If there is one thing Voldemort cannot understand, it is love.
Before my mother died, she told me not to leave Chelsea.
My mother died yesterday, yesterday many years ago. You know, what amazed me the most the next day after her leaving was the fact that the buildings were still in place, the streets were still full of cars running, full of people who were walking, seemingly ignoring that my whole world has just disappeared." (rough translation)
I just find it interesting that kids apparently used to cry when Bambi's mother died. George and I both held our breaths, and then cheered when she didn't reanimate and try to eat her son.
The sense of being Jewish never left me, but when my grandmother died, I rebelled against Judaism as I knew it then, which was Orthodox. I saw the rituals, a lot of them, as very male, for a long time.
I've certainly faced some raw, real pain in my life. I lost my father to a car accident when I was young. My mother died ten years ago. My son was very sick as an infant. Eventually, I have attempted to transform this pain into art, to make meaning out of it.
My own mother died when I was 10 years old. My folks have told me that what little humor I have comes from her. I can't remember her humor, but I can remember her love and understanding of me.
Right after I graduated, my girlfriend, who I had been going out with for five years, dumped me, and my grandmother died.
[My mother] died a few months ago, and when she was dead I kissed her lips. For me it was a beautiful moment. From then on I started living with her, asking her from time to time if she was alright, if she was pleased with me. But these things are far greater than photography, and I probably shouldn't be speaking about them.
My father died early. My mother died early. I started hanging with the gangs. I'm on the streets; I'm committing crimes. And the music came along, and this music just took me on a different road.
I was not raised with religion, and I had no faith before my mother died. On the other hand, when she died, I did not immediately feel she was "gone." I don't believe she is in something like heaven, but I also feel that we don't understand much about the nature of the universe. So I hold on to that uncertainty, at times.
Through my grandmother's stories always life moved, moved heroically toward an end. Nobody ever cried in my grandmother's stories. They worked, or schemed, or fought. But no crying. When my grandmother died, I didn't cry, either. Something about my grandmother's stories (without her ever having said so) taught me the uselessness of crying about anything."
My grandmother died of natural causes. Or as my family calls it murdered by the lord.
I was raised by drag queens, practically ... my mother died when I was four-years-old, so I was effectively raised by a bunch of different people. A lot of those people were friends of my sister, Kathleen, who had all these gay friends. She would baby-sit me everyday, and she would take me over to her friend's houses with all kinds of things going on: tucking, and eyebrow drawing, waxing, all sorts of things. I was literally raised by gay men.
Before my mother died, she made me promise to do everything that could be done to make sure my father was not left alone after she was gone.
My mother died of ovarian cancer; I support organizations that raise awareness of this silent killer. Women's shelters - Jenesse Center in L.A. and the Primo Center in Chicago. Kovler Diabetes Center in Chicago.
After my mother died, I lived with relatives. Reading was a means of escaping into other worlds, as photography, much later, was to become.
I was always interested in drawing and painting. I enrolled in college to study painting. But I didn't have any livelihood when I graduated. My mother died very young, and I didn't have any home, so I had to find a way to earn a living. It seemed to me that photography - to the great disappointment, I have to say, of my painting teacher - could offer that. So I went and did a degree in photography, and then after that I could go out and get paid for work. For portraits, things like that.
When my grandmother died, I realized that even if I had millions of dollars, I couldn't find her anywhere on earth. My next thought was that I would die. I looked at my life and thought, "I'm afraid to die." I concluded that whether I was afraid or not, I would die. It was one of the most important crossroads in my life, once I realized that no matter what, I would do this thing, the next step was to think, "If I am going to do the most difficult and frightening thing - dying - is it possible that I could do some difficult and impossible things that are good?"
I have to say that since my mother died, I am not the same person anymore. My life has changed a great deal because it's really unbearable to think you can't see her anymore or talk to her anymore.
I acquired long-lived parents. My mother died at 94. Father died at 90, holding a glass of whisky. I think that's the secret of longevity - to have long-lived parents. The rest is discipline.
I think what saved me, as a writer, is that there are really two breaking points in my life. One was when I was 19 and my mother died, and one was when I was 31 and my first child was born. And that sort of gave me a kind of rebirth that I think has been invaluable to me as a novelist, in terms of seeing the world anew.
When my mother and my grandmother died three months apart, I knew my world was over.
I think when my mother died, it was such a - you know, a shock to the logic that I had been raised with.
Mary Wollstonecraft Shelley (whose mother died ten days after she was born) wrote a novel that anticipates Semmelweis's discovery and serves as a parable for the destructive power of decaying matter.
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