In real life, I'm very shy, but people think I'm this angry, sexy kind of - god knows what they think! And there I am in front of them, nervous and blushing and stuttering and whatnot. So I'm definitely not the person you see in pictures.
At the beginning of a long-running play, everyone's nervous and paces around in a panic and reapplies lipstick. After a while, you'll get long-running card games or word games like Boggle.
I usually never, ever get nervous before a regular show. But a TV show? I'm always nervous because you know you gotta nail that song.
What I always look for is someone that really knew how to lean up against a bar, get a drink, sit on a barstool. When people are in bars they're relaxed. No real right angles - it's slow moves, it's slow conversations. You can tell a loud joke, but everyone's very relaxed. I never would pick somebody nervous or twitchy. If I found guys with beards, I'd ask them, don't trim the edges, don't go in and manicure yourself up. I always look for people that look like they're comfortable in their own skin, that wouldn't feel like it was the first time they were ever in a bar.
The key strengths of civilizations are also their central weaknesses. You can see that from the fact that the golden ages of civilizations are very often right before the collapse. The Renaissance in Italy was very much like the Classic Maya. The apogee was the collapse. The Golden Age of Greece was the same thing. We see this pattern repeated continuously, and it is one that should make us nervous. I just heard Bill Gates say that we are living in the greatest time in history. Now you can understand why Bill Gates would think that, but even if he is right, that is an ominous thing to say.
I do enjoy a beer. And a shot of vodka with some apple juice is what loosens me up before I go onstage, because I get really nervous. I wish I could say it was something more healthy, like Pilates.
Everybody comes up with this term lucky-"Oh, she's so lucky." Even though I was lucky, I had a lot of struggle before that. I said I was going to give up everything at age 25 and get into event management because nothing was going for me. I used to have a lot of nervous breakdowns.
I like finding things out beforehand, because I'm nervous in disposition, and I worry that if I don't do anything, then I'll turn up and I still won't really have a sense of it, and it might be too late. So I like to get things as organized as I possibly can in my own head, to apply myself to the work before arriving to a late-in-the-day rehearsal, or in extreme cases, the first day on set.
I understand why some bands don't like test new songs, but for us it's been very helpful and it hasn't really backfired. I was nervous that our second record was - you know, you could hear the whole thing on YouTube before the album came out because we played it all live, but it ended up being something that people appreciated.
Joss Whedon writes beautiful drama. His sensitivity and his sense of drama and scenes are pretty exceptional. There's no one else writing like him, really, in sci-fi and TV. That's not to say there are no astonishing writers on TV. I was nervous about coming to America and playing an English person who speaks very English when all the writers are American, because it's a very particular thing to imitate, and if it's badly imitated, it sounds painfully contorted and silly. And he writes very well for English people. It was Joss Whedon who persuaded me.
As I was getting into the helicopter, a slightly nervous actor said to me, "Whatever you do, don't say to the helicopter pilot, 'Show me what this baby can do.'" So I of course, got into it and said, "Show me what this baby can do." And we just had this insane helicopter ride. It's the sort of thing you only get to do on movie sets. I'm so lucky to have done it and have that chance.
Everyone has scenes with the snakes in Where the Truth Lies. There was a 20-foot python that was a little scary, but they were all non-venomous so... I was more nervous with the snakes than the nudity.
I don't like to think that people recognize who I am when I'm out and about, and anyone who comes up to me in real life can testify that I suddenly clam up and get very nervous. People asking me for my autograph in H&M was beyond surreal.
Whenever there's a role that scares me, I get panicked and nervous. I know that greatness might come because I'm going to get out of my own element and comfort zone.
With acting, it's all about internalizing the character for me and doing all the preparation you can. So the day you first step into your wardrobe, you can walk like the person. That's really the moment where the light bulb goes off. You're nervous; any actor will tell you that. Robert De Niro will probably tell you the same thing. He may not want to share that with you, but he probably goes through it. That's why actors are so neurotic.
In the make-up trailer there are always lots of trashy magazines and it's always quite pleasant to go through them in the morning. That's when I realized, "Oh my, it's quite nasty". There was a lot of pressure on Daniel Craig. He was quite nervous and paranoid, especially in the Bahamas on the beach, lots of paparazzi. Even on me in France - nasty things! Like I was going to get fired, I was so bad.
I was cast last minute for Casino Royale. They asked me to fly to Prague. I liked the script very much. I flew to Prague and did a bit of an audition. I was really focused and stressed out. And Daniel Craig was there. He was very, very blonde, like a Steve McQueen. He's moving a lot in real life. He's quite nervous. He was very lovely, very patient, and really connecting with me when we did the screen test.
I am still nervous every show. Not in the "Wow, I'm scared, I can't go on nervous," but the "I really want to do a good job and the give the audience a great show" kind of nervous. Oh, yes, the nerves are there, but I let them push me instead of holding me back.
We do objectify women in our culture. We're starting to objectify men a little bit more. And there is nothing wrong with that. Objectify maybe is the wrong word. Celebrate their bodies and use beautiful men, beautiful women as a tool to get your attention and to sell things. But no-one - we're very, very uncomfortable in our culture with looking at a naked man. You know, naked women are everywhere, selling everything. And again, this is quite sexist. But naked men make us nervous.
Eighty five percent of Americans, year in and year out, say they believe everyone should have universal coverage. The problem is everybody has a different idea of how to make it work. And unfortunately what you have is 85 percent of Americans are reasonably well-insured. And when you start thinking about how you're going to get the remaining 15 percent, everyone gets very nervous.
I like working on one - camera. This is not false modesty, but I don't think I'm very good at three - camera. And it's not that I'm nervous, but I just sort of feel like my collar is too small, or my clothes don't fit. I don't understand what that is. And I don't understand the format: There's an audience in front of you that you're playing to, but there are also these cameras.
Producers - we always think, "Well, producers are very powerful," but producers don't really have the power. It's the appearance they might, but they don't. Even the actors don't. Even the studio heads don't, because they're beholden to this corporation and what the corporation wants. So no one really has the power, and everybody's trying to get through the day, and everybody's nervous and desperate.
There's something great about being a really young actor because you don't have a chance to be nervous. You don't know anything yet. Whereas one of the big challenges as you go through - I've been doing acting professionally for 10 years now - is to not let all the things that you know hold you back and make you more nervous. Once you've had a few people tell you that they don't like your ideas, that voice in your head can creep in that says, "Don't tell them what you think."
I opened up my mind as far as playing music. I was at a Cody Chesnutt concert a few years ago, and a friend introduced me to him. We just started talking about music, and he asked me what I did. I said, "I have these songs and I'm kind of nervous to put them out, because I've just kind of been playing blues stuff, and playing other people's songs." He said, "You should just put them out there, man. Why not? It's just gonna bother you if you don't. The easiest thing to do is to just let it go." So I just took that with me.
A great champion needs a background in amateur boxing, I'm convinced of that. There you learn everything that youll need later as a pro. Someone whos got more than 400 amateur fights behind him no longer gets nervous before going into the ring and doesnt lose his nerve during a fight. You know all the boxing styles, youre prepared for anything, youve got the pedigree that you need to be a successful pro.
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