Paint Quotes - Page 9

• all his prayers of the past had been simple concrete requests: God, give me a bicycle, a knife with seven blades, a box of oil paints. Only how, how, could you say something so indefinite, so meaningless as this: God, let me be loved.

  Truman Capote

  Prayer, Past, Simple

  Truman Capote (2007). “Other Voices, Other Rooms”, p.62, Vintage

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• Anyway, it's like with bikes,' said the first speaker authoritatively. 'I thought I was going to get this bike with seven gears and one of them razorblade saddles and purple paint and everything, and they gave me this light blue one. With a basket. A girl's bike.' 'Well. You're a girl,' said one of the others. 'That's sexism, that is. Going around giving people girly presents just because they're a girl.

  Terry Pratchett

  Girl, Light, Blue

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• A vocation is not something you slap on, like a coat of paint, and change whenever you want. A vocation is built into you. You have no choice. If you try to do something else, you fail.

  Cinda Williams Chima

  Choices, Trying, Coats

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• She was all the things I wasn't. And i was all the things she wasn't. she could paint circles around anyone; I couldn't even draw a straight line. She was never into sports; I've always been. Her hand, it fit mine.

  Jodi Picoult

  Sports, Hands, Circles

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• I understood why she did it. At that moment I knew why people tagged graffiti on the walls of neat little houses and scratched the paint on new cars and beat up well-tended children. It was only natural to want to destroy something you could never have.

  Janet Fitch

  Children, Wall, People

  Janet Fitch (2002). “White Oleander”, Large Print Press

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• We artists are indestructible; even in a prison, or in a concentration camp, I would be almighty in my own world of art, even if I had to paint my pictures with my wet tongue on the dusty floor of my cell.

  Pablo Picasso

  Art, Determination, Cells

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• Abe swept in, resplendent in a gray and yellow suit that coordinated bafflingly well with Adrian's paint job.

  Richelle Mead

  Jobs, Yellow, Suits

  Richelle Mead (2011). “Bloodlines”, p.263, Penguin

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• With so much reading ahead of you, the temptation might be to speed up. But in fact it’s essential to slow down and read every word. Because one important thing that can be learned by reading slowly is the seemingly obvious but oddly underappreciated fact that language is the medium we use in much the same way a composer uses notes, the way a painter uses paint. I realize it may seem obvious, but it’s surprising how easily we lose sight of the fact that words are the raw material out of which literature is crafted.

  Francine Prose

  Reading, Sight, Temptation

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• My dream is to walk around the world. A smallish backpack, all essentials neatly in place. A camera. A notebook. A traveling paint set. A hat. Good shoes. A nice pleated (green?) skirt for the occasional seaside hotel afternoon dance.

  Maira Kalman

  Notebook, Dream, Travel

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• OF writing many books there is no end; And I who have written much in prose and verse For others' uses, will write now for mine,- Will write my story for my better self, As when you paint your portrait for a friend, Who keeps it in a drawer and looks at it Long after he has ceased to love you, just To hold together what he was and is.

  Elizabeth Barrett Browning

  Book, Love You, Writing

  Elizabeth Barrett Browning (2013). “Delphi Complete Works of Elizabeth Barrett Browning (Illustrated)”, p.913, Delphi Classics

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• The beloved's innocence brutalizes the lover. As the singing of a mad person behind you on the train enrages you, its beautiful animal-like teeth shining amid black planes of paint. As Helen enrages history. Senza uscita.

  Anne Carson

  Beautiful, Animal, Mad

  Anne Carson (2015). “Plainwater: Essays and Poetry”, p.88, Vintage

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• Paint what you like and die happy

  Henry Miller

  Dies

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• I cannot draw a human figure if I don't know the order of his bones, muscles or tendons. Same is that I cannot draw a human face if I don't know what's going on his mind and heart. In order to paint life one must understand not only anatomy, but what people feel and think about the world they live in. The painter who knows his own craft and nothing else will turn out to be a very superficial artist.

