Through the miracles of modern medicine George Burns still chases pretty girls, and through the miracle of modern psychiatry he intends to find out why!
I used to envy kids who had an old-fashioned Grandpa. Not any more. I've got a new ambition. Now I just want to become a modern-type Grandpa myself-and really start living.
You basically have to play everything (in New Orleans), because you're getting calls to play gigs of all different styles, from classical to R&B to funk; modern jazz to traditional jazz.
Canonization in modern times is a very, almost scientific process.
A large part of how an actor works and their process is the stimulation of what's around you, and none more so than in a period piece. This is a modern piece, as much as it is set in a different time, age and myth. If it wasn't relevant, it wouldn't have been made and we wouldn't be putting our energy into it. It's relevant for us today because, in some ways, it throws up a mirror to all of us. As an actor, you get stimulus and you're effected by that, whether it's costumes or funny beards or castles.
I intend more of a kinship with silent films than more modern film. I like the old cinema. My films are more of a hybrid - a different style of filmmaking to what I call talking head movies. Some people don't get it. Especially the more academic types.
When you're wearing jeans there's a shift in your center of gravity. A costume like this and a character like this, there's no way to hide. If you try and play him any way sort of modern or normal, you diminish. He's larger than life. He's 150 percent. You've got to go for it all the time. It was just impossible.
I grew up on Bach and Beethoven and now I'm listening to more modern composers who I can't even name. But since I'm constantly doing music, it's difficult to have that quality time to listen to music and do classical stuff. That's the only reason I'm thinking of going on.
For me, it's a multitude of things. In the modern world, there's a real genuine fear of loss of individuality and I think the undead speak to that. I also think the idea of the dead coming back to life, and this unstoppable foe that just keeps coming and coming, but rather slowly just chases you, is a real primal fear. It's like a fear of claustrophobia, heights or water.
I was very compelled by a woman who would choose this profession. She [Maura Isles] came from a very highly-educated, wealthy background and could have chosen to do a lot of other things, and has this uber-feminine, modern woman mentality, but works this job.
In a way it was a modern story but it played to all those 1980 slasher movies. We did the same thing with this. Patrick wanted to do a 1970's road movie and if you'll see, this is a modern story but it's got so much 1970's in your face feel to it. So that was the point, to take that stuff that we loved growing up and sort of do it for today. I think we accomplished it. We'll see.
Vampires as creatures have evolved over time as different vampire bloodlines have hit different populations of humans. Every once in a while the blood will make something new and mutate into a new species with different powers, abilities, weakness, physical characteristics, and so on. I don't want to give anything away, but there are whole species and branches that date all the way back to pre-modern times.
Before modern medicine, would pussies just generally rot up inside you and fall out of you like spoiled oysters on the sidewalk?
Speed, the fundamental condition of the activities of our day is the power of photography, indeed the modern art of today, the art of the split second.
I am trying to make some kind of connection to what is going on in the world, to make some sort of contact. And I use the instruments that our modern world offers, these extraordinary instruments of photography and film and computers.
Kenney knows two essential truths about melodrama: First that it is most powerful when combined with irony and understatement; and second that it is a salient feature of modern life.
I consider myself a modern-day dad, where I still got rock'n'roll in me, but yet I take being a parent and relationships very seriously in life. I'm tired of the image of the father as a fat, beer-chugging, stupid guy. That image has to change. I'm changing it, baby, one city at a time.
My wife and I have been together for 11 years, and seven of those married. We got married on 07/07/07. We support each other 150 percent. We have fun. We are a modern-day Sonny & Cher. I don't sing. My wife sings. We're so different, but so alike. We got that ying and yang thing going on. You see it, but you don't know how it works.
[Louis Armstrong is] the father of us all, regardless of style or how modern we get. His influence is inescapable. Some of the things he was doing in the 20's and 30's, people still haven't dealt with.
We all have faith in something: usually a mixture of some personal beliefs with modern science. I am not like that. Mostly I just believe in what personally has worked for me.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
Essential to our personal faith and development is the unmistakable knowledge that our Father and our Savior want us to succeed. They want us to return to Their presence. Because of Their love for us, They have given us resources to obtain comfort, direction, and strength for our journey home. I speak of prayer, the wonderful and sublime ability to communicate and share our concerns with the Father; the Holy Spirit, which will enlighten and comfort us; and the words of the prophets, both ancient and modern. These resources give us understanding and direction in dealing with our challenges.
In our modern society the image and mythic process has been taken over by corporations that directly control advertising and, indirectly, the entertainment industry. Powerful erotic images are used for the sole purpose of selling consumer products; the side effects of this commercialization have a profound impact on the sexual imagination and identity of vast numbers of people.
What we get to think and know about the world is in the hands of a very few... A truly informed public is antithetical to the interests of modern consumer capital.
I am the representative of all the sick people and what they are doing to me is only the worst case right now, but there will be others. I am living on borrowed time anyway. I owe this part of my life to luck and modern medical science. But I can't imagine what the rest of it will be like if they won't let me use medical marijuana.
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