Relationship. R-E-L-A-T-I-O-N-S-H-I-P means this: Really exciting love affair turns into overwhelming nightmare. Sobriety hangs in peril.
I planted some jokes in my wedding. Like, the organizers asked me to select music. So when I approached wife at the ceremony, they played the second movement from Shostakovich's 10th Symphony, which is usually known as the "portrait of Stalin." And then when we embraced, the music that they played was Schubert's "Death and the Maiden." I enjoyed this in a childish way! But marriage was all a nightmare and so on and so on.
We can only escape the bloody and ignorant nightmare of history by exploring alternatives which today look frighteningly weird.
I'm a great self-doubter. I constantly need to prove myself to myself. I've never run to heroin or alcohol to hide that. I always have to deal with it. Stage fright is always going to be there. I have nightmares about bad gigs.
If I had to do the most consistent nightmares I have, it's probably Russia, because they're so global in their efforts to bring down democratic systems. But, I'm also worried about what could end our civilization if we started a nuclear confrontation - North Korea is clearly in our sights as an immediate major concern.
I'm every woman's dream and every man's nightmare.
Kids are a great analogy. You want your kids to grow up, and you don't want your kids to grow up. You want your kids to become independent of you, but it's also a parent's worst nightmare: That they won't need you. It's like the real tragedy of parenting.
When I was a kid, my favorite movies were the George Pal version of 'War Of The Worlds,' 'Them,' and 'Invasion of the Body Snatchers.' Those movies were scary! They haunted my nightmares for years, so when I started writing, I wanted to write a story that was just as big and just as scary.
I start really missing London when I go away. I have a little flat, but very central. I live above a pub and you'd think it'd be a nightmare, but I like hearing the music and it's quite comforting.
I find skydiving really hard. I broke my back while skydiving when I was in the military, and for 18 months all my nightmares were about falling.
When you realize the writers start writing to who you are, you're basically reading reviews of yourself. And then it becomes this cyclical nightmare where I feel like I need to play into it, then I find myself acting like the character in real life.
I couldn't walk down any street in Britain without being laughed at. It was a nightmare. My children were devastated because their dad was a figure of ridicule.
I'm not eager to jump into marriage again. I'm in the corner right now, wearing my dunce cap. That area is obviously a nightmare.
Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
With a horror movie, you're making a metaphor. You're making a personalized nightmare for the protagonist.
I don't want to see anyone else looking like me.That'd be my nightmare. Though if I saw someone wearing what I did, I would know he was swaggy.
Everybody underestimated the universality of the concept of a nightmare or a bad dream.
Everybody has a nightmare, and everybody apparently has falling dreams, and everybody has the drowning dream, and everybody has certain kinds of sexual manifestation dreams, as well as our stress dreams; I didn't study for the algebra test, I didn't study for my driving test, you know, all those dreams. I still have those dreams, and it's just such an interesting thing that our mind can turn against us, our own mind, you know we all have.
There's a depth to the nightmare, to the symbolism you can exploit, on an intellectual level, on a sexual level, on a primal, violent level, and I think all of those things together are just great. They're the spice and ingredients in the menu of the horror movie, and I think that's why we'll be around for a long time.
Donald Trump is the president. It's not a bad dream. It really happened. It's like being dumped by a lover and also being stuck in a nightmare.
I know, or I dream, that pop music can search out limits, mock restrictions and divisions, exorcise cultural nightmares, contribute to revitaiisation of people's thinking, disturb and inspire if only through its unstable mobility, its readiness to pursue apparently irrelevant links and private associations.
I think that one of the visions that is closest to reality is the cardboard city in the subway station in Tokyo, which is based very closely on a series of documentary photographs of people living like that and of the contents of the boxes. Those are quite haunting because Tokyo homeless people reiterate the whole nature of living in Tokyo in these cardboard boxes, they're only slightly smaller than Tokyo apartments, and they have almost as many consumer goods. It's a nightmare of boxes within boxes.
Why would anything change that has not been changed since the existence of cinema? [James] Baldwin somehow wakes you up to reality. It takes you out of the dream - or out of the nightmare.
[George W.] Bush's presidency was one of the great nightmares of my life to date.
I have very vivid dreams and nightmares, and my biggest fear is of some kind of dystopian future where we're advanced in every way except in our humanity.
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