  Irving Stone

  Heart, Artist, Thinking

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• * to know a lot of people I love pieces of, and to want to synthesize those pieces in me somehow, be it by painting or writing. * to know that millions of others are unhappy and that life is a gentleman's agreement to grin and paint your face gay so others will feel they are silly to be unhappy, and try to catch the contagion of joy, while inside so many are dying of bitterness and unfulfillment.

  Sylvia Plath

  Silly, Writing, Gay

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• The ladies men admire, I've heard, Would shudder at a wicked word. Their candle gives a single light, They'd rather stay at home at night. They do not keep awake 'till three, Nor read erotic poetry. They never sanction the impure, Nor recognize an overture. They shrink from powders and from paints... So far I've had no complaints.

  Dorothy Parker

  Humorous, Home, Night

  Dorothy Parker (1936). “Not So Deep as a Well”, Macmillan Company of Canada

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• Peeta crouches down on the other side of her and strokes her hair. When he begins to speak in a soft voice, it seems almost nonsensical, but the words aren’t for me. “With my paint box at home, I can make every color imaginable. Pink. As pale as a baby’s skin. Or as deep as rhubarb. Green like spring grass. Blue that shimmers like ice on water.

  Suzanne Collins

  Baby, Spring, Home

  Suzanne Collins (2010). “Catching Fire (The Second Book of the Hunger Games)”, p.312, Scholastic Inc.

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• This is less teaching than damage control. You may as well paint a house that’s on fire.

  Chuck Palahniuk

  Teaching, Fire, Damage Control

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• No one can say if you are that person who, given good paint, good brushes, and a fine canvas, can produce something better than the factory man. That is, and has always been, beyond the realm of science. You do have the attitude of the dreamer about you. For that reason, I haven't the heart to argue anymore about this - it is a hopeless talk. And for a simple factory man like me, an effort must be abandoned once its hopelessness is exposed. Only the artist perseveres in such circumstances. (193)

  David Wroblewski

  Attitude, Heart, Men

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• I'll paint you moments of gold, I'll spin you Valentine evenings.

  David Bowie

  Romantic, Valentine, Labyrinth

  "Song: As The World Falls Down". 1986.

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• It shouldn't be the consumer's responsibility to figure out what's cruel and what's kind, what's environmentally destructive and what's sustainable. Cruel and destructive food products should be illegal. We don't need the option of buying children's toys made with lead paint, or aerosols with chlorofluorocarbons, or medicines with unlabeled side effects. And we don't need the option of buying factory-farmed animals.

  Jonathan Safran Foer

  Children, Responsibility, Animal

  "Eating Animals". Book by Jonathan Safran Foer, 2009.

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• Staring at him the way she might stare at a beloved place she was not sure she would ever see again, trying to commit the details to memory, to paint them on the backs of her eyelids that she might see it when she shut her eyes to sleep.

  Cassandra Clare

  Memories, Sleep, Eye

  Cassandra Clare (2013). “Clockwork Prince”, p.467, Simon and Schuster

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• Better that we leave the paint behind," Hans told her, "than ever forget the music.

  Markus Zusak

  Forget, Behinds

  Markus Zusak (2014). “Markus Zusak: The Book Thief & I Am the Messenger”, p.356, Knopf Books for Young Readers

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• The impulse to paint comes neither from observation nor from the soul (which is probably blind) but from an encounter: the encounter between painter and model: even if the model is a mountain or a shelf of empty medicine bottles.

  John Berger

  Medicine, Soul, Mountain

  John Berger (1995). “Adventure of painting”

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• It was a bird. A bird struggling through stickiness: a bird coated in paint, floundering in its nest, splashing color everywhere. Red. Red. Red. Dozens of them: black feathers coated thickly with crimson-colored paint, fluttering among the branches. Red means run.

  Lauren Oliver

  Running, Struggle, Mean

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• the growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humour. Then more details are required and one paints a second portrait, and a third – before long the best lines cancel out – and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such fatuous accounts of ourselves as we make to our wives and children and business associates are accepted as true

  F. Scott Fitzgerald

  Children, Giving, Wife

  F. Scott Fitzgerald (2013). “Three Novels: Tender is the Night; The Beautiful and Damned; Thi”, p.415, Simon and Schuster

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