Very often, if I know the orchestra doesn't know a piece or it's a new piece, I have main ideas about it. But then we start to play and I never talk about places where they played so beautiful and so clear in the beginning that there is nothing to say.
Over the years it has been my privilege to lead performances with Saint Louis, the National Symphony, Cleveland Orchestra and so many other wonderful organizations.
Last year in Germany at a town hall in Leipzig there was a game music concert played by the orchestra and some of the Final Fantasy scores were played. This year there is another concert scheduled in the same location, for game music.
Thank God for that. You can shut them, say, 'Hold on a moment.' You play God to it. But who has ever torn himself from the claw that encloses you when you drop a seed in a TV parlour? It grows you any shape it wishes! It is an environment as real as the world. It becomes and is the truth. Books can be beaten down with reason. But with all my knowledge and scepticism, I have never been able to argue with a one-hundred-piece symphony orchestra, full colour, three dimensions, and I being in and part of those incredible parlours.
New York. It's home to opera, Broadway, museums, the ballet and orchestra - everything that I love. The most real people in the world live there.
There is much modern music that is better adapted to a wind combination than to a string, although for obvious reasons originally scored for an orchestra. If in such cases the interpretation is equal to the composition the balance of a wind combination is more satisfying.
If a symbolic language dies, it tortures us like a nightmare, like a thousand piece orchestra grating on our nerves and tearing our mind to pieces.. .It is a corpse with no symbolic power or strength.
Shared leadership... is less like a an orchestra, where the conductor is always in charge, and more like a jazz band, where leadership is passed around ... depending on what the music demands at the moment and who feels most moved by the spirit to express the music.
I don't mind conducting the orchestra if I can play the violin.
At concerts, for me, the orchestra was like a painter. It flooded me with all the colours of the rainbow. If the violin came in by itself, I was suddenly filled with gold and fire, and with red so bright I could not remember having seen it on any object.
There are two kinds of music. One comes from the strings of a guitar, the other from the strings of the heart. One sound comes from a chamber orchestra, the other from the beating of the heart's chamber. One comes from an instrument of graphite and wood, the other from an organ of flesh and blood. This loftier music I speak of tonight is more pleasing than the notes of the most gifted composers, more moving than a marching band, more harmonious than a thousand voices joined in hymn and more powerful than all the world's percussion instruments combined. That sweet sound of love.
I change the language with which I use my voice. In opera, I know I have an orchestra behind me; I have to communicate to people very far from me.
Let me say that I've never thought to conduct because the conductor has to think to the music before the orchestra. And the orchestra comes later. For me, it's terrible.
It was so much fun conducting an orchestra and watching the musicians' faces as some of Kanye's lyrics went by. They couldn't believe what was going on.
I studied trumpet for almost 15 years and was performing with a professional concert marching band in parades and rodeos. I was headed back east to study music, and if I hadn't been intrigued with the Native American flute, I suppose I'd now be jockeying for first chair of the brass section of some orchestra, or perhaps I'd be teaching music in a school system.
The piano is like an orchestra - I'm very fortunate that I chose it as my instrument.
My ex-wife was trying to be nice once, so she took me to a concert in Los Angeles. I went with her to Symphony Hall, and the orchestra was playing. When the show started, the spotlight was sharp on this one man (Andres Segovia) and he had sombrero on and his guitar propped up like this and, oh man ... he was a master ! - I really heard it. That one guitar sounded like a whole orchestra to me.
Remember, if you do the same act for 20, 30 years it gets a little boring unless you've got something else going for you... And the orchestra really kept you going. They'd laugh at all your jokes, even if they'd been hearing them for the last 30 years.
One has to build a fist against anti-Semitism-a first class orchestra will be this fist.
I love the sound of snow... You can hear it even if you are only standing on a balcony. [The sound] is only minimal, not even a real noise: a breath, a trifle of a sound. You have the same thing in music: if in the score there is a pianissimo marked that ends in nothing. Up thee you can feel this 'nothing'. With an orchestra it is very difficult to achieve it. The Berlin Philharmonic manage it sometimes.
A man of forty today has nothing to worry him but falling hair, inability to button the top button, failing vision, shortness of breath, a tendency of the collar to shut off all breathing, trembling of the kidneys to whatever tune the orchestra is playing, and a general sense of giddiness when the matter of rent is brought up. Forty is Life's Golden Age.
I used to think that running an organization was equivalent to conducting a symphony orchestra. But I don't think that's quite it; it's more like jazz. There is more improvisation. Someone once wrote that the sound of surprise is jazz, and if there's any one thing that we must try to get used to in this world, it's surprise and the unexpected. Truly, we are living in world where the only thing that's constant is change.
They don't encourage quality today. When I was coming along, Columbia Records would sit with you and assume it would take two or three albums to get the act where it needed to be. Then the company would structure its promotion based on one, two or three years. They encouraged quality and innovation - that's why groups like the Beatles would use sitars, string orchestras and so forth.
Start three bars before something.
Start at B. Yes. No. Yes. No.
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