You can physically move yourself around but there's that great line that Adam wrote: "Does it define for life, like print of thumb?" I think it does.
The positive side about dealing with the logistics of moving books around is that it's better than a gym!
I try to move people emotionally.
Starting out, I remember being on the same bill with other bands, and I always thought they were so much better because they were rehearsed and had all their moves down and they sounded really tight.
Once you move in with your significant other, you have to become a combination of each other.
Artists freeze themselves into these weird postures that are meant to be impressive and involving, then they fling them out into the world like Polaroids, and then they move on. And I'm stuck in this intense relationship to the Polaroid.
I said I liked what I am looking at because I felt he had a strength required of anyone who wished to save America, or move away the Wrath of Allah (God) plaguing not only America but the world with the forces of nature.
I wouldn't want to see anything irreparable happen, but I also like it when seemingly irreparable thing occur and men and women find a way to move past it.
Here I am, the artist, the person, the black woman, and the stereotype. I'm using myself and it has nothing to do with my muses or other women. It has to do with me. You see parts of my body moving, very collage like, flashing, and not speaking, just laying on a couch, looking out at the viewer.
Even moving around onstage seemed very artificial. But at the same time you have to make that effort in order to get back to who you are and even accept not moving, if that's who you are.
I was never ready to give up, but I did get words of confidence to move forward from a few musicians that had climbed up the totem pole of rock. They were encouraging words that struck a nerve with me and made me stronger.
Book ideas are like planes, lined up to approach the runway. Some never leave the gate, but others move quickly to the front of the line. It was like that with The Four Purposes. Honestly, I cannot remember the moment I had the idea for the book; perhaps because it emerged like a green shoot emerging from the soil of my subconscious. But it seemed important enough to begin the flow of words that eventually shaped themselves into this new book.
You know, it's people's lives, so as you get a little older, your own life narrative, I guess, invades a little more. It's not like we're traveling in separate buses to each show. It's a labor of love, so we just do it because we like it. Maybe someone's gonna move, or not want to go on a tour for some reason - that could happen, I guess.
I didn't start smoking weed till my junior year. I had a boyfriend who smoked a lot, and I was like, "Oh, I guess I'm moving on to this phase of life." I didn't fight it at all.
If you move here from somewhere else, I often think if I move to Germany, for example, or if I move China and I go worship there I will understand and I'll be willing to give up a lot of my culture because I'm in somebody else's homeland. So I'm going to have to act German or Chinese, whatever that might mean.
It's funny, the old media idea is very segmented, like "this is my territory and this is yours." But media is changing. You're at a point now where people can start to move into different forms.
My relationship with my mom has really evolved since The Hills. We had a very hard time getting through that, and I didn't talk to her for almost two years, but since then we have learned to get over the past and move forward.
That's a big fear, right, and when I talk with black pastors, the same thing: If we try to have this move towards interracial congregations, whites will just dominate then. There are so many more of them, and they're used to being in the position of power. So they'll just take over, and we'll lose the one thing we do have.
So when we're told to "move on" or "let go," we should take a look at who is saying it and why, and when we see repetition happening it's worth trying to understand it before attempting to shut it down.
I want to move away from sampling records and just have it be quite minimal. I don't want any more hip-hop beats in there.
OK, so here's the deal. First of all, "The Wall Street Journal" was bought for $5 billion. It's now worth $500 million, OK. They don't have to tell me what to do. "The Wall Street Journal" has been wrong so many different times about so many different things. I am all for free trade, but it's got to be fair. When Ford moves their massive plant to Mexico, we get nothing. We lose all of these jobs.
If somebody has a property in the middle of a 7,000 job factory, as an example, that's going to move into the town - but they need this one corner of this property, and it's going to provide 7,000 jobs in a community that's dying, of which we have many in this country, OK? I am for that. That's a big economic development
If we don't keep people engaged, we're not going to move you. And if we move you, we've done something useful. That's what anybody who writes genre knows.
It is not simply that these two cities are perched side by side at the edge of the Pacific; it is that adolescence sits next to middle age, and they don't know how to relate to each other. In a way, these two cities exist in different centuries. San Diego is a post-industrial city talking about settling down, slowing down, building clean industry. Tijuana is a preindustrial city talking about changing, moving forward, growing. Yet they form a single metropolitan area.
People who have had family members killed are able to forgive the murderer because that's the only way they can move on.
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