I don't have a nightlife. People say, "You need these cocktail dresses for all the receptions" - except I don't go, because we have no idea if we are going to be in session. But my husband has encouraged me to, shall we say, keep up with fashion.
[China] don't follow the rules and, if they don't, we're going to institute tariffs. When they send something into our country - and, believe me, they're going to obey our rules so quickly, you have no idea. And we'll end up with a better relationship with China than we do now.
Most incredibly, because to me this is unbelievable, we have no idea who illegal migrants are, where they come from. I always say Trojan horse. Watch what's going to happen, folks. It's not going to be pretty.
My administration is going to stop the tens of thousands of people coming in from Syria. We have no idea who they are, where they come from. There's no documentation. There's no paperwork. It's going to end badly folks. It's going to end very, very badly.
When I'd read the script [The Man], [ Eugene Levy] that's who I'd seen in my mind. When I ran into him, I said to him, 'I read the script. You'd be great.' He had no idea what I was talking about. Then, we saw each other again in London. He'd read it and was enthused about it.
The stories I would hear from men who were going through divorces and in child custody battles, the lies their wives told about them being predators, that they had fondled or abused the children, and these guys didn't know what to do. It wasn't true. They had no idea how to combat it. And I said, "A large part of this is modern feminism. You've gotta understand it."
To the extent that I've ever understood postmodernism - and I'm sure there are people out there who do, but I'm not one of them - one of its distinguishing traits is the story's awareness of its own artifice, and how that awareness becomes part of the story. And if that's right, then I have no idea how I ever got lumped into postmodernism except that I believe, since I was first published, people just haven't quite known where else to put me.
I was 18 years old when I did the pilot [of Hi Honey, I'm Home], so I was a freshman at NYU, and it was one of my first professional auditions in New York City. And I somehow booked the job. I have no idea how.
[Dario Argento] would yell at you in Italian, and I'd have no idea what he was saying. I'd just go, "Okay!". But it was a really great experience [filming Two Evil Eyes ].
I had the prosthetics on, and I went to my trailer, I looked in the mirror, and I smiled. And I was, like, "This is the character - everything she does is with a smile and a bit of glee and joy." And that's how I created Darla [from Buffy The Vampire Slayer]. Prior to that, I was, like, "I have no idea how to play this 400-year-old vampire from hell!".
You cannot explain to someone who comes with no idea of what you are talking about without being misunderstood.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
When you listen to Prince you have no idea what decade it's from. It's beyond time.
The first time I saw a picture of [fabled actress] Ethel Barrymore - she was on Broadway and she was wearing pearls. I thought, "That's who I should grow up to be." It's odd, because it was her physical image that I wanted; I had no idea what it was like actually to be her. In those days, we weren't bombarded by images the way we are now, and the ones we did have were more vivid in people's minds.
I remember watching that show [Golden Girls] with my parents and not totally understanding it. Like, a lot of comedy flew over my head, a lot of the sexual stuff I didn't know. But because there was a laugh track, I'd laugh really hard, and I'm now remembering the look on my parents' faces - I had no idea why it was funny. I was sort of, like, laughing along.
Bush, as far as I'm concerned, is a war criminal. With Trump, we have no idea. Right now it's just a freak show.
There are some filmmakers like the Coen brothers that are very precise. They make shooting boards, they do it shot by shot, and they follow every single line in their own script. They make amazing movies, and I admire them so much, but I can't do that. I have no idea how the movie will exactly be. While shooting, I just try to create an accident that I don't control very well - grabbing things from different sources and ideas, and then having a sensation somewhere that it will make sense.
Israel, the Israelis, and the rest of the world have been brainwashed. They don't think of pre-1948, they have no idea Palestinians were in Israel, who we were before '48. As if we were born in 1948 according to them. They have no notion that we had a country, houses, rebelled against the Ottomans and the British. They think history in that region started in that moment.
I have lunch with my friend who works for a theatrical agent and her and I were sitting there eating lunch on Sunset Boulevard and a woman who was a theatrical agent drove by and saw me and jumped out of the car and ran up and handed me her card. I had no idea this happens or would happen and I didn't know what to expect out of it. And my brother said alright you better call her and I said alright, why not? So that's pretty much how we got our first agent and then we started taking acting classes.
Today, we have a powerful military that serves as a deterrent, but the enemy we have today is not like World War II, where you sign a piece of paper and the war is over. Today they're not in uniform. In my time we knew what the enemy looked like, we knew his weapons systems and such. Today, your cab driver may be the person, you have no idea. I don't know how we got into this fix, but we're there.
I'm a practised writer now. But when I began, I had no idea what this was going to be. I just knew that there was something inside me that wanted me to tell who I was, and that would have come out even if I didn't want it.
I had no idea 'Big Green Tractor' was going to be as big a hit as it was. You just can't predict those things.
It's tough to be a 15- or 16-year-old athlete competing around the country. There's tension, there's media. I had no idea what I was getting into.
I began writing at the age of 5, but there was a dark period between the ages of 8 and 16 when I didn't write. I started again at 16. And have no idea why, but it was suddenly the only thing I wanted to do.
Republicans have nothing but bad ideas and Democrats have no ideas.
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