One of my all-time favorite photographers is Irving Penn. I wish I could have watched him work.
I'm not against digital photography. It's great for newspapers. And there are photographers doing great work digitally. When they use Photoshop as a darkroom tool, that's fine, too. But at this point of my life, after so many years, I don't really want to change, and I still love film.
If I hadn't become a photographer, I would have loved to become a doctor. I would have loved to have done something that actually helped people and changed their lives.
Do we know what we look like? Not really.
When we hold a photo negative up to the light all objects are reversed. Black is white, white is black. Moreover, the character lines of any face in the picture are not clear. Once placed into the developing solution, what photographers call "the latent image" is revealed in the print-darkness is turned to light; and, lo, we have a beautiful picture.
As long as designers want to dress me, photographers want to take my picture and companies think my face will help their products, then I won't go anywhere until they're done with me.
I get to work with great photographers, wear lovely clothes, be part of the creative process.
I'm an amateur photographer, apart from being a professional one, and I think maybe my amateur pictures are the better ones.
The thing is that when you don't carry a camera, that's when you see pictures in particular, or at least that's when you think you see pictures in particular. When you do carry it, if you do see one on the occasion that you do, you can take it.
It's just seeing - at least the photography I care about. You either see or you don't see. The rest is academic. Anyone can learn how to develop. It's how you organize what you see into a picture.
I don't think you can create luck. You're either lucky or you're not. I don't know if it's really luck or if it's just curiosity. I think the main ingredient, or a main ingredient for photography is curiosity. If you're curious enough and if you get up in the morning and go out and take pictures, you're likely to be more lucky than if you just stay at home.
I like things that have to do with what is real, elegant, well presented and without excessive style. In other words, just fine observation.
Working myself into a position of total versatility, so that I can do anything I want to do at the time I want to do it. Whether I do it or not is another question.
I'm a writer and a photographer - I'm totally aware that doesn't always translate to TV.
I don't know why my pictures come out looking so good. I just don't get it.
People, photographers, people in the press can sometimes be inappropriate.
I'm not a war photographer. I've always dealt with the consequences of conflict.
My mom is a painter and photographer and my grandfather was an artist, so I've always been surrounded by creative people.
I may be wrong, but the essential illustrative nature of most documentary photography, and the worship of the object per se, in our best nature photography, is not enough to satisfy the man of today, compounded as he is of Christ, Freud, and Marx.
Like most photographers, I try to capture a moment in my work.
I've been an amateur photographer since my teens.
Whether a photo or music, or a drawing or anything else I might do—it’s ultimately all an abstraction of my peculiar experience.
I was the Playmate editor for Playboy for two years. I produced two years' worth of centerfolds. I did everything on that, from picking the girls to designing the sets to picking the wardrobe, coming up with themes, assigning the photographer, down to editing the photos and approving the retouching.
Philosophy can forsake too easily the details of experience… many writers and painters have demonstrated that thinking long about what art is or ought to be ruins the power to write or paint.
The word beauty is unavoidable … it accounts for my decision to photograph … There appeared a quality, beauty seemed the only appropriate word for it, in certain photographs, and I am compelled to live with the vocabulary of this new sight … through over many years [I] still find it embarrassing to use the word beauty, I fear I will be attacked for it, but I still believe in it.
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