[I like to read] spiritual books, non-fiction, fiction, I have my moods.
I like writing non-fiction - and when you pick a [non-fiction] subject, it saves you the hassle of coming up with a plot.
I'm always looking for context in which people tell stories. In "Fight Club" it's these support groups for dying people, and then in "Choke" it's 12-step recovery groups. In one novel it's artists' colonies, in another novel it's a diary form that submariners' wives typically keep so that when their husband comes back from serving on a submarine they have an accounting of their spouse's time. So I'm always looking for, number one, a non-fiction context - because you can tell a more outrageous story if you use a non-fiction form.
The effect of reading literary non-fiction that matters most to me is when the coin drops, and this happens in the company of the great, mercuric, encyclopedic minds: Empson, Kenneth Burke, Northrop Frye.
It is simply much easier to infuse life, feeling, and higher truth into a novel than a non-fiction work, to find the license to write truth without being wedded to fact.
There is, in my mind, no higher compliment to pay a non-fiction book than to say it reads like a novel.
History - the non-fiction version - must inform the fiction to make it truthful; too much of it and your genres are colliding.
I spend most of my time reading non-fiction of all sorts. Then poetry. Then fiction to blurb. Then fiction I want to read.
Often the lines that define the traditional European arrangement of fiction, non-fiction, history, etc. are not useful. These lines can distort the world we, people who look like me, live in - and by the world, I mean our personal experience of it.
Autobiographical writings, essays, interviews, various other things... All the non-fiction prose I wanted to keep, that was the idea behind this collected volume, which came out about few years ago. I didn't think of Winter Journal, for example, as an autobiography, or a memoir. What it is is a literary work, composed of autobiographical fragments, but trying to attain, I hope, the effect of music.
For some reason, I seem to be bothered whenever I see acts of injustice and assaults on people's civil liberties. I imagine what I write in the future will follow in that vein. Whether it's fiction or non-fiction.
The most deeply personal of my works are the non-fiction works, the autobiographical works, because there, I'm talking about myself very directly.
My house is filled with books, most of which I have read, some of which I intend to eventually get to. I'm always reading at least one work of fiction and one work of non-fiction simultaneously. Whatever mood I'm in, there's always a book nearby to suit it.
I tend to read non-fiction.
I teach a non-fiction writing class at New York University, and one of my great pleasures is deciding on the syllabus.
The subject for a lot of non-fiction is very emotional, but if you read it, it's the most boring, dry stuff. I wanted 'Torn Apart' to be extremely accessible and readable.
A non-fiction writer pretty much has the shape of the figure in front of him or her and goes about refining it. A work of non-fiction is not as difficult to write as a work of fiction, but it's not as satisfying in the end.
I have two pairs of reading glasses. One pair is for reading fiction, the other for non-fiction. I've read the Bible twice wearing each pair, and it's the same.
Expand the definition of 'reading' to include non-fiction, humor, graphic novels, magazines, action adventure, and, yes, even websites. It's the pleasure of reading that counts; the focus will naturally broaden. A boy won't read shark books forever.
Amy Rapp, my producing partner, and I are drawn to character-driven material. We're developing and producing movies and TV, fiction and non-fiction, studio and independent, broadcast and cable, theatre, and web so our slate is really diverse.
I do read a lot, and I think in recent years the ratio between the amount of non-fiction and fiction has tipped quite considerably. I did read fiction as a teenager as well, mostly because I was forced to read fiction, of course, to go through high school.
The best way to tell people about climate change is through non-fiction. There's a vast literature of outstanding writing on the subject.
The idea of copyright did not exist in ancient times, when authors frequently copied other authors at length in works of non-fiction. This practice was useful, and is the only way many authors' works have survived even in part.
I'd probably be a super wealthy guy if I had sat around writing songs and getting them placed like everyone else I know. But I write songs about people or after I meet them and they're somewhat biographical - they're fiction but also non-fiction.
In "The Myth of Sisyphus", his most important non-fiction work, Albert Camus suggested that if we believed what most people claim to be the purpose of life, we would feel compelled to commit suicide. If, however, we accept that life has no purpose we would be inclined to soldier on in a cussed, stoical manner like Sisyphus, endlessly pushing his rock up a hill only to see it roll down again.
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