In fact almost everyone in my yearbook wrote the same thing to me: "To weird girl, you're nice." I didn't think it was bad. When I showed my mother she said, "Everyone is different." Being weird became my tool. I'm weird; that's who I am. It was my coping badge.
I wanted to write about my disorders for people like my husband or mother who don't suffer but have saved people. Mentally ill people don't have a choice in who they are. But those that stand by the mentally ill make an enormous difference. Even when I'm healthy enough to take care of myself I face constant battles, especially with insurance companies.
The childhood scenes [ in The Tree of Life] are tremendous. My favorite moment is when the mother levitate - for three seconds. Of course, this is how a child thinks of his mother.
I grew up not understanding what was true and what was not true. It gave me a sense of unreality. I was told that this man [mom's lover] was not my mother's lover - when he was. I was told he was there as a male babysitter for my brother so that he would learn sports and other manly things.
I really try and work very closely with the designers to be as consistent as possible to their vision and for their look because I know how intricate and how much time it takes for them to make it. My mother was a seamstress and I really honor the art of each piece that's made and so for me it's all about that.
I think these nine months of pregnancy are a gift nature gives you to get you ready to be a mother. You couldn't be a mother without thinking about it. You want to be ready. Of course that influences you, but in a way I can't really explain.
I grew up as a dancer. I did tap, classical ballet, all of that. I did Indian dancing, or Bharata Natyam, classic temple dancing from Madras, originally. My mother always had the great idea that I should learn it.
The hardest thing I've had to overcome was being from my small coal-mining town of Big Stone Gap, Virginia. My mother was a coal miner for nineteen years, and the expectations of making it out of my town were slim to none.
I had one request when I started doing the plays. My prayer was: God let me do well enough to be able to take care of my mother. I was able to do that 'til the day she died because of my audience. So, they've already done enough. All I ask for now is their continued support.
Like any working mother, I have to balance and manage my time very carefully. My children and husband come first, of course, then my work.
In my life as a wife and mother, I'm always conscious of my desire to be present.
Well if I had my choice I would not - I wouldn't mind working with Alec Baldwin, but the mother role - I'm kidding. It's terrific. I'll tell you what happened with Alec Baldwin and myself. This is a couple acting together just this side of heaven. He's one of the best actors I've ever worked with in whole life. And I - I'm not overdoing it. I just think he's about the best around today. So I got lucky.
Well to me growing, up I've had my own psychological war with my parents dying at such a young age. My mother was killed by a drunk driver, then two months later my father drowned. He was out with his friends drinking and on medication for depression, and he didn't come out of the water alive. Growing up with sexual abuse and having to be in gangs and dealing with my own trauma; finding the cultural identity when I was 16, and learning those traditional ways saved me from hurting myself.
For my mother, having a family was the most important thing in her life. In the Second World War, it was a challenge - surviving physically and mentally and finding somebody who you loved and who was willing to be with you.
When I was a kid, I wanted to make my parents happy. I'd always say to them, "What do you want me to do? Do sports? Be rich? Be funny?" My mother would say, "Whatever we want from you, you already gave us - we wanted you to be alive, and you made it."
I've written a book about my mother, and I don't remember anyone going to Antigua or calling up my mother and verifying her life. There is something about this book that drives people mad with the autobiographical question.
I do have one regret though. I wish Kathy Acker was still alive. I wish I could go swim with her again. My literary indebtedness to her is enormous. She's a more important mother to me than anyone can possibly imagine. In language I became a daughter worth a crap because of her. In language I redefined daughter, woman, I became a writer. Dora is an homage of sorts.
Which is mightily ironic since one of the most common criticisms of American women novelists (it's a load of crap but it gets bandied about a good bit) is that they don't write the "big" stories about "universal" or "worldly" concepts...Jesus. Um, when we do? We get told to get back in the kitchen and bedroom - go back to writing about love-y wife-y mother-y things.
My father, who was a sergeant in the RAF during the Second World War, was killed in a hitchhiking accident while returning home on compassionate leave. As a result, my mother had to get work, as a nurse, and at seven the RAF put me into a boarding school and ex-orphanage called the Royal Wolverhampton School.
Though the white man is a kind of Satan, and though the black man is Satan for selling his own children into bondage and assassinating the image of his own mother, because he himself wants to be white'I can assure you that Africa has known no greater Satan than the twins, Arab and Islam.
One of my brothers in my adopted family converted to Islam and I love him with all my heart. I have Muslim women who understand my pain and they give me lots of love and support. But what Black Americans never think about is that the African version of Islam is totally different from American Islam. They've never seen mothers doused in gasoline and set on fire for ’religious' reasons. So they don't know what I'm talking about.
The biggest considerations I had were practical: how do you move such a large number of actors around a small space? So, for example, if I have to have the mother bring a pot of tea from the kitchen to the living room and serve it to the others, how do I, on a practical level, get everyone into the frame? Any decisions I made about the camera angles or movement came out of necessity, versus any sort of stylistic choice.
I've certainly faced some raw, real pain in my life. I lost my father to a car accident when I was young. My mother died ten years ago. My son was very sick as an infant. Eventually, I have attempted to transform this pain into art, to make meaning out of it.
I've always been very involved with environmental issues. I was fortunate to be one of the speakers at the Earth Summit in Rio de Janiero some years back, and Bruce Johnson and I served on the board of the Surfrider Foundation here at home. Locally and globally, we need to be doing everything we can to help Mother Earth.
My mother was a housewife. Both from - well, my father was from a farming family, agricultural family in the north of England. And my mother came from a very working class.
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