to make it funny. I never complained.
What are you going to do with astronauts who first reach the surface of Mars and then turn around and rocket back home-ward? What are they going to do, write their memoirs? Would they go again? Having them repeat the voyage, in my view, is dim-witted. Why don't they stay there on Mars?
a lot of trouble has been caused by memoirs. Indiscreet revelations, that sort of thing. People who have been close as an oyster all their lives seem positively to relish causing trouble when they themselves shall be comfortably dead.
But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.
The most obvious difference between writing novels and memoirs is that my memoirs are true stories, and explore certain experiences I've lived, and thus operate within the boundaries of memory and fact.
I think that's the thing that memoir can do more than anything it does; it testifies and bears witness to the existence of people whose lives, pleasures and virtues would never have been testified to without my having done it. That makes me really glad.
This week Sarah Palin's memoir became a bestseller. It's not even out yet. It's being translated into English.
I dislike modern memoirs. They are generally written by people who have either entirely lost their memories, or have never done anything worth remembering.
It's an ethical pact I've made with myself and with the reader - not to invent. And when I can't remember, I say I can't remember. I'm just appalled by the memoirs published by people who regurgitate dialogue, conversations from when they were small children, and they go on for three or four pages. I can't even remember what we said to each other ten minutes ago! How can I remember what was said sixty years ago? It's not possible.
The discipline of writing a memoir comes in the editing. This is where I cut, slash, and burn - where my creative mind is transformed into a ruthless one. No word escapes my scrutiny. It is here where I see what boundaries need to be set.
One of the most challenging aspects of writing a memoir is finding your own voice, and you should be very careful about being influenced by someone else's voice.
By definition, memoir demands a certain degree of introspection and self-disclosure: In order to fully engage a reader, the narrator has to make herself known, has to allow her own self-awareness to inform the events she describes.
Memoir ... satisfies our need for gossip and intimacy, for testimony and confessional, and in this world of spin, offers a truthful account of what it means to succeed or fail, to love and lose, to break your heart and mend it again.
In a memoir, I think, the contract implies a certain degree of truth. I think you have to be as true to your memory and your experience as you possibly can.
A memoir takes some particular threads, some incidents, some experience from a person's life and gives an account of it.
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