The painter constructs, the photographer discloses.
One should really use the camera as though tomorrow you'd be stricken blind. To live a visual life is an enormous undertaking, practically unattainable. I have only touched it, just touched it.
If I like many photographers, and I do, I account for this by noting a quality they share - animation. They may or may not make a living by photography, but they are alive by it.
The more you photograph, the more you realize what can and what can't be photographed. You just have to keep doing it.
Photography has no rules, it is not a sport. It is the result which counts, no matter how it is achieved.
My own eyes are no more than scouts on a preliminary search, or the camera's eye may entirely change my idea.
At 42, I decided to become a photographer because it offered a means of creative thought and action. I didn't rationalize this, I just felt it intuitively and followed my intuition, which I have never regretted.
Of course I realize that photography is not the technical facility as much as it is the eye, and this decision that one makes for the moment at which you are going to snap, you know.
My pictures are about a search for a moment—a perfect moment. To me the most powerful moment in the whole process is when everything comes together and there is that perfect, beautiful, still moment. And for that instant, my life makes sense.
As I have practiced it, photography produces pleasure by simplicity. I see something special and show it to the camera. A picture is produced. The moment is held until someone sees it. Then it is theirs.
It matters little how much equipment we use; it matters much that we be masters of all we do use.
My best work is often almost unconscious and occurs ahead of my ability to understand it.
When I'm ready to make a photograph, I think I quite obviously see in my minds eye something that is not literally there in the true meaning of the word. I'm interested in something which is built up from within, rather than just extracted from without.
In order for the light to shine so brightly, the darkness must be present.
A fool sees not the same tree that a wise man sees.
To take photographs means to recognize - simultaneously and within a fraction of a second - both the fact itself and the rigorous organization of visually perceived forms that give it meaning. It is putting one's head, one's eye and one's heart on the same axis.
You push the button, we do the rest.
I love the medium of photography, for with its unique realism it gives me the power to go beyond conventional ways of seeing and understanding and say, This is real, too.
To compose a subject well means no more than to see and present it in the strongest manner possible.
It is an illusion that photos are made with the camera... they are made with the eye, heart and head.
Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever... it remembers little things, long after you have forgotten everything.
Photography, painting or poetry - those are just extensions of me, how I perceive things; they are my way of communicating.
Be yourself. I much prefer seeing something, even it is clumsy, that doesn't look like somebody else's work.
I think the best pictures are often on the edges of any situation, I don't find photographing the situation nearly as interesting as photographing the edges.
My first thought is always of light.
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