I draw strength from spirit, from the divine light. I draw strength from the love my sister and I have for each other, from my nieces, Christina and Isabella, and the true friendships I have in my life that are based in being real with each other and mutual love and support.
I gave away the money advanced from my record company on my first album, I'm the type of person who likes to give. I gave to my sister. She has four little babies and bought an old house and it needed repairs.
I used to have a sister, but I never got to meet her because she died after two days, I think. So if I got a tattoo, it would probably have to be something to do with my sister.
When I was very young, I was already a fabulador. I loved to give my own version of stories that everybody already knew. When I got out of a movie with my sisters, I retold them the whole story. In general they liked my version better than the one they had seen.
I come from a coffee-loving family, and you can always tell when my sister and I have been around, because both of us collect all the dead coffee from everyone's morning cup, pour it over ice, and drink it. This is a disgusting habit.
I think my criticism of the Pentecostal tradition that I heard with my sister's church was that it wasn't always audible. You couldn't quite figure out what was going on. And then, the people would very often do what they call speaking in tongues and I didn't know what they were saying. My father used to always say that if it can't be understood, then it's not the good news or not the gospel.
My mom, she got taken away from me when I was 14 years old. She is incarcerated. My sister was incarcerated. I was homeless. When my mom went away when I was 14... I was forced to live with my aunt. My aunt, she doesn't like rap music. She thinks rap music is the devil's music. Basically she said, "Yo, if you are going to do music you can't do it in my house."
I ain't going to lie: I was happy, man. Me and my sisters and my brother was mad cool. We all did the music thing. My dad had the keys to the church, so we would go over there and jam. So I just want my kids to have fun the right way. I want their type of trouble to be, like, "Aw, Dad, I locked the keys in the car." I don't want to hear about, "Oh, my friend just got shot."
I have been shaped by the experiences of the people who are closest to me, by the things I've learned from [my wife] Martha, by my hopes and my concerns for my children, Philip and Laura, by the experiences of members of my family, who are getting older, by my sister's experiences as a trial lawyer in a profession that has traditionally been dominated by men.
For me when I go in and audition for things, I just let them go as soon as I leave. I can 't take them home with me. That's something that my mom actually taught my sister and me from the time we were kids.
My sister is 16 and I tell her to take risks. Really explore and meet as many people as you can. Do as much as you can before reality kicks in. Have fun.
My sister gained 80 pounds expecting her baby. Well, you get nervous, waiting for those adoption papers to clear.
I was raised in a musical family - 5 girls and 1 boy - so all of us girls don't do gender. We were all made to believe that we could do anything we wanted and so we did. One of my early bands was with my sisters. I didn't really come across a lot of problems because I just didn't see it. I took myself seriously and so everyone else did too - this is my mantra.
I have five kids from three marriages. I come from a trailer park. My sister and brother are both gay. I have multiple personalities.
I remember that my sisters gave me this beautiful, like, empty book for Christmas. And I would draw all these beautiful women. Most of the time it was mermaids and a Minotaur: half human, half animal. I used to be obsessed with Minotaurs when I was a child.
My mom and my sisters were amazing; they always see the good in people. My mom, she doesn't know how to write and read much, but she's one of the most fantastic women I've met in my life.
When I was far away, when I prayed every night, I felt I was very near with my heart, with my brain, to my sisters and my mom.
In the beginning, I was very punk. I was very revolutionary. When they asked me to do Givenchy, I didn't want to do it. My friends pushed me. But the situation with my family was so bad financially. I really did it because, when they told me how much they would pay me, I saw that my sisters and my mom could have a better life.
Some people have witnessed the killing of their husbands, or they survived other horrific things. My sister is a widow but her husband was killed after the Khmer Rouge. There are different periods in which violence has occurred, and differences in how these women became widowed and how they survived afterwards.
At the beginning, I didn't see what Givenchy could give my career. It was like, "Okay, I'll do it for the money for a few years to help my mom and my sisters."
I met Mary [Hamill] in New York at my exhibition and when I told her about my oral history project she asked, "Would it be possible to incorporate visual art?" My sister stitches pillowcases, which led to Mary suggesting using cyanotype on them. I originally thought of the idea of pillowcases because when people get married, they have the bride and the groom lay their hands on each other's pillows while their relatives tie ribbons on their wrists. And then on the bed you usually have two pillows - one for yourself and one for your loved one - so when one is gone, one pillow remains.
I saw in Chicago, on the street where I was visiting my sister-in-law, this "Urban Renewal" and it means one thing: "Negro removal." But they want to tear the homes down and put a parking lot there. Where are those people going? Where will they go? And as soon as Negroes take to the street demonstrating, one hears people say, "they shouldn't have done it." The world is looking at America and it is really beginning to show up for what it is really like. "Go Tell It on the Mountain." We can no longer ignore this, that America is not "the land of the free and the home of the brave."
When I was a kid I used to scoot under the table, and whenever company would come around you know or my sisters or parents would tell me, go under the table and I'd do it because it was entertainment for the family or aunts or whatever. And one time at the Paramount when I first did it, you know, Brooklyn Paramount, I did it in the act during an instrumental and it got a big ovation and so I coined it as one of the things I should do in the act. And since I've been doing it.
We're not unique in our family. We're more ambitious but we're not special. I'm not funnier than anyone else in my family; it's just that we wanted more than Raleigh, North Carolina, had to offer. If my brother wanted more than Raleigh had to offer, you would know his name. My sister Lisa has a really unique and different voice, but she doesn't want that. She's a fine writer, but never said, "I want a book. I want that kind of attention."
Early on, my emotional work had to do with feeling unheard and invisible. My parents divorce at six, when I was six, really affected me. We moved around and I was with my mom and my sister. I have learned, by the way, there were amazing gifts that came out of that. For one, I'm living my childhood dream. I feel very fortunate.
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